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The Start of a Prophecy: To Savah, a sheltered fifteen-year-old who has been hiding her growing magical abilities, it seems like chance when she meets Bazir in the marketplace of Erah where she is selling cloth she has woven, but it is the hand of fate and the hope of a prophecy -- given a gentle push of Kalisha, a wise woman -- setting them on their life's journey. The two marry, although he cannot stay for Bazir is the head of a growing resistance determined to overthrow Haratha, the Dark Wizard. When Bazir is captured, a magical bracelet Savah wove as his wedding gift turns him into a wolf. Escaping, he makes his way to her, where he learns she has birthed their daughter, Aimah, who was immediately kidnapped by the mysterious Kalisha. To stop a great evil: Knowing the prophecy, Haratha has been relentlessly hunting for the women predicted to be his downfall. Aimah grows under Kalisha's guidance, learning her own magic and gifts. In time, she marries and has a daughter of her own, Nara. When mother and daughter are threatened by Haratha, Aimah magically sends the child away. Generations must Join: Woman and wolf search for their child across thirty-five years and countless lands. Over time, Bazir winters with various wolf packs learning their ways while Savah's magical gifts become stronger as she develops a circle of women friends who join the fight to overthrow Haratha. When Nara appears to her, Savah knows the end is coming. In the final confrontation, the three women must combine their magical powers, aided by the men who love them, to defeat Haratha -- whatever price must be paid.
Jasmine Houston, a widow with a young son, agrees to harbor former slaves at her horse farm outside of Lowell, even though her father, a plantation owner, supports slavery. When a boardinghouse keeper unwittingly becomes involved with a traveling peddler who sells something infinitely more valuable than shoes, Jasmine is devastated to discover that her son and the former slaves have been kidnapped. Jasmine's determination to free them threatens to undo her family as well as the ties that bind the burgeoning textile industry to the southern cotton growers. Book two in the bestselling Lights of Lowell.
One of Time magazine's 100 Best Fantasy Books of All Time! A lush tapestry of magic, romance, and revolución, drawing inspiration from Bolivian politics and history. “A vibrant feast of a book.” – Margaret Rogerson, NYT bestselling author of An Enchantment of Ravens “Pure magic.” – Shelby Mahurin, NYT bestselling author of Serpent & Dove “A wholly unique book for the YA shelf.” – Adrienne Young, NYT bestselling author of Sky in the Deep “A spellbinding, vivid debut.” – Rebecca Ross, author of Queen's Rising Ximena is the decoy Condesa, a stand-in for the last remaining Illustrian royal. Her people lost everything when the usurper, Atoc, used an ancient relic to summon ghosts and drive the Illustrians from La Ciudad. Now Ximena’s motivated by her insatiable thirst for revenge, and her rare ability to spin thread from moonlight. When Atoc demands the real Condesa’s hand in marriage, it’s Ximena’s duty to go in her stead. She relishes the chance, as Illustrian spies have reported that Atoc’s no longer carrying his deadly relic. If Ximena can find it, she can return the true aristócrata to their rightful place. She hunts for the relic, using her weaving ability to hide messages in tapestries for the resistance. But when a masked vigilante, a warm-hearted princesa, and a thoughtful healer challenge Ximena, her mission becomes more complicated. There could be a way to overthrow the usurper without starting another war, but only if Ximena turns her back on revenge—and her Condesa.
For millennia, Native artists on Olympic Peninsula, in what is now northwestern Washington, have created coiled and woven baskets using tree roots, bark, plant stems—and meticulous skill. From the Hands of a Weaver presents the traditional art of basket making among the peninsula’s Native peoples—particularly women—and describes the ancient, historic, and modern practices of the craft. Abundantly illustrated, this book also showcases the basketry collection of Olympic National Park. Baskets designed primarily for carrying and storing food have been central to the daily life of the Klallam, Twana, Quinault, Quileute, Hoh, and Makah cultures of Olympic Peninsula for thousands of years. The authors of the essays collected here, who include Native people as well as academics, explore the commonalities among these cultures and discuss their distinct weaving styles and techniques. Because basketry was interwoven with indigenous knowledge and culture throughout history, alterations in the art over time reflect important social changes. Using primary-source material as well as interviews, volume editor Jacilee Wray shows how Olympic Peninsula craftspeople participated in the development of the commercial basket industry, transforming useful but beautiful objects into creations appreciated as art. Other contributors address poaching of cedar and native grasses, and conservation efforts—contemporary challenges faced by basket makers. Appendices identify weavers and describe weaves attributed to each culture, making this an important reference for both scholars and collectors. Featuring more than 120 photographs and line drawings of historical and twentieth-century weavers and their baskets, this engaging book highlights the culture of distinct Native Northwest peoples while giving voice to individual artists, masters of a living art form.
Christianity did not begin in Bethlehem. The sacred promise of a redeemer was known to ancient people. We can find it written not only in Genesis of the Bible but also in the early constellations and myths of ancient people. We also find it among artifacts and early worship practices. We can see that Christianity was not borrowed from pagan myths and mysteries, but rather those myths and mysteries contain a knowledge (though imperfect) of a redeemer known from the earliest ages. This knowledge has flowed from the very beginning of history.
Rigid-heddle weaving is simple to learn, is easy to master, and offers a lifetime of possibilities to discover! Inventive Weaving on a Little Loom covers everything rigid-heddle weavers need to know about the craft, from the basics — how to select a loom, set it up, and get started — to a wide variety of fun techniques that yield beautiful results. Begin by exploring a variety of weave structures, including finger-manipulated laces, tapestry, and color play with stripes, plaids, and multicolor yarns. Then move on to more complex designs and irresistible projects, from pillows and curtains to bags, shawls, and even jewelry. Explore warp-face patterning, weft-pile weaving, weaving with fine threads, woven shibori, shadow weave, and the textural effects you can create with different yarns and with wire and conductive thread. Everything you need to know is here, with fully illustrated step-by-step instructions to ensure success.
"What I do as a writer, teacher, and storyteller is to demystify language," says Simon Ortiz. Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication. Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives. In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle. "Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people," writes Ortiz. "Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival."
This book describes the inspiration and imagery behind Woven Woods, a collection of twelve round fabric wall hangings depicting the wonders of tree root communication. The research for this project was inspired by the work of Dr. Suzanne Simard of UBC, a leader in the field of forest biology, who generously gave of her time and knowledge. Lorraine Roy has a BSc in Agriculture, majoring in Horticulture. She has been a full time professional artist working with textiles for over 30 years. In her work she focuses on trees and the myriad connections they have with each other and with other organisms and humans. She lives and works in Dundas, Ontario.
“It’s not often that you read a fantasy that feels as epic and original . . . Clever, well-paced, and full of intrigue, it’s a superb read.” —James Dashner, #1 New York Times–bestselling author All his life, Nels has wanted to be a knight of the kingdom of Avërand. Tall and strong, and with a knack for helping those in need, the people of his sleepy little village have even taken to calling him the Knight of Cobblestown. But that was before Nels died, murdered outside his home by a mysterious figure. Now the young hero has awoken as a ghost, invisible to all around him save one person—his only hope for understanding what happened to him—the kingdom’s heir, Princess Tyra. At first the spoiled royal wants nothing to do with Nels, but as the mystery of his death unravels, the two find themselves linked by a secret, and an enemy who could be hiding behind any face. Nels and Tyra have no choice but to abscond from the castle, charting a hidden world of tangled magic and forlorn phantoms. They must seek out an ancient needle with the power to mend what has been torn, and they have to move fast. Because soon Nels will disappear forever. “Woven reads like a lost classic that was somehow just rediscovered. It has the feel of a comfortable, familiar blanket that’s somehow been newly-made of the brightest, most original material possible, and it is pure pleasure to read.” —James A. Owen, bestselling author & illustrator of Dawn of the Dragons “This brisk adventure from first-time authors Jensen and King is a charming quest tale in classic fantasy tradition.” —Publishers Weekly
With weaving enjoying a resurgence in popularity among crafters and cottage industries worldwide, this guide enables novice weavers to explore basic folk techniques and styles to produce beautiful and evocative handcrafted works of art. From creative conception to completion, aspiring fiber artists are given accessible yet in-depth instructions on hand-manipulating weaving techniques, such as soumak, twining, cut pile, cardweaving, inkle weaving, and plain weave. Containing six easy-to-follow weaving tutorials and projects for eight exquisite hand-woven bags, this manual encourages personal, creative distinctions and promotes understanding and appreciation of the color and textural components of traditional folk weaving style. Designed to instill a sense of creativity and accomplishment through the learned techniques and finished product, this delightful guide is certain to become an essential reference for those starting out in the rewarding and inspirational field of fiber arts.