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The representation of the Irish in English canonical fictions was to have been the subject of this monograph. The editor realised the enormity of the task and limited the present volume to an overview of the Irish, Irish authors and Ireland in English literature.
In The Wild Irish Girl, the powerful Irish heroine's marriage to a heroic Englishman symbolizes the Anglo-Irish novelist Lady Morgan's re-imagining of the relationship between Ireland and Britain and between men and women. Using this most influential of pro-union novels as his point of departure, the author argues that nineteenth-century debates over what constitutes British national identity often revolved around representations of Irishness, especially Irish womanhood. He maps out the genealogy of this development, from Edgeworth's Castle Rackrent through Trollope's Irish novels, focusing on the pivotal period from 1806 through the 1870s. The author's model enables him to elaborate the ways in which gender ideals are specifically contested in fiction, the discourses of political debate and social reform, and the popular press, for the purpose of defining not only the place of the Irish in the union with Great Britain, but the nature of Britishness itself.
Exploring the effects of traveling, migration, and other forms of cultural contact, particularly within Europe, this edited collection explores the act of traveling and the representation of traveling by Irish men and women from diverse walks of life in the period between Grattan’s Parliament (1782) and World War I (1914). This was a period marked by an increasing physical and cultural mobility of Irish throughout Britain, Continental Europe, the Americas, and the Pacific. Travel was undertaken for a variety of reasons: during the Romantic period, the ‘Grand Tour’ and what is now sometimes referred to as medical tourism brought Irish artists and intellectuals to Europe, where cultural exchanges with other writers, artists, and thinkers inspired them to introduce novel ideas and cultural forms to their Irish audiences. Showing this impact of the nineteenth-century Irish across national borders and their engagement with global cultural and linguistic traditions, the volume will provide novel insights into the transcultural spheres of the arts, literature, politics, and translation in which they were active.
Featuring twelve original essays by leading scholars in the fields of Irish literary and cultural studies, this book investigates how the 19th-century Irish novel was defined and understood in its own contemporary moment, and reconsiders current critical discourse surrounding 19th-century Irish fiction.
This text is a comprehensive study of fiction written by Irish authors during the Victorian age. James Murphy analyses the development of the novel in Ireland and examines the work of authors including William Carleton, Charles Lever, Somerville and Ross, and Bram Stoker in the social and literary contexts of their times.
The long nineteenth century, arguably the most significant period in Irish history, is marked by a series of events that changed the political landscape of the nation forever and gave rise to art and ideas of international importance. At one end of this tumultuous period, we have Grattan’s Parliament, the United Irishmen, the Rebellion of 1798 led by Wolfe Tone, and the Union of 1801, and at the other, the fall of Parnell, the Easter Rising, Civil War and partition. Between times there are the great hinge events of Catholic Emancipation, the Famine, and the Land War. From Wolfe Tone to Maud Gonne, Ireland went through a period of enormous upheaval that carved out the culture and politics of the modern nation. Irish Studies has not yet fully engaged with the range and richness of this material, nor have critics in the various Anglophone literary fields grasped the extent to which Irish and Scottish events and authors contributed decisively to the development of their own areas. Bringing together an international line-up of established and emerging scholars, Romantic Ireland: From Tone to Gonne takes Irish Studies in new directions, in particular in terms of a cross-cultural comparison with Scotland and the distinct phenomenon of Unionism, thus breaking out of the double binds of Anglo-Irish approaches. The Irish-Scottish interface throws up fascinating insights that enhance our awareness of the interaction between colonialism, nationalism and culture. All of the major figures of the period are represented here, from Edgeworth and Moore to Yeats and Synge, but there are other, often less noticed but hugely significant writers, such as Charles Robert Maturin, Dion Boucicault and May Laffan. There are non-Irish commentators on Ireland like Cobbett and Engels, as well as a series of key Scottish figures – including Burns and Scott – in addition to lesser-known or lesser-noticed Scottish writers with strong Irish interests such as R. M. Ballantyne and Robert Tannahill – whose work opens up new and promising avenues into Irish writing.
The nineteenth century witnessed the growth of Irish cultural nationalism as a dominant force in the country's political and literary life. Remembrance and Imagination is a major study which charts the development and impact of a national self-image through key texts and key episodes and does so by placing the history of two cultural spheres side by side: literature and historical scholarship. The literary and discursive work of writers like Lady Morgan, Maturin, Thomas Moore, Thomas Davis, Yeats and Synge is placed against the background of contemporary debates concerning the true historical and cultural identity of Ireland, while developments in the historical sciences are traced in their impact on the literary imagination. Special attention is given to the influential scholar George Petrie and to the far-ranging and persistent controversy concerning the round towers. The Irish self-image in the nineteenth century attempted to formulate permanence, tradition, and continuity in the face of historical and political divisions and incoherence. The cultivation of a gloried past and of an idyllic peasantry are central preoccupations in Irish national thought. This book analyzes the discourse, rhetoric, stereotypes, and ingrained attitudes with which those preoccupations were invested, both in literature and historical scholarship. The book closes with a reinterpretation of the position of Synge and Joyce in repudiating the nineteenth-century schemata of representing Ireland.
Since its annexation to the British Crown, Ireland has never ceased in forming the subject of an ardent national debate in Great Britain which resulted in the demonisation of the Celtic race as subaltern and backward. In its effort to forge a national identity, the British Empire adopted several collective identities on the basis of the racial and cultural findings of the 1850s which gave a new impetus to the systematic view of England as a typically Anglo-Saxon culture, staunchly opposed to the alleged Celtic backwardness and the rebellious spirit of the Irish. In view of the rising anti-Irish wave of sentiment in the British imperialist imagination, Irish nationalism was manifest through a series of uprisings, the majority of which sought to link the country to its ancient Celtic heritage. The Celticist movements of Young Ireland and the Irish Revival revealed the need of Irish Nationalists to acquire a new, collective identity, which proved to be a strenuous task, given the complex historical and ethnic background of the Irish. This book investigates the extent to which Irish identity is affected by the racist and nationalist discourses of the nineteenth century which emerged to either defend or oppose the image of Ireland as a cultural construct. The travelogues explored here include some of the most fundamental representations of Ireland by prominent Irish and British travel writers, whose impressions of the island might be linked to the utopian and dystopian dimensions of the country.
The aim of this investigation is to reconsider the cultural confrontation between England and Ireland from a new methodological perspective, and to trace how this confrontation resulted in a particular notion, literary as well as political, of Irish nationality.
The second of the three volumes, roughly spans the middle decades of the nineteenth century, a period dominated by the enormity of the Great Famine. Its terror is recorded in first-hand accounts and in the powerless yet forceful reactions which this cataclysmic event engendered in such writers as John Mitchel (who in his Jail Journal pits the self against the state). This volume documents the rise of cultural nationalism, in the work of the contributors to The Nation (Davis, Mangan, Lady Wilde), and the response of Unionist intelligentsia in the Dublin University Magazine. It juxtaposes the authentic Gaelic voice in translation (Ferguson and Walsh) against the haunting intensity of Mangan and the non-conformism of his fellow inauthenticator Father Prout. It witnesses the stage Irishman in Lever's fiction being placed on Boucicault's popular podium, in his reworking of Gerald Griffinís account of The Colleen Bawn. It records the rise of Fenianism (in such writers as Charles Kickham), and it sees Ireland taking stock (in the work of W.E.H. Lecky). It notes the emergence of a new literary confidence in the works of Sigerson and Todhunter. It extends well beyond examinations of Irish identity, not only in encapsulating popular writing, but also by incorporating writers of Irish descent who investigated different cultures.