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Peter the Venerable's extensive literary legacy includes poems, a large epistolary collection, and polemical treatises. The first of his four major polemics targeted a Christian heresy, the Petrobrussians (Against the Petrobrusians); the rest took aim at Jews and Saracens. Catholic University of America Press has published his Against the Inveterate Obduracy of the Jews. This present volume will make available in their entirety Peter the Venerable's twin polemics against Islam - A Summary of the entire heresy of the Saracens and Against the sect of the Saracens - as well as related correspondence. These works resulted from a sustained engagement with Islam begun during Peter's journey to Spain in 1142-43. There the abbot commissioned a translation of sources from the Arabic, the so-called Toledan Collection, that include the Letter of a Saracen with a Christian Response (from the Apology of [Ps.] Al-Kindi ); Fables of the Saracens (a potpourri of Islamic hadith traditions); and Robert of Ketton's first Latin translation of the whole of the Qur'an. Thanks to Peter's efforts, from the second half of the twelfth century Christians could acquire a far better understanding of the teachings of Islam, and Peter may rightly be viewed as the initiator of Islamic studies in the West.
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
Medieval Christian writers distorted the teachings of Islam and caricatured its believers in a variety of ways. This book provides a comprehensive study of Christian polemical responses to Islam in the Middle Ages.
These images, which reached a broad and socially varied audience across Western Europe, appeared in virtually all artistic media, including illuminated manuscripts, stained glass, sculpture, metalwork, and tapestry.".
This volume offers a literary and cultural history of the idea of crusading over the last millennium.
Mirage of the Saracen analyzes the growth of monasticism and Christian settlements in the Sinai Peninsula through the early seventh century C.E. Walter D. Ward examines the ways in which Christian monks justified occupying the Sinai through creating associations between Biblical narratives and Sinai sites while assigning uncivilized, negative, and oppositional traits to the indigenous nomadic population, whom the Christians pejoratively called "Saracens." By writing edifying tales of hostile nomads and the ensuing martyrdom of the monks, Christians not only reinforced their claims to the spiritual benefits of asceticism but also provoked the Roman authorities to enhance defense of pilgrimage routes to the Sinai. When Muslim armies later began conquering the Middle East, Christians also labeled these new conquerors as Saracens, connecting Muslims to these pre-Islamic representations. This timely and relevant work builds a historical account of interreligious encounters in the ancient world, showing the Sinai as a crucible for forging long-lasting images of both Christians and Muslims, some of which endure today.
"Against the Inveterate Obduracy of the Jews represents a turning point in medieval anti-Jewish polemics. On the one hand, the polemic's intention--to bring about the conversion of the Jews--is predicated on an assumption that Jews are rational agents who may be persuaded of Christian truths by philosophical argument, empirical evidence, and proper biblical exegesis. On the other hand, Peter also introduced the notion that the Jews' enduring "blindness" stems from a persistent strain of bestial irrationality, for which they themselves are responsible. Peter traces this irrationality to the medieval Jews' commitment to the Talmud. Peter is the first medieval Christian author to name the Talmud explicitly. The Jewish convert to Christianity, Petrus Alfonsi, had ridiculed Talmudic folklore in his Dialogue Against the Jews. Peter the Venerable borrowed from but also surpassed Alfonsi's critique, as even his use of the name Talmud indicates. By emphasizing the irrationality of the Jews, Peter cast doubt upon their essential humanity and paved the way toward an increasingly violent treatment of the Jewish minority in medieval Christendom. Perhaps for this reason, Peter's Against the Inveterate Obduracy of the Jews has been popular among modern anti-Semites as well."--Publisher description.
In the summer of 972 a group of Muslim brigands based in the south of France near La Garde-Freinet abducted the abbot of Cluny as he and his entourage crossed the Alps en route from Rome to Burgundy. Ultimately, the abbot was set free, but the audacity of this abduction outraged Christian leaders and galvanized the will of local lords. Shortly thereafter, Count William of Arles marshaled an army and succeeded in wiping out the Muslim stronghold. The monks of Cluny kept this tale alive over the next century. Scott G. Bruce explores the telling and retelling of this story, focusing on the representation of Islam in each account and how that representation changed over time. The culminating figure in this study is Peter the Venerable, one of Europe's leading intellectuals and abbot of Cluny from 1122 to 1156, who commissioned Latin translations of Muslim texts such as the Qur'an. Cluny and the Muslims of La Garde-Freinet provides us with an unparalleled opportunity to examine Christian perceptions of Islam in the Crusading era.
In this book, Scarfe Beckett is concerned with representations of the Islamic world prevalent in Anglo-Saxon England. Using a wide variety of literary, historical and archaeological evidence, she argues that the first perceptions of Arabs, Ismaelites and Saracens which derived from Christian exegesis preconditioned wester expressions of hostility and superiority towards peoples of the Islamic world, and that these received ideas prevailed even as material contacts increased between England and Muslim territory. Medieval texts invariably represented Muslim Arabs as Saracens and Ismaelites (or Hagarenes), described by Jerome as biblical enemies of the Christian world three centuries before Muhammad's lifetime. Two early ideas in particular - that Saracens worshipped Venus and dissembled their own identity - continued into the early modern period. This finding has interesting implications for earlier theses by Edward Said and Norman Daniel concerning the history of English perceptions of Islam.