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Women's Rites of Passage grew out of Abigail Brenner s desire to answer some fundamental questions about the role of rites of passage in contemporary women s lives. Relying on a research study involving over 50 women, Brenner shows how women today understand the need to take responsibility for their lives and for directing their own paths, and are beginning to do so by creating their own very personal rites of passage.
In the bestselling tradition of Girlfriends and Chicken Soup for the Soul, this original collection of heartfelt stories written by everyday women about their lives will strike a deep chord with readers everywhere. When Daryl Ott Underhill sent out a general request for stories written by women about their lives, she had no idea the response would be so phenomenal. She heard from over 500 women of all ages and from all backgrounds. The authors wrote about a wide range of subjects, including friendship, love, turning 30, motherhood, losing parents, surviving the empty nest syndrome, and fulfilling dreams. Now readers can experience this remarkable collection of powerful and inspiring stories and share the heartbreak, joy, and wonder of what it means to be a woman in today's world.
"Our daughters? lives are not fairy tales with prewritten, happy endings. The threat against each of them is real, and the ending of the story is yet to be decided. In fact, the challenge is so great it will take a hero to save the day. A hero called?father. It is never too early for a father to create a plan to mentor, protect, guide, and love his daughter. It is never too late for a dad with an older daughter to reestablish relationship with her. Chockfull of effective tools and contagious hope, this empowering book helps parents work together to guide the girls they love on the path to maturity." -- from publisher's website.
Now a major motion picture streaming on Hulu, starring Anne Hathaway and Thomasin McKenzie Shortlisted for the Man Booker Prize “Eileen is a remarkable piece of writing, always dark and surprising, sometimes ugly and occasionally hilarious. Its first-person narrator is one of the strangest, most messed-up, most pathetic—and yet, in her own inimitable way, endearing—misfits I’ve encountered in fiction. Trust me, you have never read anything remotely like Eileen.” —Washington Post So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes—a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings. Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature. Ottessa Moshfegh is also the author of My Year of Rest and Relaxation, Homesick for Another World: Stories, and McGlue.
Seventeen stories about the experiences of young people of African descent around the world, by such authors as Toni Cade Bambara, John Henrik Clarke, Njabulo Ndebele, and Barbara Burford.
"Listening to the story is even more dramatic than reading it. It should be purchased by every public and school library." - School Library Journal
With echoes of Toni Morrison's Beloved, Yejidé's novel explores a forgotten quadrant of Washington, DC, and the ghosts that haunt it. Longlisted for the 2022 Women’s Prize for Fiction “Yejidé’s writing captures both real news and spiritual truths with the deftness and capacious imagination of her writing foremothers: Zora Neale Hurston, Toni Morrison and N.K. Jemisin . . . Creatures of Passage is that rare novel that dispenses ancestral wisdom and literary virtuosity in equal measure.” —Washington Post Nephthys Kinwell is a taxi driver of sorts in Washington, DC, ferrying passengers in a 1967 Plymouth Belvedere with a ghost in the trunk. Endless rides and alcohol help her manage her grief over the death of her twin brother, Osiris, who was murdered and dumped in the Anacostia River. Unknown to Nephthys when the novel opens in 1977, her estranged great-nephew, ten-year-old Dash, is finding himself drawn to the banks of that very same river. It is there that Dash—reeling from having witnessed an act of molestation at his school, but still questioning what and who he saw—has charmed conversations with a mysterious figure he calls the “River Man.” When Dash arrives unexpectedly at Nephthys’s door bearing a cryptic note about his unusual conversations with the River Man, Nephthys must face what frightens her most. Morowa Yejidé’s deeply captivating novel shows us an unseen Washington filled with otherworldly landscapes, flawed super-humans, and reluctant ghosts, and brings together a community intent on saving one young boy in order to reclaim itself.
Never has the transition from childhood to manhood been more dangerous or more confusing than it is today. With tragic results, today's boys rarely learn from the adults closest to them what it means to become a man. In this celebratory and hopeful book, Brian Molitor, a father of four, shows parents and other concerned adults how to bless young men with mentoring, intentional blessing, and rites of passage, so that they become the men God created them to be. Offering compassionate and creative solutions, Molitor shares: - What other cultures do to recognize a boy's coming of age- Biblical foundations for mentoring, intentional blessing, and rites of passage- How Parents can celebrate their son's coming of age- What churches can to do help boys grow into mature manhood - Tips for single parents and others with unique circumstances