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In this volume is a masterpiece of medieval literature and spirituality from the 14th-century (1300-1366) German Dominican mystic.
'If this is not heaven, I do not know what heaven is, for all the suffering that can ever be put into words, could not enable anyone to earn such a reward and for ever possess it.' A central figure in Christian mystical literature, the Dominican Prior Henry Suso was the author of the seminal work The Life of the Servant. Transcribed by an enlightened amanuensis without his explicit consent, Suso began burning the manuscript until a heavenly missive from God decreed that the text should be spared further desecration. The remaining fragments of that conflagration are vividly resurrected in this volume, elegantly translated by James M. Clark. Suso's subjective account of the spiritual and invisible world, told in prose of unsurpassed poetic beauty, is reflective of the ardent spirituality of his devotion. Informed by severe mortifications, visions, ecstasies and revelations, this canonical text endures as a sublime cultural artefact. Resonating profoundly with contemporary concerns about austerity and materialism, this classic text of mysticism is once again accessible to a new generation of readers and to those existing admirers seeking to re-evaluate its many virtues.
The LITTLE BOOK OF ETERNAL WISDOM is among the best of the writings of Blessed Henry Suso, a priest of the Order of St. Dominic, who lived a life of wonderful labours and sufferings, and died in the Fourteenth century with a reputation for sanctity which the Church has solemnly confirmed. Gregory XVI granted to the whole Order of St. Dominic the privilege of celebrating his office, and of offering the Mass yearly in his honour, appointing the Second of March for his festival.
O divine Wisdom, Lord of heaven and earth, I humbly beg pardon for my audacity in attempting to speak of your perfections, ignorant and sinful as I am. I beg you not to consider the darkness of my mind or the uncleanness of my lips unless it be to take them away with a glance of your eyes and a breath of your mouth. Aeterna Press
BLESSED HENRY SUSO COLLECTION [2 BOOKS] — Quality Formatting and Value — Active Index, Multiple Table of Contents for all Books — Multiple Illustrations Henry Suso, O.P. (also called Amandus, a name adopted in his writings, and Heinrich Seuse in German), was a German Dominican friar and the most popular vernacular writer of the fourteenth century (when considering the number of surviving manuscripts). An important author in both Latin and Middle High German, he is also notable for defending Meister Eckhart's legacy after Eckhart was posthumously condemned for heresy in 1329. He died in Ulm on 25 January 1366, and was beatified by the Catholic Church in 1831. Suso was born Heinrich von Berg, a member of the ruling family of Berg. He was born in either the Free imperial city of Überlingen on Lake Constance or nearby Constance, on 21 March 1295, and perhaps on that date up to 1297. Later, out of humility and devotion to his mother, he took her family name, which was Sus (or Süs). At 13 years of age he was admitted to the novitiate of the Dominican Order at their priory in Constance. After completing that year of probation, he advanced to do his preparatory, philosophical, and theological studies there. —BOOKS— A LITTLE BOOK OF ETERNAL WISDOM THE LIFE OF BLESSED HENRY SUSO PUBLISHER: AETERNA PRESS
One of the most influential German mystical writers of the 14th century, Johannes Tauler (c. 1300-1361) spent his life as a mendicant preacher in the Order of Preachers. These selected sermons show Tauler's emphasis on the via negativa together with his insistence on the importance of cataphatic mysticism and the merits of an active life.
Building upon recent scholarly interest in mystics and mysticism in late medieval Europe, this book explores the visual representation of female and male saints depicted as brides or bridegrooms of Christ in northern European art from 1300 to 1550. The mystic marriage imagery of St. Catherine of Alexandria, St. Agnes of Rome, St. John the Evangelist, St. Bernard of Clairvaux, and the Blessed Henry Suso is studied through an analysis of a wide range of paintings, illuminated manuscripts, prints, and sculpture. From these case studies, Muir argues that different visual conventions were used in the art of this period to portray the male and female experiences of mystic marriage and suggests possible reasons for these differences. She further considers why comparatively few mystics were visually portrayed in a mystic marriage with Christ, despite the large number recorded as having had that experience. Providing insights into the meanings of the mystical experience when portrayed in visual terms, this book will appeal to art historians as well as to other medievalists with an interest in the intersections of art, religion, and gender.