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Writing London asks the reader to consider how writers sought to respond to the nature of London. Drawing on literary and architectural theory and psychoanalysis, Julian Wolfreys looks at a variety of nineteenth-century writings to consider various literary modes of productions as responses to the city. Beginning with an introductory survey of the variety of literary representations and responses to the city, Writing London follows the shaping of the urban consciousness from Blake to Dickens, through Shelley, Barbauld, Byron, De Quincey, Engels and Wordsworth. It concludes with an Afterword which, in developing insights into the relationship between writing and the city, questions the heritage industry's reinvention of London, while arguing for a new understanding of the urban spirit.
The first study to consider how Irish writers have regarded, reported and represented London in their fiction, drama and poetry.
The presence of Irish writers is almost invisible in literary studies of London. The Irish Writing London redresses the critical deficit. A range of experts on particular Irish writers reflect on the diverse experiences and impact this immigrant group has had on the city. Such sustained attention to a location and concern of Irish writing, long passed over, opens up new terrain to not only reveal but create a history of Irish-London writing. Alongside discussions of MacNeice, Boland and McGahern, the autobiography of Brendan Behan and identity of Irish-language writers in London is considered. Written by an internal array of scholars, these new essays on key figures challenge the deep-seated stereotype of what constitutes the proper domain of Irish writing, producing a study that is both culturally and critically alert and a dynamic contribution to literary criticism of the city.
Writing London and the Thames Estuary is an ambitious study of place and identity which resonates deeply against the troubled politics of contemporaneity. Drawing on a broad range of cultural materials including novels, film, theatre, tourist literature, topography, chorology and sociological writing, Len Platt traces the making of the estuary as margin by a metropolis that has been dependent on this region, sometimes for its very survival. Drawing on writers and artists ranging from Middleton, Defoe, Pepys, Dickens, Conrad and T.S. Eliot through to such contemporary figures as Iain Sinclair, Nicola Barker, Tracy Emin and Billy Childish, Platt offers a fascinating insight into the formation of ‘estuary grotesque’, the social dismissal out of which post-Brexit politics have emerged to such controversy.
Writing Early Modern London explores how urban community in London was experienced, imagined and translated into textual form. Ranging from previously unstudied manuscripts to major works by Middleton, Stow and Whitney, it examines how memory became a key cultural battleground as rites of community were appropriated in creative ways.
What do writers such as Charles Dickens and Peter Ackroyd, Iain Sinclair and Robert Louis Stevenson have in common? The answer lies in the use these authors make of London as a fictional setting. Yet in these works and in those of other London writers the city is much more than merely a backdrop, instead becoming a character in its own right and creating a sense of place that is both a reflection and a reworking of the city. Here London is presented as a living organism, a huge and mysterious labyrinth, and the source of endless imagination. A whole world is contained by the city and within it the entire spectrum of human experience. From Bleak House to Hawksmoor, from Dr Jekyll and Mr Hyde to White Chappell Scarlet Tracings, London has continued to generate a series of fantastic visions. The humorous and the tragic, the grotesque and the bizarre, everything is possible here.In this book, Merlin Coverley examines the major themes in the development of the London novel from its origins in the Victorian metropolis and onward to the present day and the revival of London writing. On the way he explores the Occult Tradition and London Noir, the Disaster Novel and the rise of Psychogeography, and alongside the recognised classics of the genre he recovers some of those lost London writers whose works have been unjustly neglected.
Richardson explores how a powerful culture of writing was created in late medieval London, even though initially few inhabitants could actually write themselves. Whilst previous studies have tended to focus on middle-class literary reading patterns, this study examines writing skills separately both from reading skills and from literature.
Finalist for the Desmond Elliott Prize A "superb debut"* novel—based on the story of the author's grandmother—following an aristocratic woman who abandons her family and her money in search of a life she can claim as her own. (*The Guardian) Enid Campbell, granddaughter of a duke, grew up surrounded by servants, wanting for nothing except love. But when her brother died in the First World War, a new heir was needed, and it was up to Enid to provide it. A troubled marriage and three children soon followed. Broken by postpartum depression, overwhelmed by motherhood and a loveless marriage, Enid made the shocking decision to abandon her family, thereby starting a chain of events—a kidnap, a court case, and selling her son to her sister for £500—that reverberated through the generations. Interweaving one significant day in 1964, when it seems the family will reunite for one last time, with a decade during the interwar period, A Perfect Explanation explores the perils of aristocratic privilege, where inheritance is everything and happiness is hard won.
'There are many guides to good writing but none as valuable as this.' Oliver Kamm, author and columnist for The Times Creative writing can enhance wellbeing, which can enhance creative writing, which can enhance wellbeing ... Become a better writer with over 100 inspiring prompts, insights and exercises specially devised by an award-winning author and creative writing teacher. Discover how the practice of creative writing - being expressive, exploring ideas, crafting words, shaping stories - can also deepen your appreciation of life.
A unique hill-walking guide to 20 of Britain's peaks, adding up to the exact height of Everest. Scaling the peaks of Everest, the world's highest mountain, is the ultimate physical and mental challenge that the human race can aspire to. But as it takes years of preparation and a minimum of £25,000 to achieve, it remains out of reach to most of us. This book allows ordinary people to embark on their own personal "Everest" without leaving England's green and pleasant land. Ascending hills of varying sizes whose ascents add up to the same height as Everest--29,016 feet--celebrity vicar and countryman Peter Owen Jones guides the reader on a road trip covering over 20 hill-climbs in different parts of England. The climbs can be done mindfully over a limited period--20 days is the suggested time scale--or as fast as possible, thus creating a physical challenge rather like the Three Peaks. The climbs could also be undertaken separately over longer periods of time and used as opportunities for mindfulness and quiet meditation under Peter's expert spiritual guidance. The journey takes in sacred places found on coastal cliff walks, ancient holy sites, tors, peaks, mountains and the highest church in England.