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This critical, multi-volume edition of Mao's writings is an indispensable guide to post-1949 Chinese politics and an invaluable research tool for anyone seeking to understand Communist rule in China
For the past two decades a number of historians have argued that the CCP was a nationalist movement and that the United States missed its opportunity to establish friendly relations because U.S. leaders were blinded by fears of an international Communist threat. In his provocative book, Michael Sheng strongly challenges this position.
Frank Sargeson wrote fiction for over half a century as well as occasional criticism in many forms and on many topics. Writers considered include D. H. Lawrence, Sherwood Anderson, Henry Lawson and Olive Schreiner besides fellow New Zealanders such as Katherine Mansfield, Janet Frame, Dan Davin, James Courage, Bill Pearson, and Ronald Hugh Morrieson. He was particularly concerned with societies which grew on the nineteenth-century European colonial frontiers, and with the writers they produced. A comprehensive bibliography of Sargeson's non-fiction prose is included.
This collection of the correspondence of Mao Zedong during the period 1956 to 1957 explores the question of legitimatizing the leadership of the CCP, the pace of the socialist transformation of China's economy, and the issue of the divergence of ideological opinion over the strategy of revolution.
First published in 2001. This is the first substantial reference work in English on the various forms that constitute "life writing." As this term suggests, the Encyclopedia explores not only autobiography and biography proper, but also letters, diaries, memoirs, family histories, case histories, and other ways in which individual lives have been recorded and structured. It includes entries on genres and subgenres, national and regional traditions from around the world, and important auto-biographical writers, as well as articles on related areas such as oral history, anthropology, testimonies, and the representation of life stories in non-verbal art forms.