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The 1893 Columbian Exposition, also known as the Chicago World's Fair, presented the Latter-day Saints with their first opportunity to exhibit the best of Mormonism for a national and an international audience after the abolishment of polygamy in 1890. The Columbian Exposition also marked the dramatic reengagement of the LDS Church with the non-Mormon world after decades of seclusion in the Great Basin. Between May and October 1893, over seven thousand Latter-day Saints from Utah attended the international spectacle popularly described as the ''White City.'' While many traveled as tourists, oblivious to the opportunities to ''exhibit'' Mormonism, others actively participated to improve their church's public image. Hundreds of congregants helped create, manage, and staff their territory's impressive exhibit hall; most believed their besieged religion would benefit from Utah's increased national profile. Moreover, a good number of Latter-day Saint women represented the female interests and achievements of both Utah and its dominant religion. These women hoped to use the Chicago World's Fair as a platform to improve the social status of their gender and their religion. Additionally, two hundred and fifty of the Mormon Tabernacle Choir's best singers competed in a Welsh eiseddfodd, a musical competition held in conjunction with the Chicago World's Fair, and Mormon apologist Brigham H. Roberts sought to gain LDS representation at the affiliated Parliament of Religions. In the first study ever written of Mormon participation at the Chicago World's Fair, Reid L. Neilson explores how Latter-day Saints attempted to ''exhibit'' themselves to the outside world before, during, and after the Columbian Exposition, arguing that their participation in the Exposition was a crucial moment in the Mormon migration to the American mainstream and its leadership's discovery of public relations efforts. After 1893, Mormon leaders sought to exhibit their faith rather than be exhibited by others.
Reid L. Neilson provides the first examination of Latter-day Saint participation in the 1893 Columbian Exposition, which was a watershed moment in the Mormon migration to the American mainstream and its leadership's discovery of public relations efforts, and marked the dramatic reengagement of the LDS Church with the outside, non-Mormon world after decades of isolation in America's Great Basin desert.
Andrew Jenson undertook a lifelong quest to render the LDS historical record complete and comprehensive. As Assistant Church Historian of The Church of Jesus Christ of Latter-day Saints, Jenson tirelessly carried out his office's archival mission and advocated for fixed recordkeeping to become a duty for Latter-day Saints. Reid L. Neilson and Scott D. Marianno offer a new in-depth study of Jenson's long life and career. Their account follows Jenson from his arrival as a Danish immigrant to 1860s Utah through trips around the world to secure documents from far-flung missions, and on to his public life as a newspaper columnist and interpreter of LDS history. Throughout, Jenson emerges as a figure dedicated to the belief that recorded history united past and present Latter-day Saints in heaven and on earth--and for all eternity. Engaging and informed, Restless Pilgrim is a groundbreaking study of an important figure in Latter-day Saint intellectual life during a transformative era in Church history.
A project of the Utah Women's History Association and cosponsored by the Utah State Historical Society, Paradigm or Paradox provides the first thorough survey of the complicated history of all Utah women. Some of the finest historians studying Utah examine the spectrum of significant social and cultural topics in the state's history that particularly have involved or affected women.
This is the most comprehensive volume available on Utah's unique and varied history. From the earliest desert cultures to Utah society in the 1980s, this collection considers social, economic, political, and cultural aspects, some controversial, of the state's history.
The mainline Protestant churches played a vital role in the settlement of the West. Yet historiansøhave, for the most part, bypassed this theme. This account recreates the unique religious and cultural mix that sets this region apart from the rest of the nation. From itinerant circuit riders to powerful urban bishops, western clergy were continually involved in the maturation of their communities. Their duties on the frontier extended far beyond delivering Sunday sermons; they also served as librarians, counselors, social workers, educators, booksellers, peacekeepers, and general purveyors of culture. Weaving together the varied experiences of men and women from the five major Protestant denominations?Baptist, Methodist, Presbyterian, Congregational, and Episcopal?the author discusses their responses to life on the frontier: the violence, the tumultuous growth of the cities, the isolation of farm life, and the widespread hunger, especially among women, for ?refinement.?
This field-defining work opens the study of world's fairs to women's and gender history, exploring the intersections of masculinity, femininity, exoticism, display, and performance at these influential events. As the first global gatherings of mass numbers of attendees, world's fairs and expositions introduced cross-class, multi-racial, and mixed-sex audiences to each other, as well as to cultural concepts and breakthroughs in science and technology. Gendering the Fair focuses on the manipulation of gender ideology as a crucial factor in the world's fairs' incredible power to shape public opinions of nations, government, and culture. Established and rising scholars working in a variety of disciplines and locales discuss how gender played a role in various countries' exhibits and how these nations capitalized on opportunities to revise national and international understandings of womanhood. Spanning several centuries and extending across the globe from Portugal to London and from Chicago to Paris, the essays cover topics including women's work at the fairs; the suffrage movement; the intersection of faith, gender, and patriotism; and the ability of fair organizers to manipulate fairgoers' experience of the fairgrounds as gendered space. The volume includes a foreword by preeminent world's fair historian Robert W. Rydell. Contributors are TJ Boisseau, Anne Clendinning, Lisa K. Langlois, Abigail M. Markwyn, Sarah J. Moore, Isabel Morais, Mary Pepchinski, Elisabeth Israels Perry, Andrea G. Radke-Moss, Alison Rowley, and Anne Wohlcke.