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"Wright fell in love with the desert quickly and profoundly," writes Lawrence W. Cheek. "It was a vast, blank canvas ... it was an open-air warehouse of natural forms, colors, and textures that both delighted and inspired him." Frank Lloyd Wright first came to Arizona in 1928. In this spectacular desert landscape he built his winter headquarters, Taliesin West, and found a passion that drove him for the next 31 years of his life. In the first book to focus solely on Wright's work in Arizona, Lawrence W. Cheek explores the twelve breathtaking buildings that Wright contributed to the state. Cheek also delves into the audacious, mischievous, egocentric, and often outrageous life of Frank Lloyd Wright and examines today's Taliesin West, still a center of vigilant devotion to the man often called the greatest architect of the twentieth century. 50 color photos.
Between 1898 and 1909, Frank Lloyd Wright’s residential studio in the idyllic Chicago suburb of Oak Park served as a nontraditional work setting as he matured into a leader in his field and formulized his iconic design ideology. Here, architectural historian Lisa D. Schrenk breaks the myth of Wright as the lone genius and reveals new insights into his early career. With a rich narrative voice and meticulous detail, Schrenk tracks the practice’s evolution: addressing how the studio fit into the Chicago-area design scene; identifying other architects working there and their contributions; and exploring how the suburban setting and the nearby presence of Wright’s family influenced office life. Built as an addition to his 1889 shingle-style home, Wright’s studio was a core site for the ideological development of the prairie house, one of the first truly American forms of residential architecture. Schrenk documents the educational atmosphere of Wright’s office in the context of his developing design ideology, revealing three phases as he transitioned from colleague to leader. This heavily illustrated book includes a detailed discussion of the physical changes Wright made to the building and how they informed his architectural thinking and educational practices. Schrenk also addresses the later transformations of the building, including into an art center in the 1930s, its restoration in the 1970s and 80s, and its current use as a historic house museum. Based on significant original and archival research, including interviews with Wright’s family and others involved in the studio and 180 images, The Oak Park Studio of Frank Lloyd Wright offers the first comprehensive look at the early independent office of one of the world’s most influential architects.
Newly expanded guidebook to the major homes and public buildings designed by Frank Lloyd Wright throughout California and the greater Phoenix area. Includes 17 cameo stories about America's most famous architect.
On April 11, 1943, in the desert hills of Phoenix, Arizona, Frank Lloyd Wright’s Pauson House burned to the ground. The fire had erupted just one year after the building’s completion. But the complete obliteration of this remarkable structure was avoided by way of an astounding archive of letters between Wright (American, 1867–1959) and his client, artist Rose Pauson.In Building the Pauson House, more than fifty previously unpublished letters written between 1938 and 1943—alongside rare site photographs and Wright’s architectural drawings—chronicle the design and construction of one of Wright’s most creative houses. While his commitment to integrating architecture into the natural environment was tested by the undeveloped site, these letters provide a rare glimpse into another important challenge for the architect: pleasing the client. In note after note, Pauson’s and Wright’s headstrong personalities shine through, with jabfilled exchanges regarding bills and design changes exposing frustrations on both sides. In one letter, Wright quipped, “For the time and trouble I have taken in writing this to you, I could have turned in to my publisher material for which I would receive twice the sum in dispute.” But despite their differences, Pauson and Wright remained true to their underlying appreciation of each other, and it is Wright’s words that remind us of his main inspiration: “If the house doesn’t fit you from the soles of your feet to the top of your head it wouldn’t be one of our houses.”Edited and introduced by Allan Wright Green, the great-nephew of Rose Pauson, and with a Foreword by Bruce Brooks Pfeiffer of the Frank Lloyd Wright Foundation, these collected letters offer a remarkable view of the personality and working methods of one of the world’s greatest architects.
It is one of the great mysteries in the archaeology of the Americas: the depopulation of the northern Southwest in the late thirteenth-century AD. Considering the numbers of people affected, the distances moved, the permanence of the departures, the severity of the surrounding conditions, and the human suffering and culture change that accompanied them, the abrupt conclusion to the farming way of life in this region is one of the greatest disruptions in recorded history. Much new paleoenvironmental data, and a great deal of archaeological survey and excavation, permit the fifteen scientists represented here much greater precision in determining the timing of the depopulation, the number of people affected, and the ways in which northern Pueblo peoples coped—and failed to cope—with the rapidly changing environmental and demographic conditions they encountered throughout the 1200s. In addition, some of the scientists in this volume use models to provide insights into the processes behind the patterns they find, helping to narrow the range of plausible explanations. What emerges from these investigations is a highly pertinent story of conflict and disruption as a result of climate change, environmental degradation, social rigidity, and conflict. Taken as a whole, these contributions recognize this era as having witnessed a competition between differing social and economic organizations, in which selective migration was considerably hastened by severe climatic, environmental, and social upheaval. Moreover, the chapters show that it is at least as true that emigration led to the collapse of the northern Southwest as it is that collapse led to emigration.
An “immensely valuable” dual biography of the iconic American architect and the city that transformed his career in the early twentieth century (Francis Morrone, New Criterion). Frank Lloyd Wright took his first major trip to New York in 1909, fleeing a failed marriage and artistic stagnation. He returned a decade later, his personal life and architectural career again in crisis. Booming 1920s New York served as a refuge, but it also challenged him and resurrected his career. The city connected Wright with important clients and commissions that would harness his creative energy and define his role in modern architecture, even as the stock market crash took its toll on his benefactors. Anthony Alofsin has broken new ground by mining the Wright archives held by Columbia University and the Museum of Modern Art. His foundational research provides a crucial and innovative understanding of Wright’s life, his career, and the conditions that enabled his success. The result is at once a stunning biography and a glittering portrait of early twentieth-century Manhattan.
Reproduced from the 1948 edition of The Home Place, the Bison Book edition brings back into print an important early work by one of the most highly regarded of contemporary American Writers. This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man?s shoes, well-used kitchen utensils, and weathered siding. Muncy?s journey of discovery takes the measure of the man he has become and of what he has left behind.