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A "profound and provocative" new work by the Pulitzer Prize-winning author of Disgraced and American Dervish: an immigrant father and his son search for belonging—in post-Trump America, and with each other (Kirkus Reviews). One of the New York Times 10 Best Books of the Year One of Barack Obama's Favorite Books of 2020 Finalist for the 2021 Andrew Carnegie Medal for Excellence in Fiction A Best Book of 2020 * Washington Post * O Magazine * New York Times Book Review * Publishers Weekly "Passionate, disturbing, unputdownable." —Salman Rushdie A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father, a son, and the country they both call home. Ayad Akhtar forges a new narrative voice to capture a country in which debt has ruined countless lives and the gods of finance rule, where immigrants live in fear, and where the nation's unhealed wounds wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Central Europe to guerrilla lookouts in the mountains of Afghanistan, and spares no one—least of all himself—in the process.
The international bestseller, longlisted for the Dublin Literary Award 2021. Fernando Aramburu's Homeland is an epic and heartbreaking story of two best friends whose families are divided by the conflicting loyalties of terrorism. ‘It’s been a long time since I’ve read a book that was so persuasive and moving’ – Mario Vargas Llosa, author of Time of the Hero. The Basque Country, Spain, 2011. Miren and Bittori have lived side by side in a small Basque town all their lives. Their husbands play cards together, their children play and eventually go out drinking together. The terrorist threat posed by ETA seems to affect them little. When Bittori’s husband starts receiving threatening letters – demanding money, accusing him of being a police informant – she turns to her friend for help. But Miren’s loyalties are torn: her son has just been recruited as a terrorist and to denounce them would be to condemn her own flesh and blood. Tensions rise, relationships fracture, and events move towards a tragic conclusion . . . ‘Is Aramburu the Tolstoy of the Basque country, author of a Spanish language War and Peace?’ – Guardian
This powerful poetry collection seeks to map the emotional and spiritual territory of diaspora, violence, abuse, and exile. Kai Cheng incorporates autobiographical details from her own childhood and adult life with the rhythms of the oral storytelling tradition and fairytale motifs, poignantly depicting the plight of trans women of color.
In Cory Doctorow's wildly successful Little Brother, young Marcus Yallow was arbitrarily detained and brutalized by the government in the wake of a terrorist attack on San Francisco—an experience that led him to become a leader of the whole movement of technologically clued-in teenagers, fighting back against the tyrannical security state. A few years later, California's economy collapses, but Marcus's hacktivist past lands him a job as webmaster for a crusading politician who promises reform. Soon his former nemesis Masha emerges from the political underground to gift him with a thumbdrive containing a Wikileaks-style cable-dump of hard evidence of corporate and governmental perfidy. It's incendiary stuff—and if Masha goes missing, Marcus is supposed to release it to the world. Then Marcus sees Masha being kidnapped by the same government agents who detained and tortured Marcus years earlier. Marcus can leak the archive Masha gave him—but he can't admit to being the leaker, because that will cost his employer the election. He's surrounded by friends who remember what he did a few years ago and regard him as a hacker hero. He can't even attend a demonstration without being dragged onstage and handed a mike. He's not at all sure that just dumping the archive onto the Internet, before he's gone through its millions of words, is the right thing to do. Meanwhile, people are beginning to shadow him, people who look like they're used to inflicting pain until they get the answers they want. Fast-moving, passionate, and as current as next week, Homeland is every bit the equal of Little Brother—a paean to activism, to courage, to the drive to make the world a better place. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Homeland is the remarkable memoir of George Obama, President Obama’s Kenyan half brother, who found the inspiration to strive for his goal—to better the lives of his own people—in his elder brother’s example. In the spring of 2006, George met his older half brother, then–U.S. senator Barack Obama, for the second time—the first was when he was five. The father they shared was as elusive a figure for George as he had been for Barack; he died when George was six months old. George was raised by his mother and stepfather, a French aid worker, in a well-to-do suburb of Nairobi. He was a star pupil and rugby player at a top boarding school in the Mount Kenya foothills, but after his mother and stepfather separated when he was fifteen, he was deprived of the only father figure he had ever known. Now left angry, rebellious, and troubled, his life crashed and burned. George dropped out of school and started drinking and smoking hashish. From there it was only a short step to the gangland and a life of crime. He gravitated to Nairobi’s vast ghetto, and in the midst of its harsh existence discovered something wholly unexpected: a vibrant community and a special affinity with the slum kids, whom he helped survive amid grinding poverty and despair. When he was twenty, he and three fellow gangsters were arrested for a crime they did not commit and imprisoned for nine months in the hell of a Nairobi jail. In an extraordinary turn of events, George went on to represent himself and the other three at trial. The judge threw out the case, and George walked out of jail a changed man. After winning his freedom, George met his American brother for a second time, and was left with a strong impression that Barack would run for the American presidency. George was inspired by his older brother’s example to try to change the lives of his people, the ghetto-dwellers, for the better. Today, George chooses to live in the Nairobi ghetto, where he has set up his own community group and works with others to help the ghetto-dwellers, and especially the slum kids, overcome the challenges surrounding their lives. "My brother has risen to be the leader of the most powerful country in the world. Here in Kenya, my aim is to be a leader amongst the poorest people on earth—those who live in the slums." George Obama’s story describes the seminal influence Barack had on his future and reveals his own unique struggles with family, tribe, inheritance, and redemption.
Ideas defer to no border—least of all the idea of belonging. So where does one belong, and what does belonging even mean, when a border inscribes one’s identity? This dilemma, so critical to the ethnic Mexican community, is at the heart of Homeland, an intellectual, cultural, and literary history of belonging in ethnic Mexican thought through the twentieth century. Belonging, as Aaron E. Sánchez’s sees it, is an interwoven collection of ideas that defines human connectedness and that shapes the contours of human responsibilities and our obligations to one another. In Homeland, Sánchez traces these ideas of belonging to their global, national, and local origins, and shows how they have transformed over time. For pragmatic, ideological, and political reasons, ethnic Mexicans have adapted, adopted, and abandoned ideas about belonging as shifting conceptions of citizenship disrupted old and new ways of thinking about roots and shared identity around the global. From the Mexican Revolution to the Chicano Movement, in Texas and across the nation, journalists, poets, lawyers, labor activists, and people from all walks of life have reworked or rejected citizenship as a concept that explained the responsibilities of people to the state and to one another. A wealth of sources—poems, plays, protests, editorials, and manifestos—demonstrate how ethnic Mexicans responded to changes in the legitimate means of belonging in the twentieth century. With competing ideas from both sides of the border they expressed how they viewed their position in the region, the nation, and the world—in ways that sometimes united and often divided the community. A transnational history that reveals how ideas move across borders and between communities, Homeland offers welcome insight into the defining and changing concept of belonging in relation to citizenship. In the process, the book marks another step in a promising new direction for Mexican American intellectual history.
It is 1988, the year before the Berlin Wall came down. Jonathan Fabrizius, a journalist living in West Germany, is asked to travel to the contested lands of former East Prussia - where the Nazi legacy lives on in buildings and fortifications - to write about the route for a car rally. It's a plum job, but his interest is piqued by a personal connection. Here, among the refugees fleeing the advancing Russians in 1945, he was born. Homeland is a nuanced work from one of the great modern European storytellers, in which an everyday German comes face to face with his painful family history, and devastating questions about ordinary Germans' complicity in the war.
In this illuminating book, anthropologist Kirstin Erickson explains how members of the Yaqui tribe, an indigenous group in northern Mexico, construct, negotiate, and continually reimagine their ethnic identity. She examines two interconnected dimensions of the Yaqui ethnic imagination: the simultaneous processes of place making and identification, and the inseparability of ethnicity from female-identified spaces, roles, and practices. Yaquis live in a portion of their ancestral homeland in Sonora, about 250 miles south of the Arizona border. A long history of displacement and ethnic struggle continues to shape the Yaqui sense of self, as Erickson discovered during the sixteen months that she lived in Potam, one of the eight historic Yaqui pueblos. She found that themes of identity frequently arise in the stories that Yaquis tell and that geography and location—space and place—figure prominently in their narratives. Revisiting Edward Spicer’s groundbreaking anthropological study of the Yaquis of Potam pueblo undertaken more than sixty years ago, Erickson pays particular attention to the “cultural work” performed by Yaqui women today. She shows that by reaffirming their gendered identities and creating and occupying female-gendered spaces such as kitchens, household altars, and domestic ceremonial spaces, women constitute Yaqui ethnicity in ways that are as significant as actions taken by males in tribal leadership and public ceremony. This absorbing study contributes new empirical knowledge about a Native American community as it adds to the growing anthropology of space/place and gender. By inviting readers into the homes and patios where Yaqui women discuss their lives, it offers a highly personalized account of how they construct—and reconstruct—their identity.
An edge-of-your-seat original prequel based on Showtime's hit series Homeland Beirut, 2006. CIA operations officer Carrie Mathison barely escapes an ambush while attempting a clandestine meeting with a new contact, code-name Nightingale. Suspicious that security has been compromised, she challenges the station chief in a heated confrontation that gets her booted back to Langley. Expert in recognizing and anticipating behavioral patterns—a skill enhanced by her bipolar disorder she keeps secret to protect her career—Carrie is increasingly certain that a terrorist plot has been set in motion. She risks a shocking act of insubordination that helps her uncover secret evidence connecting Nightingale with Abu Nazir, the leader of Al Qaeda in Iraq. Determined to stop the terrorist mastermind, she embarks on an obsessive quest that will nearly destroy her. Filled with the suspense and plot twists that have made Homeland a must-watch series, this riveting tale reveals the compelling untold backstories of the series' main characters and takes fans deeper into the life and mind of one brilliant female spy.
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