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The history of Zimbabwe has always been reflected in its oral and written literature. Much of the serious fiction written in the 1980s and early 1990s focused on the effects of Zimbabwe?s war of liberation. Little has yet been written about post-independence Zimbabwe and the complex and challenging issues that have arisen in the last twenty years. This anthology of twenty-two short stories provides a representative sample of the range and quality of writing in Zimbabwe at the turn of the century, and an impressionistic reflection of the years since independence in 1980. Included are stories by established writers Shimmer Chinodya, Charles Mungoshi, Brian Chikwava; and some younger or less established writers, , Clement Chihota, Wonder Guchu, Chiedza Musengezi, Mary Ndlovu, Vivienne Ndlovu and Stanley Nyamfukudza. The collection also reflects a slightly broader perspective with stories by Alexandra Fuller, Derek Huggins, Pat Brickhill and Chris Wilson, who engage with historical memory of the conflicts out of which Zimbabwe arose, and the lessons to be drawn from living within a culture other than one?s own. Overall, the anthology reaffirms the persistent value attached to imaginative writing in Zimbabwe, and illustrates that the country?s literary tradition is alive and well, and reshaping itself for new times.
The fifteen stories in Women Writing Zimbabwe offer a kaleidoscope of fresh, moving, and comic perspectives on the way in which events of the last decade have impacted on individuals, women in particular. Several stories (Tagwira, Ndlovu and Charsley) look at the impact that AIDS has on women who become the care-givers, often without emotional or physical support. It is often assumed that women will provide support and naturally make the necessary sacrifices. Brickhill and Munsengezi focus on the hidden costs and unexpected rewards of this nurturing role. Many families have been separated over the last decade. Ndlovu, Mutangadura, Katedza, Mhute and Rheam all explore exile's long, often painful, reach and the consequences of deciding to remain at home. In lighter vein, but with equal sharpness of perception, Gappah, Manyika, Sandi, and Holmes poke gentle fun at the demands of new-found wealth, status and manners. Finally, Musariri reminds us that the hidden costs of undisclosed trauma can continue to affect our lives for years afterwards. All of the writers share a sensitivity of perception and acuity of vision. Reading their stories will enlarge and stimulate our own understanding.
"The twenty-three stories bring to life the effects of cultural, financial and political pressures on ordinary people in rural and urban situations." "From the contemporaneity of Shimmer Chinodya's ubiquitous queues and Brian Chikwava's feisty denizens of down-town Harare, back to the tragi-comedy of Alexandra Fuller's fancy dress party in the middle of the liberation war and Freedom Nyamubaya's first memories of that struggle, through to Gugu Ndlovu's poignant recollection of a father's imprisonment, Yvonne Vera's depiction of her, grandmother and Charles Mungoshi's searing story of ambition and self-deceit." "This collection juxtaposes humour, reportage, heart-breaking images, and finely drawn perceptions, providing us with a collage that reflects Zimbabwe's rich diversity."--BOOK JACKET.
Anthology of Zimbabwean short stories.
SHORTLISTED FOR THE 2020 BOOKER PRIZE A searing novel about the obstacles facing women in Zimbabwe, by one of the country’s most notable authors Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. For reasons that include her grim financial prospects and her age, she moves to a widow’s boarding house and eventually finds work as a biology teacher. But at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point. In This Mournable Body, Tsitsi Dangarembga returns to the protagonist of her acclaimed first novel, Nervous Conditions, to examine how the hope and potential of a young girl and a fledgling nation can sour over time and become a bitter and floundering struggle for survival. As a last resort, Tambudzai takes an ecotourism job that forces her to return to her parents’ impoverished homestead. It is this homecoming, in Dangarembga’s tense and psychologically charged novel, that culminates in an act of betrayal, revealing just how toxic the combination of colonialism and capitalism can be.
Weaver Press's previous collections of short stories, Writing Now and Writing Still, were highly praised for the quality of their prose and the imagination of their writers. They confirmed, for one reviewer, 'the paradoxical truth that troubled societies somehow produce some of the most interesting writing available. Laughing Now goes further, and demonstrates the enduring capacity of Zimbabweans to find humour in even the most difficult of circumstances. The stories embrace funerals, dancing competitions, family tensions, rampant inflation and endless queues for scarce goods. They take a wry look at pompous politicians, foreign filmmakers and the aspirations of the so-called 'new' farmers. Those by Gappah, Chingono and Eppel won the first three prizes in the recent Mukuru.com short story competition. Zimbabwean fiction in English has become world-renowned in recent decades, but its concerns - war, trauma and the trials of independence - have chronicled the pain of those periods. Laughing Now suggests that we are finding new ways to reflect our reality; that however many zeros we add to the rate of inflation, and however hungry we may become, humour is as good a responce as any.
This unflinching and powerful novel tells the "deeply felt and fiercely written" story of a young girl's journey out of Zimbabwe to America (New York Times Book Review). Darling is only ten years old, and yet she must navigate a fragile and violent world. In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad. But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her — from Junot Diaz to Zadie Smith to J.M. Coetzee — while she tells a vivid, raw story all her own. "Original, witty, and devastating." —People
The distinguished literary critic David Palumbo-Liu posits reading literature as an ethical act, a way of thinking through our relations to others in the age of globalization.
Leading cultural theorists consider the meaning and implications of world-scale humanist scholarship by engaging with Immanuel Wallersteins world-systems analysis.
"Tanaka Chidora writes with the nerve and verve of firework displays in these poems. There is a peace armed to the teeth here, and over there words are just fugitives scuttling away from the recognition of the reader. Through this burst of iron vocabulary discipline, the poet suggests that even if sadness could be all we are left with, we still need to give sadness a try until it becomes beautiful, because sadness has always been beautiful, anyway." - Memory Chirere, University of Zimbabwe