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This treatise develops a theory of the relationship of war in general to literature in general, to make sense of American literary history in particular. "The Iliad", argues the author, inaugurates literary history on the failure of war to be formally beautiful.
Complete at Last in a Single Hardcover Volume ¾the Finest Trilogy of Epic Fantasy in a Decade Paksenarrion, a simple sheepfarmer's daughter, yearns for a life of adventure and glory, such as was known to heroes in songs and story. At age seventeen she runs away from home to join a mercenary company and begins her epic life . . . Book One: Paks is trained as a mercenary, blooded, and introduced to the life of a soldier . . . and to the followers of Gird, the soldier's god. Book Two: Paks leaves the Duke's company to follow the path of Gird alone¾and on her lonely quests encounters the other sentient races of her world. Book Three: Paks the warrior must learn to live with Paks the human. She undertakes a holy quest for a lost elven prince that brings the gods' wrath down on her and tests her very limits. At the publisher's request, this title is sold without DRM (Digital Rights Management). "Engrossing . . ." ¾Anne McCaffrey "A tour de force . . ." ¾Jack McDevitt "Worldbuilding in the grand tradition, background thought out to the last detail." ¾Judith Tarr "Superlative . . ." ¾Booklist "Brilliant . . . the excitement of high heroic adventure . . . will enchant the reader." ¾Bookwatch
Post-conflict reconstruction is one of the most pressing political issues today. This book uses economics to analyze critically the incentives and constraints faced by various actors involved in reconstruction efforts. Through this analysis, the book will aid in understanding why some reconstructions are more successful than others.
In After War Zoë H. Wool explores how the American soldiers most severely injured in the Iraq and Afghanistan wars struggle to build some kind of ordinary life while recovering at Walter Reed Army Medical Center from grievous injuries like lost limbs and traumatic brain injury. Between 2007 and 2008, Wool spent time with many of these mostly male soldiers and their families and loved ones in an effort to understand what it's like to be blown up and then pulled toward an ideal and ordinary civilian life in a place where the possibilities of such a life are called into question. Contextualizing these soldiers within a broader political and moral framework, Wool considers the soldier body as a historically, politically, and morally laden national icon of normative masculinity. She shows how injury, disability, and the reality of soldiers' experiences and lives unsettle this icon and disrupt the all-too-common narrative of the heroic wounded veteran as the embodiment of patriotic self-sacrifice. For these soldiers, the uncanny ordinariness of seemingly extraordinary everyday circumstances and practices at Walter Reed create a reality that will never be normal.
When Lieutenant Matt Gallagher began his blog with the aim of keeping his family and friends apprised of his experiences, he didn't anticipate that it would resonate far beyond his intended audience. His subjects ranged from mission details to immortality, grim stories about Bon Jovi cassettes mistaken for IEDs, and the daily experiences of the Gravediggers-the code name for members of Gallagher's platoon. When the blog was shut down in June 2008 by the U.S. Army, there were more than twentyfive congressional inquiries regarding the matter as well as reports through the military grapevine that many high-ranking officials and officers at the Pentagon were disappointed that the blog had been ordered closed.Based on Gallagher's extraordinarily popular blog, Kaboom is "at turns hilarious, maddening, and terrifying," providing "raw and insightful snapshots of a conflict many Americans have lost interest in" (Washington Post). Like Anthony Swofford's Jarhead, Gallagher's Kaboom resonates with stoic detachment and timeless insight into a war that we are still trying to understand.
Historians have made widespread use of diaries to tell the story of the Second World War in Europe but have paid little attention to personal accounts from the Asia-Pacific Theater. Writing War seeks to remedy this imbalance by examining over two hundred diaries, and many more letters, postcards, and memoirs, written by Chinese, Japanese, and American servicemen from 1937 to 1945, the period of total war in Asia and the Pacific. As he describes conflicts that have often been overlooked in the history of World War II, Aaron William Moore reflects on diaries as tools in the construction of modern identity, which is important to our understanding of history. Any discussion of war responsibility, Moore contends, requires us first to establish individuals as reasonably responsible for their actions. Diaries, in which men develop and assert their identities, prove immensely useful for this task. Tracing the evolution of diarists’ personal identities in conjunction with their battlefield experience, Moore explores how the language of the state, mass media, and military affected attitudes toward war, without determining them entirely. He looks at how propaganda worked to mobilize soldiers, and where it failed. And his comparison of the diaries of Japanese and American servicemen allows him to challenge the assumption that East Asian societies of this era were especially prone to totalitarianism. Moore follows the experience of soldiering into the postwar period as well, and considers how the continuing use of wartime language among veterans made their reintegration into society more difficult.
How does the literature of a society that has endured decades of war reflect the echoes of that violence to bodies and spirits while depicting the ordinary lives of men and women who are searching, as all people do, for meaning, for happiness, for normalcy, for love? Love After War presents the widest range to date of contemporary writers in Vietnam, men and women who have become part of that country's established canon, as well as young and up-coming writers who have come of age in modern Vietnam. Their stories, published in the most widely read literary journals, magazines and newspapers in Vietnam, and many translated here for the first time, reveal the relationships and concerns of everyday life, and the erosion and endurance of life in that country. Contributors to the anthology include Vu Boa, Nguyen Minh Chau, Ngo Thi Kim Cuc, Nguyen Phan Hach, Ma Van Khang, Nguyen Khai, Le Minh Khue, Nguyen Thi Minh Ngoc, Bao Ninh, Doan Le, Ho Anh Thai, Nguyen Huy Thiep, Nguyen Manh Tuan and others.
Imagines a post-apocalyptic war launched by America in retaliation against Islamic extremists who have used nuclear weapons to destroy Los Angeles, Israel, and parts of Europe, a battle that is complicated by anti-Muslim Christian zealots.
Count on Cheris Hodges to deliver a sassy, sexy romantic read. --Farrah Rochon, author of Always and Forever When club owner Adrian Bryant discovers his biological father is hotel magnate Elliot Crawford, his life unravels. Shunned by Crawford while he and his mother struggled, Adrian hatches a high-profile plan to destroy the Crawford name--and the reputations of his two half-brothers. But to shield the woman he loves from the hell he intends to unleash, Adrian has to let her go. Photographer Dana Singleton is heartbroken and confused by Adrian's behavior. But just when she's given up on their relationship, she begins to discover the truth--and a dark side of Adrian she never knew existed. As the stakes get higher, she will have to ask herself if she can love a man who is capable of such vengeance--or if he can learn to forgive. . . "Hodges makes magic with this troupe." --Publishers Weekly on His Sexy Bad Habit "A fun and romantic story. . .Recipe for Desire has a touch of drama, humor and lots of sensual tension to keep readers turning page after page." --APOOO BookClub on Recipe for Desire "Hodges does a wonderful job of writing stories that have a positive message underneath all that passion. Great read!" --Urban Reviews on Recipe for Desire
After Nadia is separated from her family while fleeing the civil war, she spends the next four days with a mysterious old man who helps her navigate the checkpoints and snipers of the rebel, ISIS, and Syrian armies that are littering Aleppo on her way to meeting her father at the Turkish border.