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Do you want to write fiction, but don’t understand how to begin the process? Are you intimidated by ‘real writers’ who already have books on the market? No matter what experience you have (or lack), Write the Perfect Read will take you through each step of story creation and break it down into easy-to-understand instructions with fun examples from both the book and the film industries. Are you ready to take the next step in your career and write a novel? This comprehensive, succinct guide to writing fiction will teach you to employ the two triangles of writing in less than two hours. In this book you will learn: -How to create a compelling and relatable character -The foolproof formula for plot -Never to underestimate the power of setting -What writers are made of and how they can improve their skills and methods -How to fully engage the reader based on brain science, product expectations, and emotional connection -How to navigate through the intimidating world of book services (developmental editing, copyediting, proofreading, and formatting) -The options you have for publishing, and the pros and cons of each type It’s time to write the book that’s been in your heart. Download a sample or purchase your copy now and get writing.
When you Read Like a Writer (RLW) you work to identify some of the choices the author made so that you can better understand how such choices might arise in your own writing. The idea is to carefully examine the things you read, looking at the writerly techniques in the text in order to decide if you might want to adopt similar (or the same) techniques in your writing. You are reading to learn about writing. Instead of reading for content or to better understand the ideas in the writing (which you will automatically do to some degree anyway), you are trying to understand how the piece of writing was put together by the author and what you can learn about writing by reading a particular text. As you read in this way, you think about how the choices the author made and the techniques that he/she used are influencing your own responses as a reader. What is it about the way this text is written that makes you feel and respond the way you do?
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
Volume III in the heroic saga of magic, betrayal and adventure, The Darksword Trilogy. In the realm where magic is life, Joram was one of the Dead. Born without power, he was denies his royal birthright and sentenced to the Turning—his mind to be imprisoned inside a husk of living stone. Yet at the last moment, Saryon took his place, suffering the eternal torment for his young master, And joram and his wife Gwendolyn vanished into the mists that marked the Border of the World. . . . Now, ten years later, Joram and Gwendolyn have returned to reclaim their rightful place in Merilon. Wielding one last time the terrible, magic-thirsting Darksword, Joram must confront the evil sorcerer Menju and his army of Technologists from beyond the Border in a final apocalyptic battle. Rejoined by Saryon, the mage Mosiah and Simkin, Joram will fulfill the ancient prophecy of the Darksword—the prophecy that puts in his hands the power to destroy the world . . . or save it.
In a village, surrounded by mountains, forest and a river, humans survived by following a simple rule: WORK AT NIGHT. SLEEP AT DAY. NEVER STEP OUT IN THE SUNLIGHT. IF YOU DO, YOU'LL DIE! 23 years ago, the villagers tried to kill Maverick when he was a baby. Maverick's mother sacrificed herself so that her son could live. Now, after twenty three years, Maverick Ciekawy is 'dead'. In Tenebro, under the rule of Jurisbard Huubrihaught, children were admitted in the hospitals for treatment, people who crossed forty years lost their memories, senior citizens were forcefully admitted in the Asylum and most importantly, no one is allowed to go out during the day. A year ago, before Maverick Ciekawy ‘died’ he experienced five strange dreams. When Maverick believed his dreams could help the people of Tenebro, he ‘died’. Half the population of Tenebro believes Maverick Ciekawy is still alive and his final words were true. But the other half still supports their elderly chief, Jurisbard Huubrihaught. You might be wondering.. Why humans should never step out in sunlight? Why the villagers tried to kill Maverick when he was a baby? Why Maverick 'died' after 23 years? What were Maverick's final words? Is Maverick Ciekawy still alive? Welcome to the first book in the EA-R-TH trilogy. Pull up your hoodie, light a fire torch, step into the cold nights of Tenebro and say bye-bye to the 21st century. Get into an epic story where you must decide WHO'S THE HERO, WHO'S THE VILLAIN!
What happens when your dream mission to Mars is a reality TV nightmare? "Ebenbach is more at home in the minefield of ambiguity than most of us are in our houses." ―Roy Kesey, author of Any Deadly Thing For the six lucky scientists selected by the Destination Mars! corporation, a one-way ticket to Mars--in exchange for a lifetime of research--was an absolute no-brainer. The incredible opportunity was clearly worth even the most absurdly tedious screening process. Perhaps worth following the odd protocols in a nonsensical handbook written by an eccentric billionaire. Possibly even worth the constant surveillance, which is carefully edited into a TV ratings bonanza on Earth. But it turns out that after a while even scientists can get bored of science. Tempers begin to fray; unsanctioned affairs blossom. When perfectly good equipment begins to fail, the Marsonauts are faced with a possibility that technology simply cannot explain. Irreverent, poignant, and perfectly weird, David Ebenbach's debut science-fiction outing, like a mission to Mars, is an incredible outing you will never forget.
This updated edition of the classic, comprehensive guide to creative writing features new topics and writing prompts, contemporary examples, and more. A creative writer’s shelf should hold at least three essential books: a dictionary, a style guide, and Janet Burroway’s Writing Fiction. This best-selling classic is the most widely used creative writing text in America, and for decades it has helped hundreds of thousands of students learn the craft. Now in its tenth edition, Writing Fiction is more accessible than ever for writers of all levels—inside or outside the classroom. This new edition continues to provide advice that is practical, comprehensive, and flexible. Moving from freewriting to final revision, Burroway addresses “showing not telling,” characterization, dialogue, atmosphere, plot, imagery, and point of view. It includes new topics and writing prompts, and each chapter now ends with a list of recommended readings that exemplify the craft elements discussed. Plus, examples and quotations throughout the book feature a wide range of today’s best and best-known creators of both novels and short stories.
Collared and controlled, Shifters are outcast from humanity, forced to live in Shiftertowns. But waiting within are passions that no collar can contain... Like most Shifters, Liam Morrissey has learned that trusting humans leads to no good. But when beautiful attorney Kim Fraser enters Shiftertown alone in order to prove her client's innocence, Liam's alpha nature leaves him no choice but to offer his protection.
After two years of taking care of her heartbroken father, Evie needs a new start. Leaving the States and following her sister to Australia to work as the personal assistant of rugby star Xavier - The Beast - Stevens seems like the right kind of distraction.Tall, muscled and devilishly handsome, Xavier is the lov' em and leav' em kind of guy. He never forgets a girl's name because he never bothers to remember it in the first place.Evie soon realizes that being Xavier's assistant is a 24/7 job; the man seems unwilling to even set an alarm for himself.As she watches him move from one woman to the next, Evie is glad that her heart is safe from his attention. After all, she's a far cry from the size zero models he usually takes to his bed.But soon being around Xavier doesn't feel like a job, and seeing him walk around his apartment half naked all the time isn't helping either. Evie knows that giving in to her attraction will lead to heartbreak, but when Xavier starts treating her as more than just his assistant, resisting his charms seems like an impossible task.
“[Eisenberg] reminds us in every line of certain saving virtues: wit, wild intelligence, great heart, the beauty of the inquiring human voice. If our culture can produce a writer this wonderful, there must be something beautiful about us yet.” — George Saunders Instead of forcing her characters’ stories into neat, arbitrary, preordained shapes, [Eisenberg] allows them to grow organically into oddly shaped, asymmetrical narratives—narratives that possess all the surprising twists and dismaying turns of real life.” — New York Times “Deborah Eisenberg, one of America’s finest writers, offers new ways of seeing and feeling, as if something were being perfected at the core.” — San Francisco Chronicle “Reading [Eisenberg] makes you wish, as you study the family in front of you in the grocery line, that you could see their thoughts rendered as one of Eisenberg’s stunning inner monologues.” — Los Angeles Times “...[S]uperlative and entertaining...Eisenberg is funny, grim, biting, and wise, but always with a light touch and always in the service of worlds that extend far beyond the page. A virtuoso at rendering the flickering gestures by which people simultaneously hide and reveal themselves, Eisenberg is an undisputed master of the short story.” — Publishers Weekly (starred review) “[Eisenberg] is always worth the wait...so instantly absorbing that it feels like an abduction...This book offers no palliatives to its characters or to its readers — no plan of action. But it is a compass.” — The New York Times “Eisenberg is a gorgeous writer...I thank my stars that there’s a writer in the increasingly imperiled world as smart and funny and blazingly moral and devastatingly sidelong as she is.” — New York Times Book Review “Every character is memorable, every situation seizes our attention, and not a single word is out of place...It’s my fervent hope...that someday we’ll have the opportunity to look back on the many more stories that Deborah Eisenberg has yet to write.” — Financial Times