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A six volume collection of architectural sketches created by the WPA in 1940 to assist in the construction of a scale model of downtown Los Angeles, a portion of which currently resides at the Natural History Museum in Exposition Park. The physical sketches are held by the City of Los Angeles City Clerk, City Archive and Records
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
"This book ... [shows] how the artist worked out his developing ideas primarily through drawing. Included are examples of work from his early years, such as the preparatory drawings he made as a muralist for the WPA in the 1930s, in addition to the increasingly abstract work of the 1940s and 1950s, and the sequence of pictorial experiments that led to his reintroduction of the figure in the late 1960s. Also reproduced, in color, are a number of painterly gouaches and a series of acrylics"--Back cover.
"Stuart Davis (1892-1964), once described as "the ace of America's Modernists," regarded drawing as central to his art. He believed that all his works were drawings, and developed his images as carefully adjusted black-and-white "configurations" which he translated to "color-space compositions" only at the last stage of his painting procedure. He even retranslated some of his most ambitious and best-known paintings back into large-scale black-and-white drawings on canvas, apparently as a final version of the image." "This volume examines, for the first time, the full range of Davis's activity as a draftsman, from his early naturalistic drawings in the manner of the Ashcan School to the economical near-abstractions of his maturity. A broad interpretation of the notion of drawing, in keeping with Davis's own understanding of the term, allows the inclusion of works on paper in a variety of mediums, including watercolors, gouaches, and some late black-and-white drawings on canvas." "Included as well are selections from Davis's extensive writings, which contain innumerable references to drawing: attempts to define what constitutes a good drawing, and discussions of the role of drawing in his work and in the formulation of his complex theories of composition. Just as important, Davis's notebooks contain many images, ranging from diagrams that illustrate theory to fully developed, self-sufficient drawings." "Karen Wilkin and Lewis C. Kachur, both eminent Davis scholars, draw heavily on his unpublished writings and less well-known images to deepen our understanding of Davis and of American modernism in its formative years."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Biographical reference providing information on individuals active in the theatre, film, and television industries. Covers not only performers, directors, writers, and producers, but also behind-the-scenes specialists such as designers, managers, choreographers, technicians, composers, executives, dancers, and critics from the United States and Great Britain.
Much has changed in the world of self-taught art since the millennium. Many of the recognized "masters" have died and new artists have emerged. Many galleries have closed but few new ones have opened, as artists and dealers increasingly sell through websites and social media. The growth and popularity of auction houses have altered the relationship between artists and collectors. In its third edition, this book provides updated information on artists, galleries, museums, auctions, organizations and publications for both experienced and aspiring collectors of self-taught, outsider and folk art. Gallery and museum entries are organized geographically and alphabetically by state and city.