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Writing Against Expulsion in the Post-War World: Making Space for the Human tells a pre-history of the Hostile Environment. The book's starting point is the rapidly escalating use of detention as a response to human movement and the global production of geopolitical non-personhood in which detention results. As a matter of urgency, the book argues, we need to understand what is at stake in such policies and to resist the world we are making when we detain and expel. Writing Against Expulsion returns to a post-war period when the brutal consequences of the politics of expulsion were visible and when it was clear to writers of all kinds that space for the human had to be made. Drawing on contemporary histories of forced displacement, eye witness accounts, international legal documents, and on a range of emblematic cross-disciplinary texts and authors — the Universal Declaration of Human Rights, the political philosophy of Hannah Arendt, the poetry of Charles Olson, the revolutionary theory of Frantz Fanon — the book shows how mid-century writers both documented the lived experience of expulsion and asserted ways of thinking and acting by which expulsion could be prevented. What emerged were new languages of rights and recognition — new accounts of Moving, Making and Speaking — through which the exclusions of nation and border could be countered.
The award-winning history of 12 million German-speaking civilians in Europe who were driven from their homes after WWII: “a major achievement” (New Republic). Immediately after the Second World War, the victorious Allies authorized the forced relocation of ethnic Germans from their homes across central and southern Europe to Germany. The numbers were almost unimaginable: between 12 and 14 million civilians, most of them women and children. And the losses were horrifying: at least five hundred thousand people, and perhaps many more, died while detained in former concentration camps, locked in trains, or after arriving in Germany malnourished, and homeless. In this authoritative and objective account, historian R.M. Douglas examines an aspect of European history that few have wished to confront, exploring how the forced migrations were conceived, planned, and executed, and how their legacy reverberates throughout central Europe today. The first comprehensive history of this immense manmade catastrophe, Orderly and Humane is an important study of the largest recorded episode of what we now call "ethnic cleansing." It may also be the most significant untold story of the World War II.
Featuring: David Mitchell, Daljit Nagra , Scarlett Thomas , Guy Gunaratne , Hannah Lowe, Tessa McWatt, Natasha Brown, Haifa Zangana, Ridy Wasolua, David Flusfeder & Shamshad Khan Modelled on Chaucer’s Canterbury Tales, the Refugee Tales series sets out to communicate the experiences of those who, having sought asylum in the UK, find themselves indefinitely detained. Here, poets, novelists and other established writers create a space in which the stories of those who have been detained can be safely heard, a space in which hospitality is the prevailing discourse and listening becomes an act of welcome... Featuring specially written stories (based on real-life testimonies) by David Mitchell, Daljit Nagra, Guy Gunaratne, Tess McWatt, Natasha Brown, Guy Gunaratne, David Flusfeder, Haifa Zangana and others.
The Routledge Companion to Ecopoetics offers comprehensive coverage of the vital and growing movement of ecopoetics. This volume begins with a general introduction to the field, followed by six sections: Perspectives: broad overviews engaging fields such as biosemiosis, kinship praxis, and philosophical approaches; Experiments: formal innovations developed by poets in response to planetary crises; Earth and Water: explorations of poetic entanglement with planetary chemical and biological systems; Waste/Toxicity/Precarity: poetics addressing the effects of pollution and climate change; Environmental Justice and Activism: examinations of poetry as an engine of political and cultural change; Region and Place: an international array of traditional and contemporary geographically focused responses to ecosystems and environmental conditions; and Subjectivities/Affects/Sexualities: investigations of gender, ethnicity, and race as they intersect with ecological concerns. Each section includes an overview and summary addressing the specific essays in the section. These previously unpublished essays represent a wide variety of nationalities, backgrounds, perspectives, and critical approaches exploring the interdisciplinary field of ecopoetics. Contributions from leading scholars working across the globe make The Routledge Companion to Ecopoetics a landmark textbook and reference for a variety of researchers and students.
The news agency Reuters reported in 2009 that a mass grave containing 1,800 bodies was found in Malbork, Poland. Polish authorities suspected that they were German civilians that were killed by advancing Soviet forces. A Polish archeologist supervising the exhumation, said, "We are dealing with a mass grave of civilians, probably of German origin. The presence of children . . . suggests they were civilians." During World War II, the German Nazi regime committed great crimes against innocent civilian victims: Jews, Poles, Russians, Serbs, and other people of Central and Eastern Europe. At war’s end, however, innocent German civilians in turn became victims of crimes against humanity. Forgotten Voices lets these victims of ethnic cleansing tell their story in their own words, so that they and what they endured are not forgotten. This volume is an important supplement to the voices of victims of totalitarianism and has been written in order to keep the historical record clear. The root cause of this tragedy was ultimately the Nazi German regime. As a leading German historian, Hans-Ulrich Wehler has noted, "Germany should avoid creating a cult of victimization, and thus forgetting Auschwitz and the mass killing of Russians." Ulrich Merten argues that applying collective punishment to an entire people is a crime against humanity. He concludes that this should also be recognized as a European catastrophe, not only a German one, because of its magnitude and the broad violation of human rights that occurred on European soil. Supplementary maps and pictures are available online at http://www.forgottenvoices.net
Exploring the work of Hannah Arendt, Franz Kafka, W.H. Auden, George Orwell, Samuel Beckett, and Simone Weil, among other, Placeless People argues that we urgently need to reconnect with the moral and political imagination of these writers to tackle today's refugee 'crisis'.
How a German city became Polish after World War II With the stroke of a pen at the Potsdam Conference following the Allied victory in 1945, Breslau, the largest German city east of Berlin, became the Polish city of Wroclaw. Its more than six hundred thousand inhabitants—almost all of them ethnic Germans—were expelled and replaced by Polish settlers from all parts of prewar Poland. Uprooted examines the long-term psychological and cultural consequences of forced migration in twentieth-century Europe through the experiences of Wroclaw's Polish inhabitants. In this pioneering work, Gregor Thum tells the story of how the city's new Polish settlers found themselves in a place that was not only unfamiliar to them but outright repellent given Wroclaw's Prussian-German appearance and the enormous scope of wartime destruction. The immediate consequences were an unstable society, an extremely high crime rate, rapid dilapidation of the building stock, and economic stagnation. This changed only after the city's authorities and a new intellectual elite provided Wroclaw with a Polish founding myth and reshaped the city's appearance to fit the postwar legend that it was an age-old Polish city. Thum also shows how the end of the Cold War and Poland's democratization triggered a public debate about Wroclaw's "amputated memory." Rediscovering the German past, Wroclaw's Poles reinvented their city for the second time since World War II. Uprooted traces the complex historical process by which Wroclaw's new inhabitants revitalized their city and made it their own.
Children's literature first became a distinct body of writing and publishing in the eighteenth century. Until the seventeenth century, children were usually considered as smaller versions of adults. As the notion of "childhood" as a distinct part of life emerged, a distinct body of literature emerged as well, designed both to entertain and edify this new class of readers. But for much of its history, books written for children were not seen as worthy of scholarly attention. Recently this has changed with everyone from literary critics, to psychologists, to anthropologists, to historians studying this incredibly rich outpouring. The Oxford Encyclopedia of Children's Literature is the first multi-volume set to document and interpret the books read by children in the English-speaking world. It includes brief biographies of every major author and illustrator, and features essays on all genres of children's literature, individual works, and prominent trends and themes, as well as general essays on the traditions of children's literature in many country in the world. ***A future Oxford Digital Reference Shelf title. For more information, visit http://www.oxfordonline/digitalreference.***