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At Shadyside High, cheerleading can be a scream! For the first time since the original series, R.L. Stine brings back his most beloved characters—the cheerleaders of Shadyside High. The cheerleading squad at Shadyside has always been strong, but now there are rumors that lack of funds may mean the end of cheerleading at Shadyside. That would be a shame for Gretchen Page, who has just transferred from her old school, where she was a star, and is eager to join the squad. There’s only one other girl who stands in her way—rich, spoiled Devra Dalby, who is also trying out for the one open slot. The competition to join the squad is anything but friendly—and it ends in murder. Will Gretchen make the squad—if there's even a squad anymore—or will she end up dead? Packed with screams and guaranteed to send a shiver up your spine, Give Me a K-I-L-L is a terrifying installment in Stine's bestselling Fear Street series.
One of the world's leading children's dramatists provides a practical handbook of the skills involved in entertaining and involving audiences of children. A marvelous contribution to the world of Youth Theater...a must. —Robyn Flatt, Dallas Children's Theater. He has often been called the National Playwright for Children and he deserves it. —Cameron Mackintosh
From a top young adult literary agent, the only guide on how to write for young adults With an 87 percent increase in the number of titles published in the last two years, the young adult market is one of the healthiest segments in the industry. Despite this, little has been written to help authors hone their craft to truly connect with this audience. Writing Great Books for Young Adults gives writers the advice they need to tap this incredible market. Topics covered include: Listening to the voices of youth Meeting your young protagonist Developing a writing style Constructing plots Trying on points of view Agent Regina Brooks has developed award-winning authors across the YA genre, including a Coretta Scott King winner. She attends more than 20 conferences each year, meeting with authors and teaching.
This master class in writing children’s and young adult novels will teach you everything you need to know to write and publish a great book. The best children’s and young adult novels take readers on wonderful outward adventures and stirring inward journeys. In The Magic Words, editor Cheryl B. Klein guides writers on an enjoyable and practical-minded voyage of their own, from developing a saleable premise for a novel to finding a dream agent. She delves deep into the major elements of fiction—intention, character, plot, and voice—while addressing important topics like diversity, world-building, and the differences between middle-grade and YA novels. In addition, the book’s exercises, questions, and straightforward rules of thumb help writers apply these insights to their own creative works. With its generous tone and useful tools for story analysis and revision, The Magic Words is an essential handbook for writers of children’s and young adult fiction.
"Heartbreaking yet hopeful, this astute exploration of the bonds and limitations of family is a perfect book club pick.” – New York Times bestselling author Joshilyn Jackson A Most Anticipated by Goodreads * SheReads * E! News * Frolic Jessica Strawser's A Million Reasons Why is "a fascinating foray into the questions we are most afraid to ask" (Jodi Picoult, #1 New York Times bestselling author)--the story of two women who discover a bond between them that will change both their lives forever. When two strangers are linked by a mail-in DNA test, it’s an answered prayer—that is, for one half sister. For the other, it will dismantle everything she knows to be true. But as they step into the unfamiliar realm of sisterhood, the roles will reverse in ways no one could have foreseen. Caroline lives a full, happy life—thriving career, three feisty children, enviable marriage, and a close-knit extended family. She couldn’t have scripted it better. Except for one thing: She’s about to discover her fundamental beliefs about them all are wrong. Sela lives a life in shades of gray, suffering from irreversible kidney failure. Her marriage crumbled in the wake of her illness. Her beloved mother, always her closest friend, unexpectedly passed away. She refuses to be defined by her grief, but still, she worries what will happen to her two-year-old son if she doesn’t find a donor match in time. She’s the only one who knows Caroline is her half sister and may also be her best hope for a future. But Sela’s world isn’t as clear-cut as it appears—and one misstep could destroy it all. "A thrilling story of what happens when a long-held family secret comes to light...[Strawser] shows that no one is ever truly a villain or a hero, but instead, we are all a beautiful and messy mix of both." - Associated Press review
A lyrical, beautifully illustrated poem about a baby’s birth. In this lyrical poem, author John Sobol brings us his imagined vision of a universal experience, that of being born. As she is born, the baby in this story goes through a time of intense movement and change before she takes her first breath and cries. Warm hands wrap her in a blanket, and she is held in loving arms. She has arrived! Sobol captures the mystery and wonder of the birth experience in this deeply sympathetic tale. Reading this book together will enable children and their parents to celebrate the joy and emotional power of that remarkable moment. Cindy Derby’s soft, gentle illustrations beautifully complement the poem. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.3.7 Explain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)
Beloved by generations, Charlotte's Web and Stuart Little are two of the most cherished stories of all time. Now, for the first time ever, these treasured classics are available in lavish new collectors' editions. In addition to a larger trim size, the original black-and-white art by Garth Williams has been lovingly colorized by renowned illustrator Rosemary Wells, adding another dimension to these two perfect books for young and old alike.
One of the UK's most distinctive areas of arts practice is theatre for young audiences. This edited collection gathers together new and original work on the topics, practices and critical perspectives which characterize theatre for the young. It features chapters on theatre and ownership, active spectatorship and audience interaction. Others focus on specific audiences such as children and young people with profound disabilities or nonverbal audiences. A chapter looks at creative methods such as using "child's play" to create plays for children; another considers how to develop our understanding about children's perception of theatre created for them through interviewing them and studying their drawings. Other chapters discuss how to connect teenagers with Shakespeare's work; how theatre can engage with children in a globalized multicultural society; the current status of Theatre in Education in the UK; and the work staged by the National Theatre for young audiences. This wide range of topics will appeal to academics, students and theatre practitioners working within the growing field of theatre for the young. For educators interested in the benefits of school-related theatre visits and the young audiences' engagement with performances created specifically for them, this book is a rich source of information. The contributors include Gill Brigg, David Broster, Dominic Hingorani, Jeanne Klein Geoffrey Readman, James Reynolds, Matthew Reason, Peter Wynne-Willson, Jan Wozniak and Oily Cart's Tim Webb.