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In this anthology twenty-six contemporary fiction writers and poets offer short essays on a single movie that inspired, seduced, horrified, or fascinated them, giving readers a rare glimpse of the writer's perspective on film.
Instructors from the nation's most popular writing school share their insights into how to perfect the craft of screenwriting, covering such fundamentals as plot, character, dialogue, point of view, theme, setting, voice, and more and analyzing five outstanding sample screenplays--Tootsie and The Shawshank Redemption, among others. Original.
Let’s cut to the chase:Writing a Great Movieis a practical nuts-and-bolts manual to dramatic writing for film. This hands-on course in screenwriting shows how to create, develop, and construct an original screenplay from scratch using seven essential tools for the screenwriter—(1) Dilemma, Crisis, Decision and Action, and Resolution; (2) Theme; (3) the 36 Dramatic Situations; (4) the Enneagram; (5) Research and Brainstorming; (6) the Central Proposition; and (7) Sequence, Proposition, and Plot—which break the writing process down into approachable steps and produce great results. Author Jeff Kitchen—a working screenwriter, renowned dramaturge, and teacher at the University of Southern California’s graduate film school—shares the insider secrets he has developed over years of writing and teaching.Writing a Great Movieis the complete guide to creating compelling screenplays that will sell. • State-of-the-art screenwriting theory and technique from a master • Author named one of today's top screenwriting teachers inCreative Screenwritingmagazine • Great for writers at every level, beginner to established
A whip-smart fiction debut, Our Secret Life in the Movies riffs on classic and cult cinema. Inspired by films from silent-era documentaries to music videos, the authors unfold a dual narrative about two boys growing up in the 1980s. Coming of age during the last days of the Cold War, these boys dream of space exploration and nuclear winter, Reaganomics and Dungeons & Dragons, Blade Runner and Red Dawn. Haunting, cinematic, and full of life, Our Secret Life makes it clear that we are in the movies and the movies are in us.
This little book aims to help you figure out how to get your story told on big screens or small. It offers nearly thirty years of observation of how things happen in the business of entertainment. Dr. Ken Atchity's Hollywood experience ranges from writing to managing to producing; he's seen Hollywood from nearly every angle.
"A hilarious and helpful insider's guide to launching a successful writing career in Hollywood. . . . The only compass readers will ever need to navigate the treacherous waters of filmmaking"--("Kirkus Reviews," starred review).
Erin wants a fresh start. With her thirtieth birthday coming up, she's taken a long hard look at her life (the job she hates, the wedding she just cancelled) and concluded that it's basically a mess. If only she knew where to begin. A trip to her hometown in Ireland to visit her beloved grandmother is a welcome escape from her disappointments. But, there, Erin also finds an unexpected solution to her problems, in the form of a magical family heirloom. No more of the 'what ifs' she's been tormenting herself with -- now all she needs to do is whisper two little words and she'll be able to see for herself what might have been, had she chosen a different path. But as Erin gets caught up in one 'if only' after another, changing her life proves more complicated than expected. And she starts to realise that, by chasing dreams and searching for an easy fix, she might be missing out on what's right in front of her...
Because Timothee Chalamet's eyes gleam with the light of a thousand suns. Because you'd let Zoë Kravitz get away with putting gum in your hair. And because there really should be a national monument dedicated to Gene Kelly's ass. From the tongue-in-cheek to the righteously enraged, She Found it at the Movies explores women's secret desires, teen crushes, and one-sided movie star love affairs, flipping the switch on a century of cinema's male-gaze domination. With misogyny and sexism still taking center stage in the real world--what can women's relationships with movies tell us about the wider landscape of sexuality, politics and culture? Featuring writers you know and love from Buzzfeed, The Guardian, and Vulture, these essays pose thoughtful questions about sex and fantasy at the cinema. Like a guilt-free chat with your smartest girlfriends, this book is a positive celebration of female sexuality at its thirstiest.
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK A modern classic of personal journalism, The Orchid Thief is Susan Orlean’s wickedly funny, elegant, and captivating tale of an amazing obsession. Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion. In this new edition, coming fifteen years after its initial publication and twenty years after she first met the “orchid thief,” Orlean revisits this unforgettable world, and the route by which it was brought to the screen in the film Adaptation, in a new retrospective essay. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Praise for The Orchid Thief “Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review “Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times “Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World “Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe “A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal
In this classic bestselling screenwriting guide—now revised and updated—author and film consultant Viki King helps screenwriters go from blank page to completed manuscript through a series of clever and simple questions, ingenious writing exercises, and easy, effective new skills. Viki King's Inner Movie Method is a specific step-by-step process designed to get the story in your heart onto the page. This method doesn’t just show how to craft a classic three-act story but also delves into how to clarify the idea you don't quite have yet, how to tell if your idea is really a movie, and how to stop getting ready and start. Once you know what to write, the Inner Movie Method will show you how to write it. This ultimate scriptwriting survival guide also addresses common issues such as: how to pay the rent while paying your dues, what to say to your partner when you can't come to bed, and how to keep going when you think you can't. How to Write a Movie in 21 Days, first published in 1987, has been translated in many languages around the world and has become an industry-standard guide for filmmakers both in Hollywood and internationally. For accomplished screenwriters honing their craft, as well as those who have never before brought their ideas to paper, How to Write a Movie in 21 Days is an indispensable guide. And Viki King's upbeat, friendly style is like having a first-rate writing partner every step of the way.