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Reproduced from the 1948 edition of The Home Place, the Bison Book edition brings back into print an important early work by one of the most highly regarded of contemporary American Writers. This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man?s shoes, well-used kitchen utensils, and weathered siding. Muncy?s journey of discovery takes the measure of the man he has become and of what he has left behind.
In this novel, set in 1952 but intermingling the past and present, the protagonist reviews the effects of the Jazz Age on himself and a friend, recalling their exploits in college, in Paris, and in love. The result is the picture of a generation.
"This narrative, which on its surface is an account of three generations of women (and a few of their men) living on the plains of Nebraska ... only gets more strange and beautiful the more you look at it, like a photograph that slowly reveals its truth under very close inspection."--Introduction, p. [v].
"Laying sure hands on the daily is Wright Morris's forte. What the rest of us may have accepted too casually he sets upon with his own highly specialized focus. In this novel, more than ever, the texture of the day and hour, the fabric of speech, the pattern of action are used to show forth the humor of objects, people, places, lives, and in their deeper, more mysterious interrelations is disclosed the larger shape of tragedy."--Eudora Welty Friday, November 22, 1963, in Escondido, California, begins with the discovery of an infant in the adoption basket at the local animal pound. This calculated effort to shock the natives is silenced by the news from Dallas of an event calculated to shock the world. One Day is concerned with the way these two events are related and with the time that begins when conventional time seems to have stopped. The events of this day, both comical and horrifying, make the commonplace seem strange, and the strange familiar. To accommodate the present, the past must be reshuffled, and events accounted for defy accounting. One of the most distinguished American authors, Wright Morris (1910-1988) wrote thirty-three books including The Field of Vision, which won the National Book Award.
"A poignant landscape of Middle America of the thirties and forties"--Book jacket.
"A radiant expression of the art [Wright Morris] has developed through thirty years and fourteen earlier novels. Although it is anything but preachy it will stick in the minds of the congregation for a long time. . . . On the one hand, this is a novel of alienation and on the other, a novel about the discovery of identity. The author's overall concern . . . is the destiny of man. In this novel--perhaps more clearly and movingly than ever before--he carries the reader with him, until astonishment, awe, compassion, laughter, and exultation mingle in a tragic sense of life."--Granville Hicks, New York Times Book Review The ceremony of the old giving way to the new, the young breaking away from what is old, may well be the one constant in the ceaseless flux of American life. Fire Sermon reenacts this ceremony in the entangled lives of three young people and one old man. A chance meeting on the highway links a hippie couple to the eastward journey of an old man and a boy. For the boy it is a daily drama testing and questioning his allegiance. To which world does he belong? To the familiar ties and affections of the old or the disturbing and alluring charms of the new? One of the most distinguished American authors, Wright Morris (1910-1988) wrote thirty-three books including The Field of Vision, which won the National Book Award.
Frances Wright dared to take Thomas Jefferson seriously when he wrote, ' All men are created equal, ' and to assume that 'men' meant 'women' as well. Born in Scotland in 1795, she came to the United States in 1818, and spent half her adult life here, she died in Ohio in 1852, ending a lifetime devoted to promoting equality among the races and the sexes. The Marquis de Lafayette called her his adored Fanny and paid court so openly that he scandalized even his own family. The first woman to act publicly to oppose slavery. The pampered daughter of a highly stratified class society, she cast her lot with the working people, risking her health, her fortune, and her good name to realize the promise of the Declaration of Independence. With a boldness rare in women of her day, she attacked in print and in lecture halls throughout the country an economic system that allowed not only black slavery in the South but what she called wage slavery in the North. With the exception perhaps of Walt Whitman, she wrote more powerfully of sexual experience than any other American the nineteenth century.
"When Warren Howe, middle-aged TV script writer, receives an invitation to the funeral of Monsieur Dulac, he attempts to round up all the people who were guests with him three decades ago in Riva. Dulac's castle in the Austrian Alps. Neither Uncle Fremont, who 'invented the dust bowl' nor an old college friend cares to re-experience the good old days. But Sol Spiegel, a junk collector who salvages the past, is eager to return. To escape a world firmly anchored in space and bound to clock time, to re-experience the unbelievable, they go back to Riva--an imaginative creation fixed in neither time nor space, but like its master, both in and out of the world."--Saturday Review of Literature. "Wright Morris has an uncommon facility for constantly shifting from past to present without confusion or annoyance to the reader. In Cause for Wonder the time shifts are faster than in The Field of Vision--and all to good purpose. They make of this novel a ghost story that needs no bed sheets and white-paint props, though a few are used."--Newsweek. One of the most distinguished American authors, Wright Morris (1910-1988) wrote thirty-three books including The Field of Vision, which won the National Book Award.
Best known for his novels, including the National Book Award winners The Field of Vision and Plains Song, Nebraska-born author Wright Morris has long been regarded as one of America's most gifted writers. This volume, culling work from the photo-text books, criticism, and numerous short stories frequently overlooked among his oeuvre, reflects the true breadth of this quintessentially American artist's talents. As such, it offers a fascinating overview of Morris's inspiring accomplishments in multiple genres. While embracing the prose for which Morris is justly famous, this treasury of work also highlights his photography and other literary genres, including hard-to-find stories first published in magazines, some of which were early drafts of future novels. Edited by Morris's long-time friend David Madden, this one-of-a-kind collection captures a man of multifarious genius. Replete with interviews, photography, a biographical sketch, suggestions for further reading, and Morris's inimitable writing, this compendium is an indispensable resource for those who wish to understand and appreciate the brilliance and virtuosity of one of America's true talents.
"Wright Morris seems to me the most important novelist of the American middle generation. Through a large body of work -which, unaccountably, has yet to receive the wide attention it deserves--Mr. Morris has adhered to standards which we have come to identify as those of the most serious literary art. His novel The Field of Vision brilliantly climaxes his most richly creative period. It is a work of permanent significance and relevance to those who cannot be content with less than a full effort to cope with the symbolic possibilities of the human condition at the present time."--John W. Aldridge