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A CHRONOLOGY OF VOICES, FROM THE BIRTH OF ZIONISM UNTIL TODAY THEODOR HERZL, AHAD HA’AM, MARTIN BUBER, ALBERT EINSTEIN, HANNAH ARENDT, YESHAYAHU LEIBOWITZ, NOAM CHOMSKY, TANYA REINHART, ZEEV STERNHELL, URI AVNERY, TIKVA-HONIG PARNASS, SHLOMO SAND, TOM SEGEV, SIMHA FLAPAN, BARUCH KIMMERLING, BENNY MORRIS, AVI SHLAIM, ILAN PAPPE, GIDEON LEVY, AMIRA HASS, AND MICHEL SFARD Portrayals of Israel in mainstream Western media as the “homeland of the Jews” and “the only democracy in the Middle East” are commonplace. Since the realities behind them are rarely shown, these truisms have become habitual assumptions underlying news coverage, public policy, and ordinary conversation. At the same time, while criticism of a government’s policies is considered an essential right and safeguard of democracy, criticism of Israeli policy is persistently attacked as anti-Zionist—or even anti-Semitic—by a majority of Israelis and by those outside the country who claim to be Israel’s friends. The views of independent Israelis and Jews who examine, challenge, or oppose extreme Israeli governments and policies are rarely heard. This book attempts to recover a history of dissent. In Wrestling with Zionism: Jewish Voices of Dissent, Daphna Levit amplifies the voices of twenty-one Jewish and Israeli thinkers—scholars, theologians, journalists, lawyers, activists—who have grappled with the evolution of Zionism since its inception on political, religious, cultural, ethical, or philosophical grounds. Beginning in the late-nineteenth century, well before the founding of the State of Israel, and surveying pioneering figures up until the present, she introduces, examines, and brings together a range of contrasting viewpoints into a single historical conversation. As well, with these portraits she honors a tradition of courageous intellectual inquiry and activism, rooted in Jewish ethical imperatives. Drawing on her own lifetime of activism and research, Levit has assembled a foundational text, enabling us to consider the relationship of modern political Zionism and Judaism today, in revealing historical light.
"A Land With A People began as a storytelling project of Jewish Voice for Peace-New York City and subsequently transformed into a theater project performed throughout the New York City area. A Land With A People elevates rarely heard Palestinian and Jewish voices and visions. It brings us the narratives of secular, Muslim, Christian, and LGBTQ Palestinians who endure the particular brand of settler colonialism known as Zionism. It relays the transformational journeys of Ashkenazi, Mizrahi, Palestinian and LGBTQ Jews who have come to reject the received Zionist narrative. Unflinching in their confrontation of the power dynamics that underlie their transformation process, these writers find the courage to face what has happened to historic Palestine, and to their own families as a result. Stories touch hearts, open minds, and transform our understanding of the "other"-as well as comprehension of our own roles and responsibilities. A Land With a People emerges from this reckoning. Contextualized by a detailed historical introduction and timeline charting 150 years of Palestinian and Jewish resistance to Zionism, this collection will stir emotions, provoke fresh thinking, and point to a more hopeful, loving future-one in which Palestine/Israel is seen for what it is in its entirety, as well as for what it can be"--
A selection of posts from the author's blog, Shalom Rav.
Drawing on historiography, philosophy, social commentary ideological tracts and belles lettres, Ehud Luz explores the ways that Zionist attitudes toward sovereignty were shaped by their Judaic heritage, in particular the prophetic literature and the halakhic (legal) tradition.
Kushner and Solomon bring together prominent poets, essayists, journalists, activists, academics, novelists and playwrights representing the diversity of opinion in the progressive Jewish-American community to discuss the Israeli-Palestinian conflict.
This book explores responses to The Merchant of Venice by Jewish writers, critics, theater artists, thinkers, religious leaders and institutions.
Winner of the National Book Critics Circle Award and a finalist for the National Book Award The Counterlife is a novel unlike any that Philip Roth has written before, a book of astonishing 180-degree turns, a book of conflicting perspectives and points of view, and, by far, Roth's most radical work of fiction. The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Every major character (and most of the minor ones) is investigating, debating, and arguing the possibility of remaking the future. Illuminating these lives in transition and guiding us through all the landscapes, familiar and foreign, where these people are seeking self-transformation, is the mind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and to reshape history. Yet his is hardly the only voice. This is a novel in which speaking out with force and lucidity appears to be the imperative of every life. There is Henry, the forty-year-old New Jersey dentist, who risks a quintuple bypass operation in order to escape the coronary medication that renders him sexually impotent. There is Maria, the wellborn young Englishwoman, who invites the disdain of her family by marrying the American she knows will be lease acceptable in Gloucestershire. There is Lippmann, the Israeli settlement leader, who contends that "everything is possible for the Jew if only he does not give ground." The action in The Counterlife ranges from a dentist's office in quiet suburban New Jersey to a genteel dining table in a tradition-bound English village, from a Christmas carol service in London's West End to a Sabbath evening celebration in a tiny desert settlement in Israel's occupied West Bank. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate.
Today Jews face a choice. We can be loyal to the ethical imperatives at the heart of Judaism—love the stranger, pursue justice, and repair the world. Or we can give our unconditional support to the state of Israel. It is a choice between Judaism as a religion and the nationalist ideology of Zionism, which is usurping that religion. In this powerful collection of personal narratives, thirty-nine Jews of diverse backgrounds tell a wide range of stories about the roads they have traveled from a Zionist world view to activism in solidarity with Palestinians and Israelis striving to build an inclusive society founded on justice, equality, and peaceful coexistence. Reclaiming Judaism from Zionism will be controversial. Its contributors welcome the long overdue public debate. They want to demolish stereotypes of dissenting Jews as “self-hating,” traitorous, and anti-Semitic. They want to introduce readers to the large and growing community of Jewish activists who have created organizations such as Jewish Voice for Peace, IfNotNow, and Open Hillel. They want to strengthen alliances with progressives of all faiths. Above all, they want to nurture models of Jewish identity that replace ethnic exclusiveness with solidarity, Zionism with a Judaism once again nourished by a transcendent ethical vision. An introduction and afterword by Carolyn L. Karcher set the narratives in historical context. Contributors include: Joel Beinin • Sami Shalom Chetrit • Ilise Benshushan Cohen • Marjorie Cohn • Rabbi and Cantor Michael Davis • Hasia R. Diner • Marjorie N. Feld • Chris Godshall • Ariel Gold • Noah Habeeb • Claris Harbon • Linda Hess • Rabbi Linda Holtzman • Yael Horowitz • Carolyn L. Karcher • Mira Klein • Sydney Levy • Ben Lorber • Shoshana Madmoni-Gerber • Carly Manes • Moriah Ella Mason • Seth Morrison • Eliza Rose Moss-Horwitz • Hilton Obenzinger • Henri Picciotto • Ned Rosch • Rabbi Brant Rosen • Alice Rothchild • Tali Ruskin • Cathy Lisa Schneider • Natalia Dubno Shevin • Ella Shohat • Emily Siegel • Rebecca Subar • Cecilie Surasky • Rebecca Vilkomerson • Rachel Winsberg • Rabbi Alissa Wise • Charlie Wood
The Jew in Czech and Slovak Imagination,1938-89 is the first critical inquiry into the nature of anti-Jewish prejudices in both main parts of former Czechoslovakia. The authors identify anti-Jewish prejudices over almost fifty years of the twentieth century, focusing primarily on the post-Munich period and the Second World War (1938–45), the post-war reconstruction (1945–48), as well as the Communist rule with both its thaws and returns to hardline rule (1948–89). It is a provocative examination of the construction of the image of ‘the Jew’ in the Czech and Slovak majority societies, the assigning of character and other traits – real or imaginary – to individuals or groups. The book analyses the impact of these constructed images on the attitudes of the majority societies towards the Jews, and on Holocaust memory in the country. "This meticulously researched study covers the late 1930s to the 1960s in Czechoslovakia, then when Slovakia became a separate country under Nazi domination during WW II and much of the Czech Republic was a German 'protectorate.'...Summing Up: Highly recommended. Graduate students, faculty, professionals." - R.M. Seltzer, emeritus, Hunter College, CUNY, in: CHOICE 55.12 (2018)
Winner of the 2021 National Jewish Book Award for Con­tem­po­rary Jew­ish Life and Prac­tice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.