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"How important is quality writing in journalism? What are reporters' responsibilities to their profession, their sources, and the public? What part do publicists play in the news-making process?" "The third edition of Writing for the Media tackles these and other pertinent questions facing those who write for the media - journalists and public relations professionals alike. It challenges writers to think critically about what they do as well as how they do it. At the same time, this edition remains a guide for beginning and intermediate writers on ways to identify, report and construct accurate and interesting articles under deadline pressure. There are also chapters on editing, publication design, publicity, and advice on how to succeed as a freelancer." "Each chapter contains real-life case studies, advice from top practitioners, and lists of useful websites for further reading."--BOOK JACKET.
Exploring the media as an institution, this volume also introduces the topics of media regulation and content. The nature of communications policy is explained, following overviews of internal and external media regulation. Strategic ways of managing the media are discussed in addition to the guide's analysis of the ways that media presents issues of identity, race, gender, sexual orientation, the environment, AIDS, and terrorism.
This book includes theoretical approaches as well as a production section that focuses on basic techniques and introductory applications of media studies.
This text explores the dynamic and potentially explosive field of media ethics from a South African perspective. Grounded in ethical theory, the public philosophies of communication and media performance norms, this text provides guidelines for individual ethical decision-making to media practitioners and media groups. The author's analysis of the South African normative context under the previous and present political dispensations will be of interest to media policy formulators and students alike. Current contentious issues, such as racism in the media, the plans for media, development in this country, the reporting of violence and crime, the right to privacy, and the media and advertising all come under intense scrutiny. Addenda include rules of procedure and the code of conduct of the Press Ombudsman of South Africa, the constitution, code and procedures of the Broadcasting Complaints Commission of South Africa, and the code of conduct of the Public Relations Institute of Southern Africa.
Like so many of her generation, Lwando Xaso came of age alongside the beginnings and growth of South Africa's constitutional democracy. Her journey into adulthood was a radically different one from that of earlier generations, marked by hope that changing perceptions would usher in a new and free society. Made in South Africa – A Black Woman's Stories of Rage, Resistance and Progress, is a vibrant collection of essays in which Lwando examines with incisive clarity some of the events that have shaped her experience of South Africa – a country with huge potential but weighed down by persistent racism and inequality, cultural appropriation, sexism and corruption, all legacies of a complicated history. As a young lawyer intent on climbing the corporate ladder, Lwando's life's direction was changed by a personal experience of the oppressive capacity of a supposedly democratic government when it unjustly fired a close family friend and mentor from a senior government position. She found herself on his legal team and the turmoil the case created within her led her to further her studies in constitutional law, and to pick up her pen and share with a wider audience her views of what was happening in her beloved country. Her outlook was further shaped by her experience of clerking at the Constitutional Court for Justice Edwin Cameron, which deepened her respect for the South African Constitution, and what it really means for a resilient people to strive continually to live up to its moral and legal standards. Lwando's writing reflects her unflinching resolve to live according to the precepts of our groundbreaking Constitution and offers a challenge to all South Africans to believe in and achieve 'the improbable'.
With the release of Nelson Mandela, the advent of nonracial democracy, and the Truth and Reconciliation Commission, South Africans have found themselves grappling with the legacy of apartheid's racial and cultural divisions. Together with Claudia Bathsheba Braude's path-breaking introduction, the stories collected in this anthology tap silences that were central to apartheid rule and that have particular resonances for South African Jewish history and memory. ø Bringing together the best and most noteworthy of a wide range of contemporary writers who represent the historical specificities and contradictions of South African Jewish life under apartheid, Contemporary Jewish Writing in South Africa makes compellingly clear the depths and complexities of a society in which racial identities, including Jewish whiteness, were deliberately constructed. The contributors include Nobel Prize?winning novelist Nadine Gordimer; well-known writers such as Rose Zwi and Dan Jacobson; exiled ANC activist and constitutional court judge Albie Sachs; satirist Pieter-Dirk Uys, a penetrating critic of apartheid; and actor and writer Matthew Krouse, whose fiction offers a provocative blending of gay and Jewish identities in the postapartheid era. ø The volume traces the construction of memory and racial identity in South African Jewish literary and cultural history. Among the recurring themes in these stories are the selective presentation of certain aspects of Jewish life under apartheid, a reevaluation of identity after its fall, and the conflicting shadow of the Holocaust in a white supremacist society. Giving nuanced voice to questions about history, race, and ethnicity in postapartheid South Africa, these stories will be of broad interest.
Writing as Resistance charts the inner workings of apartheid, through the encounters-- imprisonment, exile, and homecoming-- that crucially defined its violent reign and ultimate overthrow. Author Paul Gready demonstrates the transformative nature of autobiographical narrative as resistance in the context of political struggle. This multidisciplinary study addresses a range of important contemporary topics: migration, postcolonialism, globalization, nationalism, human rights, and political democratization, among others. While informed by the work of South African writers-- including Breytenbach, Coetzee, First, Krog, Modisane, and Serote-- and adding to the literature on the apartheid era, this book speaks to all cultures of violence. With this important work Gready sheds new light on the relationship between violence and creativity.
This book studies the Anglo-American media's representation of South Africa in the 1970s - the international media is shown to have been under continuous pressure from both the South African Dept of Information and the anti-apartheid movement.