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Writers Workshop of Horror 2 is a collection of essays and interviews focusing on the art and craft of writing horror and dark fantasy. From bestselling authors like Stephen King, Anne Rice, and R. L. Stine, to up-and-coming writers just making their mark, this anthology is chock-full of advice and information writers of any level will find valuable and useful. Writers Workshop of Horror 2 is helmed by Michael Knost, the Bram Stoker Award-winning editor that brought you Writers Workshop of Horror, Writers Workshop of Science Fiction & Fantasy, and Author's Guide to Marketing with Teeth.
Why is tonight different from all other nights? Tonight we kill dad. In 2022, American Jews face an increasingly unsafe and anti-Semitic landscape at home. Against this backdrop, the Jacobson family gathers for Passover in Los Angeles. But their immediate problems are more personal than political, with the three adult children, Mo, Edith, and Jacob, in various states of crisis, the result, each claims, of a lifetime of mistreatment by their father, Julian. The siblings have begun to suspect that Julian is hastening their mother Roz's demise, and years of resentment boil over as they debate whether to go through with the real reason for their reunion: an ill-considered plot to end their father’s iron rule for good. That is, if they can put their bickering, grudges, festering relationships, and distrust of one another aside long enough to act. And God help them if their mother finds out . . . Tell Me How This Ends Well presents a blistering and prescient vision of the near future, turning the exploits of one very funny, very troubled family into a rare and compelling exploration of the state of America, and what it could become.
Powerful, personal observations on fear and courage—that touch on art, faith, academia, the internet, and more—from “a masterful essayist” (Roxane Gay, New York Times–bestselling author of Hunger). In this poignant and thoughtful collection of literary essays, Megan Stielstra tells stories to ward off fears both personal and universal as she grapples toward a better way to live. In “The Wrong Way to Save Your Life,” she answers the question of what has value in our lives—a question no longer rhetorical when the apartment above her family’s goes up in flames. “Here is My Heart” sheds light on Megan’s close relationship with her father, whose continued insistence on climbing mountains despite a series of heart attacks leads the author to dissect deer hearts in a poetic attempt to interrogate her own feelings about mortality. Whether she’s imagining the implications of open-carry laws on college campuses, recounting the story of going underwater on the mortgage of her first home, or revealing the unexpected pains and joys of marriage and motherhood, Stielstra’s work informs, impels, enlightens, and embraces us all. The result is something beautiful—this story, her courage, and, potentially, our own. “Sensitive and funny . . . She has a flair for nostalgia and for cultural criticism that is never pretentious.” —Publishers Weekly “When Megan Stielstra writes you can actually feel her beautiful heart pumping blood through every sentence.” —Samantha Irby, New York Times–bestselling author of We Are Never Meeting in Real Life “A life-enriching collection of essays.” —Kirkus Reviews (starred review) “Reading this book is like listening to stories from a wise, compassionate, and irrepressibly funny friend.” —Esme Weijun Wang, award-winning author of The Border of Paradise
"THE MOST DEFINITIVE GUIDE INTO THE TRIALS AND TRIBULATIONS OF BEING A HORROR WRITER SINCE STEPHEN KING'S 'ON WRITING'..." We have assembled some of the very best in the business from whom you can learn so much about the craft of horror writing: Bram Stoker Award(c) winners, bestselling authors, a President of the Horror Writers' Association, and myriad contemporary horror authors of distinction. The Horror Writer covers how to connect with your market and carve out a sustainable niche in the independent horror genre, how to tackle the writer's ever-lurking nemesis of productivity, writing good horror stories with powerful, effective scenes, realistic, flowing dialogue and relatable characters without resorting to clichéd jump scares and well-worn gimmicks. Also covered is the delicate subject of handling rejection with good grace, and how to use those inevitable "not quite the right fit for us at this time" letters as an opportunity to hone your craft. Plus... perceptive interviews to provide an intimate peek into the psyche of the horror author and the challenges they work through to bring their nefarious ideas to the page. And, as if that - and so much more - was not enough, we have for your delectation Ramsey Campbell's beautifully insightful analysis of the tales of HP Lovecraft. Featuring: Ramsey Campbell, John Palisano, Chad Lutzke, Lisa Morton, Kenneth W. Cain, Kevin J. Kennedy, Monique Snyman, Scott Nicholson, Lucy A. Snyder, Richard Thomas, Gene O'Neill, Jess Landry, Luke Walker, Stephanie M. Wytovich, Marie O'Regan, Armand Rosamilia, Kevin Lucia, Ben Eads, Kelli Owen, Jasper Bark, and Bret McCormick. And interviews with: Steve Rasnic Tem, Stephen Graham Jones, David Owain Hughes, Tim Waggoner, and Mort Castle.
A hunted community. A haunted author. A horror that spans centuries. Men are disappearing from Toronto's gay village. They're the marginalized, the vulnerable. One by one, stalked and vanished, they leave behind small circles of baffled, frightened friends. Against the shifting backdrop of homophobia throughout the decades, from the HIV/AIDS crisis and riots against raids to gentrification and police brutality, the survivors face inaction from the law and disinterest from society at large. But as the missing grow in number, those left behind begin to realize that whoever or whatever is taking these men has been doing so for longer than is humanly possible. Woven into their stories is David Demchuk's own personal history, a life lived in fear and in thrall to horror, a passion that boils over into obsession. As he tries to make sense of the relationship between queerness and horror, what it means for gay men to disappear, and how the isolation of the LGBTQ+ community has left them profoundly exposed to monsters that move easily among them, fact and fiction collide and reality begins to unravel. A bold, terrifying new novel from the award-winning author of The Bone Mother.
A collection of essays on writing by instructors of the Clarion West Writers Workshop.
The Snowflake Method-ten battle-tested steps that jump-start your creativity and help you quickly map out your story.
Ted Browning moves back to his rural hometown of Logan, West Virginia, after learning his grandmother is dying of cancer. When he hears talk of Mothman sightings from miners at Bear Creek Coal Company he simply doesn't believe it-until a series of events puts him in direct confrontation with the evil winged creature. Ted is forced to face his inner demons in order to protect the very loved ones he's kept at a distance for twenty years ... and to let go of a tragic past that is drawing him like a moth to the flame.
In this comprehensive textbook devoted to the craft of writing horror fiction, award-winning author Tim Waggoner draws on thirty years' experience as a writer and teacher. Writing in the Dark offers advice, guidance, and insights on how to compose horror stories and novels that are original, frightening, entertaining, and well-written. Waggoner covers a wide range of topics, among them why horror matters, building viable monsters, generating ideas and plotlines, how to stylize narratives in compelling ways, the physiology of fear, the art of suspense, avoiding clichés, marketing your horror writing, and much more. Each chapter includes tips from some of the best horror professionals working today, such as Joe Hill, Ellen Datlow, Joe R. Lansdale, Maurice Broaddus, Yvette Tan, Thomas Ligotti, Jonathan Maberry, Edward Lee, and John Shirley. There are also appendices with critical reflections, pointers on the writing process, ideas for characters and story arcs, and material for further research. Writing in the Dark derives from Waggoner's longtime blog of the same name. Suitable for classroom use, intensive study, and bedside reading, this essential manual will appeal to new authors at the beginning of their career as well as veterans of the horror genre who want to brush up on their technique.
This eye-opening book brilliantly explores the true roots of over-parenting, and makes a case for the vital importance of family life. Parents naturally worry about the future. They want to prepare their children to compete in an uncertain world. But often, argues political philosopher and father of three Matt Feeney, today's worried parents surrender their family's autonomy to gain a leg up in this competition. In the American ideal, family life is a sacred and private sphere, distinct from the outside world. But in our hypercompetitive times, Feeney shows, parents have become increasingly willing to let the inner life of the family be colonized by outside forces that promise better futures for their kids: prestigious preschools, "educational" technologies, youth sports leagues, a multitude of enrichment activities, and -- most of all -- college. A provocative, eye-opening book for any parent who suspects their kids' stuffed schedules are not serving their best interests, Little Platoons calls us to rediscover the distinctive, profound solidarity of family life.