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Miss Daphne Beekman is a mystery writer by day, inquiry agent by night. Known for her ability to puzzle out plots, she prefers working behind the scenes for the Bleecker Street Inquiry Agency, staying well away from danger. However, Daphne soon finds herself in the thick of an attempted murder case she's determined to solve. Mr. Herman Henderson is also a mystery writer, but unlike the dashing heroes he pens, he lives a quiet life, determined to avoid the fate of his adventurous parents, who perished on an expedition when he was a child. But when he experiences numerous attempts on his life, he seeks out the services of the eccentric Bleecker Street Inquiry Agency to uncover the culprit. All too soon, Herman finds himself stepping out of the safe haven of his world and into an adventure he never imagined. As the list of suspects grows and sinister plots are directed Daphne's way as well, Herman and Daphne must determine who they can trust and if they can risk the greatest adventure of all: love.
"This workbook is designed specifically to help criminal justice students improve their research and writing skills. It can be used as a class text and as a reference guide for students to use outside class"--P. xi.
"Warning: Your career might be in danger of going off the rails. You probably have blind spots that are leaving you closer to the edge than you realize. Fortunately, Carter Cast has the solution. In this smart, engaging book he shows you how to avoid career derailment by becoming more self-aware, more agile, and more effective. This is the book you wish you had twenty years ago, which is why you should read it now." -- Daniel H. Pink, New York Times bestselling author of Drive and To Sell Is Human The Right -- and Wrong -- Stuff is a candid, unvarnished guide to the bumpy road to success. The shocking truth is that 98 percent of us have at least one career-derailment risk factor, and half to two-thirds actually go off the rails. And the reason why people get fired, demoted, or plateau is because they let the wrong stuff act out, not because they lack talent, energy, experience, or credentials. Carter Cast himself had all the right stuff for a brilliant career, when he was called into his boss's office and berated for being obstinate, resistant, and insubordinate. That defining moment led to a years-long effort to understand why he came so close to getting fired, and what it takes to build a successful career. His wide range of experiences as a rising, falling, and then rising star again at PepsiCo, an entrepreneur, the CEO of Walmart.com, and now a professor and venture capitalist enables him to identify the five archetypes found in every workplace. You'll recognize people you work with (maybe even yourself) in Captain Fantastic, the Solo Flyer, Version 1.0, the One-Trick Pony, and the Whirling Dervish, and, thanks to Cast's insights, they won't be able to trip up your future.
English is a blend of passion and logic, except in spelling, which has nothing to do with either. Language is a set of conventions, some of them sensible, and some accidental. Usage is not so much a question of what is right or wrong as of what is or is not accepted. Accepted by whom? By the experts and the committees, and the advisers and the authorities, the stylists, and the grammarists, bless them, who write dictionaries, style guides, textbooks, handbooks, and grammar books in seventy-five volumes. They set limits; decide who has wiggle room and where. Academic writing operates in solitary confinement. Technical writing is medium-security; business writing a work-release effort. Next to them, creative writing is a resort. The only writing manual most writers will ever want -- or need!
"While working under a stern publisher who dealt with his staff like a military commander, the protagonist said something to the publisher that made him start sweating in the month of December. What did he say? What did the astrologer who claimed to have served under Subhash Chandra Bose in the INA and predicted the time of death of some Indian political leaders, reveal to the protagonist? The unseen and unknown remote employers connected to the protagonist through the Internet make the protagonist wonder if he is living in an Orwellian 1984 or The Brave New World of Huxley! Is it too late when the protagonist discovers he is working for a Pakistani company? Does the protagonist eventually catch up with Melissa, a fly-by-night, faceless, remote employer? The publishing world is changing rapidly today, when everyone is a writer and reader alike, and getting published can be a cakewalk. Read on..."
A young investigative reporter faces danger struggling to prove an incarcerated man's innocence while everyone she cares about seems especially determined to accept his guilt.
Ready to write your book? So why haven’t you done it yet? If you’re like most nonfiction authors, fears are holding you back. Sound familiar? Is my idea good enough? How do I structure a book? What exactly are the steps to write it? How do I stay motivated? What if I actually finish it, and it’s bad? Worst of all: what if I publish it, and no one cares? How do I know if I’m even doing the right things? The truth is, writing a book can be scary and overwhelming—but it doesn’t have to be. There’s a way to know you’re on the right path and taking the right steps. How? By using a method that’s been validated with thousands of other Authors just like you. In fact, it’s the same exact process used to produce dozens of big bestsellers–including David Goggins’s Can’t Hurt Me, Tiffany Haddish’s The Last Black Unicorn, and Joey Coleman’s Never Lose a Customer Again. The Scribe Method is the tested and proven process that will help you navigate the entire book-writing process from start to finish–the right way. Written by 4x New York Times Bestselling Author Tucker Max and publishing expert Zach Obront, you’ll learn the step-by-step method that has helped over 1,500 authors write and publish their books. Now a Wall Street Journal Bestseller itself, The Scribe Method is specifically designed for business leaders, personal development gurus, entrepreneurs, and any expert in their field who has accumulated years of hard-won knowledge and wants to put it out into the world. Forget the rest of the books written by pretenders. This is the ultimate resource for anyone who wants to professionally write a great nonfiction book.
A brilliant tour of mathematical thought and a guide to becoming a better thinker, How Not to Be Wrong shows that math is not just a long list of rules to be learned and carried out by rote. Math touches everything we do; It's what makes the world make sense. Using the mathematician's methods and hard-won insights-minus the jargon-professor and popular columnist Jordan Ellenberg guides general readers through his ideas with rigor and lively irreverence, infusing everything from election results to baseball to the existence of God and the psychology of slime molds with a heightened sense of clarity and wonder. Armed with the tools of mathematics, we can see the hidden structures beneath the messy and chaotic surface of our daily lives. How Not to Be Wrong shows us how--Publisher's description.
For over five years Dirk Manning's "Write or Wrong" column at Newsarama has provided aspiring writers with candid advice, anecdotes and inspiration about how to successfully meet artists, create comics, and get them published. At long last, Dirk collects key columns from his popular long-running series with each installment personally revisited by Manning in preparation for the book's release. "Write or Wrong": A Writer's Guide to Creating Comics is an invaluable tool for anyone seeking to create comics, improve their knowledge of the industry and the craft, and/or be simultaneously entertained and informed by this remarkable, forthright and ultimately charming writer as he openly discusses how to overcome the odds and create comics - even if you can't draw them yourself. Published by Caliber Comics.
This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!