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Few black groups in the United States carry with them the romance, the gripping history, the pathos, the indestructible spirit of the Coe Ridge colony during the ninety years of its existence. ". . . a new and long needed departure in American historiography. . . . This is in every way an impressive book. It contains detailed accounts of the informants, tables of folklore motifs, genealogical charts, a prologue and epilogue explaining authoritatively the hypotheses of oral traditional history, and handsome photographs of the Coe Ridge area." --Richard M. Dorson, Journal of American History. "Lynwood Montell has written an invaluable book for all those interested in the use of oral tradition as a tool in the reconstruction of history. . . . This is a book worthy of being on any folklorist's shelf." --Richaed A. Reuss, Journal of American Folklore.
In this sequel to Conversations with Kentucky Writers, L. Elisabeth Beattie brings together in-depth interviews with sixteen of the state's premiere wordsmiths. This new volume offers the perspectives of poets, journalists, and scholars as they discuss their views on creativity, the teaching of writing, and the importance of Kentucky in their work. They talk frankly about how and why they do what they do. The writers speak for themselves, and their thoughts come alive on the page. Beattie's interviews reveal the allegiances and alliances among Kentucky writers that have shaped literary trends by bringing together people with shared interests, values, subjects, and styles. The interviewees include authors who are captivated in other writers and in what they have to say about the process and craft of writing; educators who are interested in Kentucky writers and what their work reveals about the nature of creativity; and historians who are concerned with Kentucky's literary and cultural heritage. The interviews reveal patterns in Kentucky literature from mid-century to the millennium, as authors talk about how their sense of place has changed over the decades and reveal the ways in which the roots of Kentucky writing have produced a literary flowering at the century's end. Includes: Sallie Bingham, Joy Bale Boone, Thomas D. Clark, John Egerton, Sarah Gorham, Lynwood Montell, Maureen Morehead, John Ed Pearce, Ameilia Blossom Pegram, Karen Robards, Jeffrey Skinner, Frederick Smock, Frank Steele, Martha Bennett Stiles, Richard Taylor, and Michael Williams.
Don't Go Up Kettle Creek is a historical portrayal of a river and the people who made their living along its banks and tributaries. Drawing upon the personal recollections and oral traditions of longtime residents, William Lynwood Montell describes a century and a half of life in the Upper Cumberland. Montell organized his material according to the topics that dominated his tape-recorded conversations with residents of the area-farming, logging and rafting, steamboating, the Civil War-topics that the people themselves saw as important in their history. In reconstructing the past, the author also illuminates the relationship between geographic and economic factors in the region; the prolonged affects of a cataclysmic event, the Civil War, on the isolated area; and the impact of modernization, in the form of "hard" roads and cheap, TVA-supplied electricity, on the traditional ways of people. First published in 1983, this book is now available in paperback for the first time. Included with this edition is a new foreword in which Montell and Mary Robbins, executive director of the Tennessee Upper Cumberland Tourism Association, describe changes in the area that have occured since the book's initial appearance. The Author: William Lynwood Montell, now retired, was coordinator of programs in folk and interculturual studies at Western Kentucky University. His numerous books include Ghosts along the Cumberland and The Saga of Coe Ridge.
Seventeen original essays by prominent scholars uncover fascinating stories and personalities from the Upper Cumberland region of Kentucky and Tennessee, often regarded as isolated and out of pace with the rest of the country, but seen here as having a far richer history and culture than previously thought.
Oral History: An Interdisciplinary Anthology is a collection of classic articles by some of the best known proponents of oral history, demonstrating the basics of oral history, while also acting as a guidebook for how to use it in research. Added to this new edition is insight into how oral history is practiced on an international scale, making this book an indispensable resource for scholars of history and social sciences, as well as those interested in oral history on the avocational level. This volume is a reprint of the 1984 edition, with the added bonus of a new introduction by David Dunaway and a new section on how oral history is practiced on an international scale. Selections from the original volume trace the origins of oral history in the United States, provide insights on methodology and interpretation, and review the various approaches to oral history used by folklorists, historians, anthropologists, and librarians, among others. Family and ethnic historians will find chapters addressing the applications of oral history in those fields.
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Oral history gives history back to the people in their own words. And in giving a past, it also helps them towards a future of their own making. Oral history and life stories help to create a truer picture of the past and the changing present, documenting the lives and feelings of all kinds of people, many otherwise hidden from history. It explores personal and family relationships and uncovers the secret cultures of work. It connects public and private experience, and it highlights the experiences of migrating between cultures. At the same time it can bring courage to the old, meaning to communities, and contact between generations. Sometimes it can offer a path for healing divided communities and those with traumatic memories. Without it the history and sociology of our time would be poor and narrow. In this fourth edition of his pioneering work, fully revised with Joanna Bornat, Paul Thompson challenges the accepted myths of historical scholarship. He discusses the reliability of oral evidence in comparison with other sources and considers the social context of its development. He looks at the relationship between memory, the self and identity. He traces oral history through its own past and weighs up the recent achievements of a movement which has become international, with notably strong developments in North America, Europe, Australia, Latin America, South Africa and the Far East, despite resistance from more conservative academics. This new edition combines the classic text of The Voice of the Past with many new sections, including especially the worldwide development of different forms of oral history and the parallel memory boom, as well as discussions of theory in oral history and of memory, trauma and reconciliation. It offers a deep social and historical interpretation along with succinct practical advice on designing and carrying out a project, The Voice of the Past remains an invaluable tool for anyone setting out to use oral history and life stories to construct a more authentic and balanced record of the past and the present.
No one has written more about the African American experience in Missouri over the past four decades than Gary Kremer, and now for the first time fourteen of his best articles on the subject are available in one place with the publication of Race and Meaning: The African American Experience in Missouri. By placing the articles in chronological order of historical events rather than by publication date, Kremer combines them into one detailed account that addresses issues such as the transition from slavery to freedom for African Americans in Missouri, all-black rural communities, and the lives of African Americans seeking new opportunities in Missouri’s cities. In addition to his previously published articles, Kremer includes a personal introduction revealing how he first became interested in researching African American history and how his education at Lincoln University--and specifically the influence of his mentor, Lorenzo Greene--helped him to realize his eventual career path. Race and Meaning makes a collection of largely unheard stories spanning much of Missouri history accessible for the first time in one place, allowing each article to be read in the context of the others, and creating a whole that is much greater than the sum of its parts. Whether you are a student, researcher, or general reader, this book will be essential to anyone with an interest in Missouri history.