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The houses of writers are often places of both creation and inspiration, studio as much as home. This wonderful book takes readers into the intimacy of the homes of 20 great international figures--from Hemingway's simple, tropical world on Key West to the Connecticut Yankee home of Mark Twain to William Faulkner's Oxford plantation--to reveal their private worlds. 220 photos, 200 in color.
There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.
"A group of notable writers ... celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past"--Provided by publisher.
From Big Sur to coastal Maine, The Library of America presents a lavish and fascinating tour of the homes of America's greatest writers.
Part armchair travel, part reference, this is a journey into Britain's impressive literary and architectural heritage and an exploration of how beloved authors drew inspiration from their homes Britain's wealth of historic houses is acknowledged and admired throughout the world, as is its reputation for producing some of the greatest novelists, poets and playwrights of all time. Many of these leading writers lived, worked, and found inspiration in a variety of houses the length and breadth of the land. Offering insight into the daily routines of popular authors, this book looks at several authors' homes, examining how their surroundings affected their works. Among the homes and gardens examined are Agatha Christie's secluded West Country retreat, the Worcestershire country seat that became the model for a grandiose ancestral pile in Evelyn Waugh's enduring novel, Brideshead Revisited, Enid Blyton's much-loved cottage garden in the leafy Thames Valley, the ancient, timber-framed residence in Stratford-upon-Avon where Shakespeare spent his boyhood, and the moated house and garden in East Sussex that inspired the evocative setting for a Sherlock Holmes story.
Fiction. THE HOUSE OF WRITERS is a playful novel set in 2050, when the publishing industry has collapsed, literature has become a micro-niche interest, and Scotland itself has become an enormous call center. Those writers who remain reside in a dilapidated towerblock, where they churn out hack works tailored to please their small audiences. The novel weaves together individual stories of life inside (and outside) the building, where each floor houses a different genre, as the writers fight to keep the process of literature alive with varying degrees of success. THE HOUSE OF WRITERS is a feast of wit: a surreal entertainment, a bracing satire, a verbal tour de force, and a good-spirited dystopian comedy; it is also a loving homage to language, literature, and the imagination, and a plea that they remain vital well into the dubious future that awaits us.
A guide to the homes, open to the public, of New Englandís most famous authors, such as Dickinson, Twain, Frost, and Alcott.
This innovative new book examines the ways in which writers’ houses contribute to the making of memory. It shows that houses built or inhabited by poets and novelists both reflect and construct the author’s private and artistic persona; it also demonstrates how this materialized process of self-fashioning is subsequently appropriated within various strategies and policies of cultural memory.
Provides a comprehensive overview of the best writers and works of the current English-speaking literary world.
We know that writing skills reinforce reading skills, but what’s the best way to capitalize on this beneficial relationship? By flipping the traditional "reading lesson first, writing lesson second" sequence, Colleen Cruz ingeniously helps you make the most of the writing-to-reading connection with carefully matched, conceptually connected lesson pairs. The result is a healthy reciprocity that effectively and efficiently develops students’ literacy skills. Backed by long-term academic and field research, Writers Read Better presents a series of 50 tightly interconnected lesson pairs that can be implemented either as supplement existing curriculum or as a stand alone module. Each pairing leads with a writing lesson, used as a springboard for the reading lesson that will follow. Throughout the book’s four sections, organized to cover distinct and complementary phases of working with non-fiction texts, you’ll discover Helpful insights on preparing for the section’s overarching goals Clear guidance on the intention of each lesson, what materials are required, and step-by-step plans for leading the activity Sample teacher language for leading the lesson Tips on building and organizing your classroom library, and how you can incorporate the tools, technology and media available in your classroom to make each lesson most effective Sample student work, online videos and other supporting resources Complete with practical suggestions on adapting the lessons to suit the particular needs of your classroom as well as individual students, Writers Reader Better offers a solid foundation for giving your students the advantage of powerful, transferable literacy skills.