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The Butterfly Bruises is a collection of poems and stories regarding animals, the ocean, miscommunication, childhood, Northeastern versus Southern American culture, family, nature versus technology, and the imagination of the introvert. In these lyrical texts, a couple sleepwalks together, a therapist is imagined as a snake, a manatee befriends a widow, a ghost haunts an old Charleston home, and New York City becomes its own character. Stepping into these pages brings about new worlds—some full of magic, others full of mystery. Rewiev Quotes “Literary readers seeking writings replete with wake-up calls for change will find The Butterfly Bruises to be reflective, visionary, and hard to put down.” Diane Donovan of The Midwest Book Review “Palmer has her finger on the pulse of emotion; you can feel heartbreak and love in every stanza. A young poet capturing the colorful grace of her generation…” Jasper Soloff, Director and Photographer “Inventive, insightful and highly readable.” David Farley, author of An Irreverent Curiosity: In Search of the Church’s Strangest Relic in Italy’s Oddest Town “From sonnets to somnambulance, form algae to oxytocin, from manatees to Manhattan, Smith rides the riptides of memory’s fictions and frictions in this prolific debut.” Professor Robert Dewhurst, Poetry Critic and Scholar
Describes the geography, history, culture, and people of South Carolina.
Marshall’s poems traverse familial mythography to investigate contemporary politics, Blackness, reproductive justice, and the stakes of race and interracial partnership, queerness, and love. With an unflinching seriousness she interrogates womanhood, meditates on race and queerness, and considers the monetary, mental, and physical costs of adopting or birthing a Black child.
"How can we make South Carolina better?" Normally this issue is reserved for lawmakers and voters, but Writing South Carolina, volume 3, gives voice to fifty high school juniors and seniors from across the Palmetto State who have offered suggestions. The University of South Carolina Honors College annual writing contest presents a necessary voice for them as well as a revealing portrait of their lives and desires using their own words and insights. Contest judge Mary Alice Monroe provides the foreword for this volume and has said of the contributing students, "They are astonishingly talented, further ahead in the game than I was at their age." Through a variety of short, creative genres, students share their own gripping experiences in South Carolina, often about of growing up and going to school here. This year's selections range from poems about the cycle of abuse to short stories about minimum wage to essays about problematic sex education in public schools. Writing South Carolina, volume 3, offers a collection steeped in creativity, honesty, and clarity. High school students witness and encounter some of the most subtle and serious problems in South Carolina's school system—and they demand change. Monroe, a New York Times best-selling author of children's books and novels, including A Lowcountry Christmas and The Butterfly's Daughter, provides a foreword.
Young South Carolinians offer their perspectives on and visions for the future of the state "All of you who contributed to this book write much better than I did in high school." That remarkable observation was made by Pat Conroy in the foreword to the first collection of student writing generated by the South Carolina High School Writing Contest, and it embodies the contest's goals: to encourage young people to write, to think deeply and creatively, to express themselves, and thereby to recognize and cultivate their abilities. This second volume of Writing South Carolina features the insightful and inspiring entries of each of the twenty-nine winners and finalists: high school juniors and seniors who were challenged to share, using any genre, their ideas for making South Carolina a better place to live. Through essays, poems, and stories, students used their imaginations to celebrate South Carolina and to envision a state that might be improved by addressing civic and social ills, such as domestic violence, racism, drugs, poverty, and educational inequality. Despite being raised in the age of texts and tweets, these young writers offer their unique perspectives—often revealing, thought-provoking, troubling, and exhilarating—in language that is uniquely their own and often eloquent and passionate. Marjory Wentworth, who provides a foreword to this collection, is South Carolina's poet laureate and has served as a judge for the competition with Pat Conroy.
After the Civil War, the South was divided into five military districts occupied by Union forces. Out of these regions, a remarkable group of writers emerged. Experiencing the long-lasting ramifications of Reconstruction firsthand, many of these writers sought to translate the era's promise into practice. In fiction, newspaper journalism, and other forms of literature, authors including George Washington Cable, Albion Tourgee, Constance Fenimore Woolson, and Octave Thanet imagined a new South in which freedpeople could prosper as citizens with agency. Radically re-envisioning the role of women in the home, workforce, and marketplace, these writers also made gender a vital concern of their work. Still, working from the South, the authors were often subject to the whims of a northern literary market. Their visions of citizenship depended on their readership's deference to conventional claims of duty, labor, reputation, and property ownership. The circumstances surrounding the production and circulation of their writing blunted the full impact of the period's literary imagination and fostered a drift into the stereotypical depictions and other strictures that marked the rise of Jim Crow. Sharon D. Kennedy-Nolle blends literary history with archival research to assess the significance of Reconstruction literature as a genre. Founded on witness and dream, the pathbreaking work of its writers made an enduring, if at times contradictory, contribution to American literature and history.
Master storyteller Sherman Carmichael is back with more mysterious tales from South Carolina--from Plantersville to Loris and from Beaufort to Clinton. Many of these stories have been told and retold throughout generations, like the red-eyed specter that roams the stairwells of Wilson Hall at Converse College or the haunted grave site of Agnes of Glasgow in Camden. In 1987, a construction company unearthed the bodies of fourteen Union soldiers from the Civil War--twelve of the bodies were found without their heads. The Abbeville Opera House has a chair that remains open to this day for a patron who visited long ago. Join Carmichael for these and many more rare and offbeat stories from South Carolina.
In a thriller that is a cross between To Kill a Mockingbird and Midnight in the Garden of Good and Evil, Brian Hicks takes us into the insular world of mid-20th century Charleston society, where one of the most unlikely civil rights heroes of all time has hatched a secret plan to change America...if someone doesn't kill him first.
"Masculinity doesn't have to be toxic, but some men choose to put poison on their tongue ..." The Birth Of All Things is an eclectic mix of poems from Marcus Amaker, the first Poet Laureate of Charleston, SC.This personal collection delivers poems about a wide range of topics: life as a new dad, racism in America, Bjork, anxiety, Star Wars, masculinity, pandemics, black music, history, and more. Amaker is an award-winning graphic designer, musician, and performance poet. The Birth Of All Things is the sum of all of his talents.The book features an original illustration from Florida artist Nick Davis.