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Captain Jake Grafton faces the duel threats of a determined assassin and a vicious drug lord, both intent on plunging the U.S. into chaos.
Under Siege is Rashid Khalidi's firsthand account of the 1982 Lebanon War and the complex negotiations for the evacuation of the P.L.O. from Beirut. Utilizing unconventional sources and interviews with key officials and diplomats, Khalidi paints a detailed portrait of the siege and ensuing massacres, providing insight into the military pressure experienced by the P.L.O., the war's impact on Palestinian and Lebanese civilians, and diplomatic efforts by the United States. A new preface by Khalidi considers developments across the Middle East in the thirty years since the conflict. The preface also cites recently declassified Israeli documents to offer surprising new revelations about the roles and responsibilities of both Israeli leaders and American diplomats in the tragic coda to the war, the Sabra and Shatila massacres.
"Collected here are fifty contributions by writers who have paid dearly for the privilege of writing. Some have been tortured; some have been killed.. .[t]he contributors come from more than twenty-five countries; many are well-known in the English-speaking world ... other contributors are less famous ... In prose and poetry, in fiction and non-fiction, the pieces, grouped into four sections ... reveal the personal consequences of war, conflict, terrorism, and authoritarianism."--Cover.
Liberty Under Siege is an extraordinary book. Here, finally, is a reveille for reality, a call to stop this long intoxication with illusion and look at what has been happening to our republic. Walter Karp combines the passion of Tom Paine with the urgency of Paul Revere to sound a patriot's alarm for his country.
In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a "field crisis team" to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese's film was widely regarded as unmakeable—a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era's most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film's alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures—Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe—to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism.
An history that presents a canvas of post-war Czech literary developments within the cultural and political context of the times. It provides information about the many English-language translations from Czech literature, and the circumstances in which these translations came about.
Belinda Neil lived and breathed her high–octane job. She relished her roles as a homicide investigator and hostage negotiator with the NSW police force, but she never knew what her work day might bring. She could be investigating brutal murders such as the De Gruchy killings or , in her negotiator role, persuading the murderous and suicidal to drop their weapons., stop terrorising their families, step back from the ledge. It was hardly surprising that over time the horrors she saw began to take their toll. After years of broken sleep, traumatic crime scenes and death, one disastrous weekend brought everything to a head. The next morning when she awoke, Belinda found she was shaking so badly she could not get out of bed. A short time later, Belinda found herself contemplating jumping off a cliff in the Moreton Bay National Park. She had even written the suicide note. Under Siege shows us the remarkable job homicide investigators and hostage negotiators perform, and their endurance and courage in impossible circumstances. More than that, this brave memoir reveals how the daily trauma and stress affected Belinda's roles as wife and mother and how she fought against the terrifying post–traumatic stress disorder that resulted to come back from a very dark place. 'Her extraordinary journey juggling the roles of police negotiator, homicide investigator, wife and mother shines a light on this little–understood limb of law enforcement.' Mark Whittaker, Fairfax newspapers
Winner of the 2010 Eudora Welty Book Prize and the Mississippi Library Association’s Nonfiction Author’s Award for 2011 Under Surge, Under Siege shows how Hurricane Katrina tore into Bay St. Louis, Mississippi, raking away lives, buildings, and livelihoods in a place known for its picturesque, coastal views; its laid-back, artsy downtown; and its deep-dyed southern cordiality. The tragedy also revealed the inner workings of a community with an indomitable heart and profound neighborly bonds. Those connections often brought out the best in people under the worst of circumstances. In Under Surge, Under Siege, Ellis Anderson, who rode out the storm in her Bay St. Louis home and sheltered many neighbors afterwards, offers stories of generosity, heroism, and laughter in the midst of terror and desperate uncertainty. Divided into two parts, this book invites readers into the intimate enclave before, during, and after the storm. “Under Surge” focuses on connections between residents, and then it demonstrates how those bonds sustained them through the worst hurricane in US history. “Under Siege” documents the first three years of the grinding aftermath, detailing the unforeseen burdens of stress and depression, insurance scandals, and opportunists that threatened to complete the annihilation of the plucky town. A blend of memoir, personal diary, and firsthand reportage, Under Surge, Under Siege creates a compelling American testament to the strength of the human spirit.
Computer game designers craft techniques to titillate children with sex and violence, while social media developers infiltrate and shape children's social and emotional worlds to compel them to spend more and more monetizable time online. America's schools are being transformed into profit centers while children are subjected to increasingly regimented teaching that thwarts curiosity and creativity, numbing the joy of learning. And children's chronic health problems, from asthma to cancer, autism, and birth defects, steadily escalate as thousands of new industrial chemicals are dumped into their environments. Nelson Mandela once sagely remarked that "there can be no keener revelation of a society's soul than the way it treats its children." The problem today, as Joel Bakan reveals, is that business interests have made protecting children extremely difficult.