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‘Beirut39’ is a Hay Festival project which aims to select and celebrate 39 of the best young Arab writers as a centrepiece of the Beirut World Capital festivities in April 2010. Following the successful launch of ‘Bogotá 39’, which identified many of the most interesting upcoming Latin American talents, including Wendy Guerra, Junot Diaz (Pulitzer Prize), Santiago Roncagliolo and Juan Gabriel Vásquez (short-listed for the IFFP), ‘Beirut 39’ will bring to worldwide attention the best work from the Arab world. The judges will select from more than 300 submissions and the writers’ names will be unveiled in September 2009. The book will be published in English throughout the world (except the Arab world) by Bloomsbury, and in Arabic throughout the world and in English in the Arab World by Bloomsbury Qatar Foundation Publishing.
Writing Beirut explores the city in 16 Arabic novels focusing on the urban/rural divide, the imagined and idealized city, the city through panoramic views and pedestrian acts, the city as sexualized and gendered, and the city as a palimpsest.
A unique anthology of complex urban experience that brings together personal writing, essays, journalism, short stories, photography and animation. Transit Beirut oscillates between sarcastic humour and serious exploration of the tensions and conflicts in a society undergoing reconstruction.
Presents a geographical/spatial approach to Beirut seeking to understand how the city is imagined in fiction. This book focuses on the urban/rural divide, the city through panoramic views and pedestrian acts, the city as sexualised and gendered, and the city as a palimpsest. It provides a thorough overview of Beirut in the modern Arabic novel.
This revised edition of the number-one bestseller and winner of the 1989 National Book Award includes the Pulitzer Prize-winning author's new, updated epilogue. One of the most thought-provoking books ever written about the Middle East, From Beirut to Jerusalem remains vital to our understanding of this complex and volatile region of the world. Three-time Pulitzer Prize winner Thomas L. Friedman drew upon his ten years of experience reporting from Lebanon and Israel to write this now-classic work of journalism. In a new afterword, he updates his journey with a fresh discussion of the Arab Awakenings and how they are transforming the area, and a new look at relations between Israelis and Palestinians, and Israelis and Israelis. Rich with anecdote, history, analysis, and autobiography, From Beirut to Jerusalem will continue to shape how we see the Middle East for many years to come. "If you're only going to read one book on the Middle East, this is it."--Seymour M. Hersh
Zena el Khalil, a young Beirut-based female artist, writer, and activist who had an unconventional but worldly upbringing growing up in Lagos, Nigeria and attending art school in New York, returns after 9/11 to her familial home of Beirut and its mountains, beaches, food, music and drugs. Beirut, I Love You, spanning from 1994 to the present day, brings Beirut to life in all its glory and contradictions and is filled with personal anecdotes of Zena's life there: a place where, in spite of the pervasive desire for hope and the resilience of its people, still bears deep scars from the Lebanese Civil War and the Israeli invasion of 2006—a place where plastic surgery and AK 47s live side by side and nightclubs are situated on rooftops in order to avoid car bombs. Yet Zena and her friends, in particular her fellow rebel Maya, refuse to accept the extreme poles of Beirut, the militias and gender restrictions on one side, hedonism and materialism on the other. And although Zena experiences tragedy and loss, her story is a testament to the power of love and friendship, and the beauty of her city and its inhabitants. Written with an honest, profound simplicity, Zena is intoxicated by the country’s contradictions—“Lebanon was, and always will be, schizophrenic”—and attempts to come to terms with her role among her friends, family, and city.
'A joyous tale from a fresh new voice.' – Cosmopolitan – Cosmopolitan A young boy comes of age within the confines of post-civil-war Beirut, with conflict, and comedy lurking round every corner. Adam dreams of becoming an astronaut but who has ever heard of an Arab on the moon? He battles with his father, a book-hoarding journalist with a penchant for writing eulogies, his closest friend, Basil, a Druze who is said to worship goats and believe in reincarnation, and a host of other misfits and miscreants in a city attempting recover from years of political and military violence. Adam's youth oscillates from laugh out loud escapades, to near death encounters, as he struggles to understand the turbulent and elusive city he calls home. ''Set amidst the country's sectarian divisions as it attempts to recover from decades of political violence and civil war, Between Beirut and the Moon charts a young boy's near-death encounters, with a colourful cast and comical escapades. A unique debut.' – AnOther Magazine
World Literature Today: Notable Translation of the Year PopMatters: Best Book of the Year Told in elegant, evocative prose, a devastating and necessary testament to the August explosion that thoughtfully examines the crises that preceded it and its aftermath. At the start of the summer of 2020, in a Lebanon ruined by economic crisis and political corruption, in an exhausted Beirut still rising up for true democracy while the world was paralyzed by the coronavirus, Charif Majdalani set about writing a journal. He intended to bear witness to this terrible, confusing time, and perhaps endure it by putting it into words. Using small, everyday interactions—with fellow restaurant patrons, repairmen, the father of his wife’s patient, a young Syrian refugee—as openings to address larger systemic problems, he explains how events in Lebanon’s recent history led to this point. Then, on August 4, the explosion of 2,750 tons of ammonium nitrate in the port of Beirut devastated the city and the country. Majdalani’s chronicle suddenly became a record of the catastrophe, which left more than two hundred dead and thousands injured, and the massive public outcry that followed. In the midst of the senseless chaos and grief, however, he continues to find cause for hope in the kindness and resilience of those determined to stay and rebuild.
Zeina Abirached, author of the award-winning graphic novel A Game for Swallows, returns with a powerful collection of wartime memories. Abirached was born in Lebanon in 1981. She grew up in Beirut as fighting between Christians and Muslims divided the city streets. Follow her past cars riddled with bullet holes, into taxi cabs that travel where buses refuse to go, and on outings to collect shrapnel from the sidewalk. With striking black-and-white artwork, Abirached recalls the details of ordinary life inside a war zone.
A meticulous deconstruction of Maronite history writing and the ways in which Lebanese nationalist myths have been invented and perpetuated by historians As a frequently contested territory, Mount Lebanon has an equally contested history, one that is produced, shaped, and revised by as many players as those who molded the Lebanese state since its inception in 1920. The Lebanese Maronite Church has had more at stake in the process of history writing than any other group or institution. It is arguably one of the most influential institutions in Lebanese history and definitely the most influential institution in the country at the moment of the state’s birth. Writing the History of Mount Lebanon traces the genealogy of Maronite identity by examining the historical traditions that shaped its contemporary manifestation. It explores the presence of a tradition in Maronite Church historiography that was maintained by the historians of the Church, whose claims and hypotheses ultimately defined the communal identity of the Maronites in Mount Lebanon and deeply influenced subsequent Lebanese national identity. Rooted in a reexamination of the existing literature and bringing evidence to bear on this particular aspect of history-writing in Lebanon, it shows how early Maronite ecclesiastic historiography’s plea for inclusion as a part of Catholic orthodoxy was transformed and recast in subsequent centuries by lay and secular historians into a demand for exclusion and exclusivity, which in turn led to the rise of exclusivist political identities based on sectarian belonging in Mount Lebanon. Ultimately, Mouannes Hojairi shows how history-writing is one of the main instruments in generating and perpetuating nationalist ideologies and how historians are central agents of nationality.