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Paola Brusasco's study offers an original insight into Sri Lankan literature in English and an exploration of cultural, social, and linguistic issues at the basis of the country's ethnic conflict. By focussing on two distinctive and representative writers, both Burghers, yet with different personal histories, Brusasco confronts issues of cartography, history, and language, all contributing to a specific definition of identity. Both Ondaatje and Muller are outsiders, the former because of his diasporic existence, the latter because of his excentricity within the reality of a divided country where the legacy of British colonialism and the process of redefinition following independence in 1948, as well as matters of geography and history, become crucial to writers.
Paola Brusasco's study offers an original insight into Sri Lankan literature in English and an exploration of cultural, social, and linguistic issues at the basis of the country's ethnic conflict. By focussing on two distinctive and representative writers, both Burghers, yet with different personal histories, Brusasco confronts issues of cartography, history, and language, all contributing to a specific definition of identity. Both Ondaatje and Muller are outsiders, the former because of his diasporic existence, the latter because of his excentricity within the reality of a divided country where the legacy of British colonialism and the process of redefinition following independence in 1948, as well as matters of geography and history, become crucial to writers.
Focusing on ways in which cultural nationalism has influenced both the production and critical reception of texts, Salgado presents a detailed analysis of eight leading Sri Lankan writers - Michael Ondaatje, Romesh Gunasekera, Shyam Selvadurai, A. Sivanandan, Jean Arasanayagam, Carl Muller, James Goonewardene and Punyakante Wijenaike – to rigorously challenge the theoretical, cultural and political assumptions that pit ‘insider’ against ‘outsider’, ‘resident’ against ‘migrant’ and the ‘authentic’ against the ‘alien’. By interrogating the discourses of territoriality and boundary marking that have come into prominence since the start of the civil war, Salgado works to define a more nuanced and sensitive critical framework that actively reclaims marginalized voices and draws upon recent studies in migration and the diaspora to reconfigure the Sri Lankan critical terrain.
SHORTLISTED FOR THE BOOKER PRIZE • A young man journeys into Sri Lanka’s war-torn north in this searing novel of longing, loss, and the legacy of war from the author of The Story of a Brief Marriage. “A novel of tragic power and uncommon beauty.”—Anthony Marra “One of the most individual minds of their generation.”—Financial Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TIME AND NPR A Passage North begins with a message from out of the blue: a telephone call informing Krishan that his grandmother’s caretaker, Rani, has died under unexpected circumstances—found at the bottom of a well in her village in the north, her neck broken by the fall. The news arrives on the heels of an email from Anjum, an impassioned yet aloof activist Krishnan fell in love with years before while living in Delhi, stirring old memories and desires from a world he left behind. As Krishan makes the long journey by train from Colombo into the war-torn Northern Province for Rani’s funeral, so begins an astonishing passage into the innermost reaches of a country. At once a powerful meditation on absence and longing, as well as an unsparing account of the legacy of Sri Lanka’s thirty-year civil war, this procession to a pyre “at the end of the earth” lays bare the imprints of an island’s past, the unattainable distances between who we are and what we seek. Written with precision and grace, Anuk Arudpragasam’s masterful novel is an attempt to come to terms with life in the wake of devastation, and a poignant memorial for those lost and those still living.
The contributions to this book amply demonstrate the richness, vitality, and complexity of the colonial transactions between Britain and India over the last two centuries, and they do so by approaching the topic from a specific perspective: by interpreting the rubric 'new readings' as broadly, creatively, and productively as possible. They cover a wide range of literary responses and genres: eighteenth-century drama, the gothic novel, verse, autobiography, history, religious writing, journalism, women's memoirs, travel writing, popular fiction, and the modernist novel. Brought together in one volume, these essays offer a small, but representative sample of the multifaceted literary and cultural traffic between Britain and India in the colonial period. In the richness and diversity of the various contributors' strategies and interpretations, these new readings urge us to return once again to texts that we think we know, as well as to explore those that we do not, with a freshly renewed sense of their complexity, immediacy, and relevance.
Gianluca Delfino’s study of one of the Caribbean’s most controversial authors paves the way for looking at Wilson Harris’s body of work in a new light. Harris’s imaginative approach to reality is discussed in relation to the categories of history and time with reference to several novels, with a special focus on The Infinite Rehearsal, Jonestown, and The Dark Jester, spanning more than forty years of his vast literary production. Delfino’s analysis, encompassing critical perspectives ranging from African philosophy to Jungian readings through historiography and anthropology, demonstrates that Harris’s works as a whole show a remarkable unity of thought rooted in their author’s complex imagination. As a result, the cross-cultural quality of Harris’s thought emerges as a healing outcome of the traumatic colonial encounter, bringing together elements of Amerindian, African, and European origin in an ongoing dialogue with time, nature, and the psyche.
In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.
Terror and Reconciliation explores the English language literature that has emerged from Sri Lanka’s quarter-century long ethnic conflict. It examines poetry, short fiction and novels by both diasporic writers and writers resident in Sri Lanka. Its discussion of resident Sri Lankan writers is particularly important because it calls attention to a rich and ambitious body of work that has largely been ignored in the Western academy and media until now. The book outlines the ways in which a wide range of resident and diasporic writers have sought to represent the conflict, mourn the violence and terror associated with the conflict, and present options for reconciliation in the conflict’s aftermath. The writers discussed grapple with issues of terrorism, human rights, nationalism, war, democracy, gender, ethnicity, and reconciliation, making this a study of profound interest for students and scholars of South Asian literature and culture, postcolonial studies, race and ethnic studies, women’s studies, and peace studies.
“The tale of two strangers suddenly thrust into a strange new relationship . . . an immersive portrait of life touched by war and despair.” —BuzzFeed (“Incredible New Books You Need to Read This Fall”) Shortlisted for the Dylan Thomas Prize Two and a half decades into a devastating civil war, Sri Lanka’s Tamil minority is pushed inexorably towards the coast by the advancing army. Amongst the evacuees is Dinesh, whose world has contracted to a makeshift camp where time is measured by the shells that fall around him like clockwork. Alienated from family, home, language, and body, he exists in a state of mute acceptance, numb to the violence around him, till he is approached one morning by an old man who makes an unexpected proposal: that Dinesh marry his daughter, Ganga. Marriage, in this world, is an attempt at safety, like the beached fishing boat under which Dinesh huddles during the bombings. As a couple, they would be less likely to be conscripted to fight for the rebels, and less likely to be abused in the case of an army victory. Thrust into this situation of strange intimacy and dependence, Dinesh and Ganga try to come to terms with everything that has happened, hesitantly attempting to awaken to themselves and to one another before the war closes over them once more. Anuk Arudpragasam’s The Story of a Brief Marriage is a feat of extraordinary sensitivity and imagination, a meditation on the fundamental elements of human existence. Set over the course of a single day and night, this unflinching debut confronts marriage and war, life and death, bestowing on its subjects the highest dignity, however briefly.
SHE LOVED FINE THINGS, AND SHE HAD NO DOUBT THAT SHE DESERVED THEM. . . . Young Latha knows that she was not meant to be a servant. She was born for finer things, like the rose-smelling soap she steals from the family she has worked for since she was five, or the glasses of fresh lime juice she helps herself to after a long day. But the hard truth is that her life is tied to Thara, the family’s spoiled daughter, and for the next thirty years they grow up bound by love, betrayal, resentment, and an impossible secret. Then there is Biso, a devoted mother of three, who risks everything to escape from her tyrannical husband. Though her journey begins with hope, she navigates a disastrous path that ultimately binds her story to Latha and Thara’s in the most unexpected and heartbreaking way. Set against the volatile backdrop of class and prejudice in Sri Lanka, A Disobedient Girl is a bold and deeply moving tale about the will to survive and the incredible power of the human spirit to transcend the unforgiving sweep of tragedy.