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Outlines "steps of writing a story from beginning to end. Learn how to gather inspiration and develop a story's characters. Then visualize and organize your story's plot with a writing map. And after you've written a really rough draft, check out tips for revising your work"--Page 4 of cover.
Twenty-nine new tales of fantasy, imagination and wonder, edited by Cat Sparks, including contributions by Michael Barry, Deborah Biancotti, Leigh Blackmore, Damien Broderick, Simon Brown, David Carroll, Marianne de Pierres, Terry Dowling, Brendan Duffy, Dirk Flinthart, Paul Haines, Richard Harland, Robert Hood, Trent Jamieson, Rick Kennett, Geoffrey Maloney, Claire McKenna, Chuck Mckenzie, Chris Mowbray, Kate Orman, Ben Peek, Robin Pen, Tony Plank, Tansy Rayner Roberts, Tracey Rolfe, Keith Stevenson, Jessica Vivien, and Kyla Ward.
Although the problems of writing fantasy and science fiction include all those pertaining to the writing of any kind of fiction, particular problems arise in stories in which unprecedented things can and do happen, as well as stories that often involve unhuman characters of various sorts, and that might require the elaborate design of entire imaginary worlds. This book provides an elementary introduction to problems of those kinds, and the ways in which they modify the general problems of writing fiction. It also suggests strategies that might enable the problems to be handled constructively and productively. The author has published more than seventy novels in the field, more than twenty short story collections, and more than twenty related works of non-fiction; he has, as the saying goes, been there, done that, and chewed his t-shirt in relevant frustration. Robert Reginald says: "An absolutely first-rate guide to writing fantastic literature. Stableford has much to say that potential writers of ALL fiction might find valuable, interesting, and highly illuminating. His reasonable discussion and dissection of the basic issues facing authors of creative fiction--and the solutions to be found to each problem--are dollops of solid gold advice, in this editor's humble opinion. Every would-be author should read this book--and more than once!"
This collection of original and classic essays examines the contributions that female authors have made to the short story. The introductory chapter discusses why genre critics have ignored works by women and why feminist scholars have ignored the short story genre. Subsequent chapters discuss early stories by such authors as Lydia Maria Child and Rose Terry Cooke. Others are devoted to the influences (race, class, sexual orientation, education) that have shaped women's short fiction through the years. Women's special stylistic, formal and thematic concerns are also discussed in this study. The final essay addresses the ways our contemporary creative-writing classes are stifling the voices of emerging young female authors. The collection includes an extensive five-part bibliography.
Jorge Luis Borges-one of the most important Latin American writers-has also attained considerable international stature, and his work is commonly cited in a wide array of scholarship on contemporary fiction. Partly as a consequence of Borges' international identity, and partly because of a long-standing view in Borges criticism that his writing is principally concerned with abstract ideas, critics have been reluctant to address the question of politics in his writing Filling this critical gap, Gonzalez begins by rejecting the proposition that Borges withdraws from the "real," and provides a detailed analysis of the various political issues that Borges takes up in his essays and short stories. The author places particular emphasis on the turbulent questions that shaped Argentine social history during the period of Borges' output.
"This literary survey examines how paleoliterature originated, developed and matured from its inception to the present day. It follows trends on the crafting of classic dinosaurs, investigating the figurative and metaphoric meaning of fictional dinosaursand related prehistoria. An appendix provides brief summaries of deserving dinosaur texts, organized alphabetically by author. "--Provided by publisher.
Encyclopedia of Fantasy and Horror Fiction provides comprehensive coverage of the major authors and works in these popular genres. Each entry includes a brief discussion of the author's life and work and includes a full bibliography. Each entry on
Essays on British writers of fantasy and science fiction discuss the changing attitudes towards this genre, including serious consideration by critics. Covers the publication of science fiction in comic books, limited productions of publications by fan presses, the difference between British and American science fiction, the birth of the New Wave, and the revival of horror fiction as a distinct genre.
Essays on British writers of fantasy and science fiction, including dark fantasy and supernatural horror. Includes lesser-known authors who made their own small but significant contributions to this field. Discusses the impact of pulp magazines and other new magazines that focused on subgenres such as romance fiction, adventure fiction, Western fiction, and eventually fantasy and science fiction, and utopian literature, a predecessor and close cousin of science fiction.
This volume examines a variety of utopian writing for children from the 18th century to the present day, defining and exploring this new genre in the field of children's literature. The original essays discuss thematic conventions and present detailed case studies of individual works. All address the pedagogical implications of work that challenges children to grapple with questions of perfect or wildly imperfect social organizations and their own autonomy. The book includes interviews with creative writers and the first bibliography of utopian fiction for children.