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This is the author's most influential work of literary theory and criticism in which she explores the relations between literature, philosophy, and psychoanalysis.
Large collection of stories, essays, and reviews by Gothic novelist Patrick McGrath. Illustrated.
From the #1 New York Times bestselling author of Killers of the Flower Moon and The Wager—and one of the most gifted reporters and storytellers of his generation—comes a “horrifying, hilarious, and outlandish” (Entertainment Weekly) collection of gripping true crime mysteries about people whose obsessions propel them into unfathomable and often deadly circumstances. "[Grann is] one of the preeminent adventure and true-crime writers working today."—New York Magazine Whether David Grann is investigating a mysterious murder, tracking a chameleon-like con artist, or hunting an elusive giant squid, he has proven to be a superb storyteller. In The Devil and Sherlock Holmes, Grann takes the reader around the world, revealing a gallery of rogues and heroes with their own particular fixations who show that truth is indeed stranger than fiction. Look for David Grann’s latest bestselling book, The Wager!
What does it mean to be "mad" in contemporary American society? How do we categorize people's reactions to extreme pressures, trauma, loneliness and serious mental illness? Importantly--who gets to determine these classifications, and why? This book seeks to answer these questions through studying an increasingly popular media genre--memoirs of people with mental illnesses. Memoirs, like the ones examined in this book, often respond to stigmatizing tropes about "the mad" in popular culture and engage with concepts in mental health activism and research. This study breaks new academic ground and argues that the featured texts rethink the possibilities of community building and stigma politics. Drawing on literary analysis and sociological concepts, it understands these memoirs as complex, at times even contradictory, approaches to activism.
And description -- Versatility of summary -- Control of emotion and aesthetic distance -- Scene or summary -- Description -- Setting a story by scene.
Based on the life of George Eliot, famed author of Middlemarch, this captivating account of Eliot’s passions and tribulations explores the nature of love in its many guises Dinitia Smith’s spellbinding novel recounts George Eliot’s honeymoon in Venice in June 1880 following her marriage to a handsome young man twenty years her junior. When she agreed to marry John Walter Cross, Eliot was recovering from the death of George Henry Lewes, her beloved companion of twenty-six years. Eliot was bereft: left at the age of sixty to contemplate profound questions about her physical decline, her fading appeal, and the prospect of loneliness. In her youth, Mary Ann Evans—who would later be known as George Eliot—was a country girl, considered too plain to marry, so she educated herself in order to secure a livelihood. In an era when female novelists were objects of wonder, she became the most famous writer of her day—with a male nom de plume. The Honeymoon explores different kinds of love, and of the possibilities of redemption and happiness even in an imperfect union. Smith integrates historical truth with her own rich rendition of Eliot’s inner voice, crafting a page-turner that is as intelligent as it is gripping.
This is one of the wisest books I've read in years... —New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers Weekly This is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew Dickman The accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco Examiner Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award. Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.
Out of Her Mind, edited by Rebecca Shannonhouse, captures the best literature by and about women struggling with madness. A remarkable chronicle of gifted and unconventional women who have spun their inner turmoil into literary gold, the collection features classic short stories, breathtaking literary excerpts, key historical writings, and previously unpublished letters by Zelda Fitzgerald. Shannonhouse’s recent anthology, Under the Influence: The Literature of Addiction, is also available as a Modern Library Paperback Original.
Cultural criticism meets poetry memoir--a contemporary master reflects on a life dedicated to poetry.
Hiding out in the Carribean until the heat dies down from his last job, X is thinking it’s time to ditch the resort life and calls up his old friend Morty to plot his return to London. But he’s hardly stepped off the plane when his associates, Sonny King and Roy ‘Twitchy’ Burns, get on the wrong side of a feuding Venezuelan drug cartel on the hunt for a sensitive package. Suddenly he’s thrown into a stand-off between rival mobs and with so many players in the game it’s tough going making out who wants to cut him a deal and who’s trying to kill him. Darkly comic, fast-paced and full of twists Viva la Madness is packed with sex, scams, drugs and enough dirty money to fill a few offshore bank accounts.