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Narratives of journeys, voyages, and pilgrimages often guide readers to questions about humanism and humanity from a holistic perspective. The chapters in this volume explore narratives of both real and imagined journeys and examine their religious, psychological, psychoanalytical, philosophical, educational, and historical implications. What emerges is an understanding of narratives of journeys across cultural borders as powerful educational tools that can model and contribute to meaningful dialogue with other states, cultures, and civilizations.
The sixteen original essays by scholars from around the world examine concerns common to writers who experience marginalization based upon their inescapable identification with two or more cultures. From Australian aboriginal and Maori, to Irish, Maghrebian, and South African, and on to the rich ethnic mix in North America, the book considers fiction, poetry, autobiography, and anthropological reportage to raise questions as determinative as one's choice of language, one's presentation of self in society, one's "recovery" of a history. This collection serves as a bridge between recent Eurocentric postmodern discourse dealing with the breakdown of the modernist stability in art, architecture, and electronic media, and those recent studies that problematize the issue of racial identity and literary practice. Cross-Addressing discusses site-specific strategies of resistance to the imposition of identity in the terms imposed or implied by colonizers and their descendants: narrative empowerment, gender reconstruction, racial decategorization, an intersection of marginalities, and a cross-cultural Third World solidarity. The movement is from the individual to the collective, from the particular to the global. The theoretical approach is eclectic, echoing the current split in cultural studies between discussions of the cultural production of meaning, and an involvement in policy debates. The book contends that the heightened consciousness resulting from marginalization not only judges our world, but offers it a window onto its future possibilities. Contributors include Lyn McCredden, Suzette Henke, Trevor James, Mary O'Connor, S.M., Nejd Yaziji, Rosemary Jolly, Bernice Zamora, Gayle Wald, Arturo Aldama, Manuel M. Martín-Rodríquez, Barbara Frey Waxman, Mayfair Mei-hui Yang, Lien Chao, Karin Quimby, and Roger Bromley.
Provides insights into the process of knowledge construction in EFL/ESL writing - from classrooms to research sites, from the dilemmas and risks NNEST student writers experience in the pursuit of true agency to the confusions and conflicts academics experience in their own writing practices.
NATIONAL BESTSELLER WINNER OF THE RBC TAYLOR PRIZE WINNER OF THE EDNA STAEBLER AWARD FOR CREATIVE NON-FICTION "Every day on a bike trip is like the one before--but it is also completely different, or perhaps you are different, woken up in new ways by the mile." As a teenager, Kate Harris realized that the career she most craved--that of a generalist explorer, equal parts swashbuckler and philosopher--had gone extinct. From her small-town home in Ontario, it seemed as if Marco Polo, Magellan and their like had long ago mapped the whole earth. So she vowed to become a scientist and go to Mars. To pass the time before she could launch into outer space, Kate set off by bicycle down a short section of the fabled Silk Road with her childhood friend Mel Yule, then settled down to study at Oxford and MIT. Eventually the truth dawned on her: an explorer, in any day and age, is by definition the kind of person who refuses to live between the lines. And Harris had soared most fully out of bounds right here on Earth, travelling a bygone trading route on her bicycle. So she quit the laboratory and hit the Silk Road again with Mel, this time determined to bike it from the beginning to end. Like Rebecca Solnit and Pico Iyer before her, Kate Harris offers a travel narrative at once exuberant and meditative, wry and rapturous. Weaving adventure and deep reflection with the history of science and exploration, Lands of Lost Borders explores the nature of limits and the wildness of a world that, like the self and like the stars, can never be fully mapped.
This collection examines the intersections between the personal and the political in travel writing, and the dialectic between mobility and stasis, through an analysis of specific cases across geographical and historical boundaries. The authors explore the various ways in which travel texts represent actual political conditions and thus engage in discussions about national, transnational, and global citizenship; how they propose real-world political interventions in the places where the traveler goes; what tone they take toward political or socio-political violence; and how they intersect with political debates. Travel writing can be viewed as political in a purely instrumental sense, but, as this volume also demonstrates, travel writing’s reception and ideological interventions also transform personal and cultural realities. This book thus examines the ways in which politics’ material effects inform and intersect with personal experience in travel texts and engage with travel’s dialectic of mobility and stasis. In spite of globalization and efforts to eradicate the colonial vision in travel writing and in travel writing criticism, this vision persists in various and complex ways. While the travelogue can be a space of discursive and direct oppression, these essays suggest that the travelogue is also a narrative space in which the traveler employs the genre to assert authority over his or her experiences of mobility. This book will be an important contribution for interdisciplinary scholars with interests in travel writing studies, global and transnational studies, women’s studies, multicultural studies, the social sciences, and history.
Across Cultures/Across Borders is a collection of new critical essays, interviews, and other writings by twenty-five established and emerging Canadian Aboriginal and Native American scholars and creative writers across Turtle Island. Together, these original works illustrate diverse but interconnecting knowledges and offer powerfully relevant observations on Native literature and culture.
Displacement, Memory, and Travel in Contemporary Migrant Writing examines contemporary cultural representations of transforming identities in the era of increasing global mobility. It pays particular attention to the ways in which cultural encounters are experienced affectively and discursively in migrant literature. Divided into three parts that deal with refugee writing and displacement, migration and memory, and new European identities, the volume develops current methodologies and shows how postcolonial studies can be applied to the study of cultural encounters. Writers studied include Simão Kikamba, Ishmael Beah, Madhur Jaffrey, Diana Abu-Jaber, Abdulrazak Gurnah, Caryl Phillips, Jamal Mahjoub, and Monica Ali, and several refugee writers.
Feminism and postcolonialism are allies, and the impressive selection of writings brought together in this volume demonstrate how fruitful that alliance can be. Reina Lewis and Sara Mills have assembled a brilliant selection of thinkers, organizing them into six categories: "Gendering Colonialism and Postcolonialism/Radicalizing Feminism," "Rethink
In its attention to the ‘keywords of travel’, Keywords for Travel Writing Studies’ takes into account the established status of studies in travel writing and the field’s significance for an audience beyond the academy. It responds to what might be described as the ‘mobility turn’ in the arts and humanities over the past two decades. Each entry in the volume is around 1,000 words, and the style is more essayistic than encyclopaedic, with contributors providing a reflection on their chosen keyword from a variety of disciplinary perspectives. The emphasis on travelogues and other cultural representations of mobility drawn from a range of national and linguistic traditions ensures that the volume has a comparative dimension; the aim is to give an overview of each term in its historical and theoretical complexity, providing readers with a clear sense of how the selected words are essential to a critical understanding of travel writing. Each entry is complemented by an annotated bibliography of five essential items suggesting further reading.