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A world split between day and night. Two sisters who must unite it. The author of The Bone Witch kicks off an epic YA fantasy duology perfect for fans of Furyborn. Generations of twin goddesses have long ruled Aeon—until one sister’s betrayal split their world in two. A Great Abyss now divides two realms: one cloaked in eternal night, the other scorched beneath an ever-burning sun. While one sister rules the frozen fortress of Aranth, her twin rules the sand-locked Golden City—each with a daughter by their side. Now those young goddesses must set out on separate, equally dangerous journeys in hopes of healing their broken world. No matter the sacrifice it demands. Told from four interweaving perspectives, this sweeping epic fantasy packs elemental magic, star-crossed romance, and incredible landscapes into a spectacular adventure with the fierce sisterhood of Frozen and the breakneck action of Mad Max: Fury Road.
In this thrilling fantasy epic sequel to The Never Tilting World, twin sisters unite to break a destructive cycle and heal their world. After a treacherous journey and a life-shattering introduction to a twin neither knew she had, sisters Haidee and Odessa expected to emerge from the Great Abyss to a world set right. But though the planet is turning once again, the creatures of the abyss refuse to rest without another goddess’s sacrifice. To break the cycle, Haidee and Odessa need answers that lie beyond the seven gates of the underworld, within the Cruel Kingdom itself. The shadows of the underworld may hunger to tear them apart, but these two sisters are determined to heal their world—together. Featuring elemental magic, fierce sisterhood, and vast, incredible landscapes, this work is perfect for fans of Leigh Bardugo and Sabaa Tahir. Praise for The Ever Cruel Kingdom “Chupeco has built a magical world with strong characters, who have a range of skin tones, and good LGBTQIA+ representation. The plot is action-packed from the beginning to the end.” —School Library Journal
Best Book of the Year – Bloomberg News A resilient Turkish writer’s inspiring account of his imprisonment that provides crucial insight into political censorship amidst the global rise of authoritarianism. The destiny I put down in my novel has become mine. I am now under arrest like the hero I created years ago. I await the decision that will determine my future, just as he awaited his. I am unaware of my destiny, which has perhaps already been decided, just as he was unaware of his. I suffer the pathetic torment of profound helplessness, just as he did. Like a cursed oracle, I foresaw my future years ago not knowing that it was my own. Confined in a cell four meters long, imprisoned on absurd, Kafkaesque charges, novelist Ahmet Altan is one of many writers persecuted by Recep Tayyip Erdoğan’s oppressive regime. In this extraordinary memoir, written from his prison cell, Altan reflects upon his sentence, on a life whittled down to a courtyard covered by bars, and on the hope and solace a writer’s mind can provide, even in the darkest places.
A thrilling history of the rise of anarchism, told through the stories of a number of prominent revolutionaries and the agents of the secret police who pursued them. In the late nineteenth century, nations the world over were mired in economic recession and beset by social unrest, their leaders increasingly threatened by acts of terrorism and assassination from anarchist extremists. In this riveting history of that tumultuous period, Alex Butterworth follows the rise of these revolutionaries from the failed Paris Commune of 1871 to the 1905 Russian Revolution and beyond. Through the interwoven stories of several key anarchists and the secret police who tracked and manipulated them, Butterworth explores how the anarchists were led to increasingly desperate acts of terrorism and murder. Rich in anecdote and with a fascinating array of supporting characters, The World That Never Was is a masterly exploration of the strange twists and turns of history, taking readers on a journey that spans five continents, from the capitals of Europe to a South Pacific penal colony to the heartland of America. It tells the story of a generation that saw its utopian dreams crumble into dangerous desperation and offers a revelatory portrait of an era with uncanny echoes of our own.
Midnight. Stars speckle the darkness with bits of light. A cockroach skitters across the kitchen floor to snatch a forgotten breadcrumb. In the backyard, a spider weaves an intricate design on the fence. Winged insects dance and flicker in the porch light. Day and night, small creatures are busy working, eating, hunting, hiding. This nonfiction picture book reveals the hidden lives of insects and other small creatures from one midnight to the next. The world may appear to be sleeping in the dead of night, but it is not. As moonflowers open and stars shine, nature goes about her business. The world never sleeps. Natalie Rompella’s lyrical text is vividly complemented by Carol Schwartz’s watercolors. A cat roams through the illustrations—silent witness, in the house and in the yard, to the myriad lives of night and day. A sense of mystery pervades all—even the backmatter natural-history portraits of the animals met in the book. This nature book invites children into a parallel universe, one that teems with life while they sleep. Lexile Level 700; F&P Level O
NOBEL PRIZE WINNER • The moving, suspenseful, beautifully atmospheric modern classic from the acclaimed author of The Remains of the Day and Klara and the Sun—“a Gothic tour de force" (The New York Times) with an extraordinary twist. “Brilliantly executed.” —Margaret Atwood “A page-turner and a heartbreaker.” —TIME “Masterly.” —Sunday Times As children, Kathy, Ruth, and Tommy were students at Hailsham, an exclusive boarding school secluded in the English countryside. It was a place of mercurial cliques and mysterious rules where teachers were constantly reminding their charges of how special they were. Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special—and how that gift will shape the rest of their time together.
Doc Ebersole lives with the ghost of Hank Williams. Literally. In 1963, ten years after giving Hank the overdose that killed him, Doc is wracked by addiction. Having lost his licence to practise medicine, he lives in a rented room in the red-light district on the south side of San Antonio, performing abortions and patching up the odd knife or gunshot wound. But when Graciela, a young Mexican immigrant, appears in the neighbourhood in search of Doc's services, miraculous things begin to happen. Everyone she meets is transformed for the better, except, maybe, for Hank's angry ghost - who isn't at all pleased to see Doc doing well. I'll Never Get Out of This World Alive is a poetic ghost story, as well as a ballad of regret and redemption, and miracles.
Apocalypse Never illuminates why we must abolish nuclear weapons, how we can, and what the world will look like after we do. On the wings of a brand new era in American history, Apocalypse Never makes the case that a comprehensive nuclear policy agenda that fully integrates nonproliferation with disarmament, can both eliminate immediate nuclear dangers and set us irreversibly on the road to abolition. In jargon-free language, Daley explores the possible verification measures, enforcement mechanisms, and governance structures of a nuclear weapon-free world.
Born into a low-level literati family in the port city of Ningbo, the seventeenth-century Chinese Christian convert Zhu Zongyuan likely never left his home province. Yet Zhu nonetheless led a remarkably globally connected life. His relations with the outside world, ranging from scholarly activities to involvement with globalizing Catholicism, put him in contact with a complex and contradictory set of foreign and domestic forces. In Global Entanglements of a Man Who Never Traveled, Dominic Sachsenmaier explores the mid-seventeenth-century world and the worldwide flows of ideas through the lens of Zhu‘s life, combining the local, regional, and global. Taking particular aspects of Zhu‘s multiple belongings as a starting point, Sachsenmaier analyzes the contexts that framed his worlds as he balanced a local life and his border-crossing faith. At the local level, the book pays attention to the intellectual, political, and social environments of late Ming and early Qing society, including Confucian learning and the Manchu conquest, questioning the role of ethnic and religious identities. At the global level, it considers how individuals like Zhu were situated within the history of organizations and power structures such as the Catholic Church and early modern empires amid larger transformations and encounters. A strikingly original work, this book is a major contribution to East Asian, transnational, and global history, with important implications for historical approaches and methodologies.
Every major government’s military makes plans for waging wars, hoping that they never have to be employed. In the early part of the last century the US government prepared a number of war contingency plans for invading a number of nations—both hostile and friendly. These color-coded plans were designed for various political and military events, some of which actually unfolded in the Second World War. Never Wars: The US War Plans to Invade the World explores and provides details on a number of these key military invasion plans, their triggers, units involved, etc. Some of these plans, if executed, would have altered the globe or changed the events of the twentieth century and beyond. Included with this was the 1914 war plan against a triumphant Germany, a 1935 plan to attack Great Britain, the 1920s US plans to land forces in Mexico to topple their government, a plan for invading China and even a 1905 strike into the heart of Canada. From a plan to invade the Azores to an incursion into Cuba, Never Wars presents never before published plans for the US to strike out at the world.