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This book follows the popular Huckleberry Days The authors poetic presentation of the good old ways, And A Sampler of Uncommon Sense and Good Times, Emotional Trips, Whimsy and More in Rhymes. These, plus World War II.... are available on the net. Just Google them or type the author, and its a good bet Youll find they are all easy to get. Remember what every Vet knows so well, As the Civil Wars Sherman said, War is hell. Burn this on your brain forevermore. There is nothing worse than total war. Here is a poetic history of World War II. Some of the major events are presented to you. From the Day of Infamy with Japans attack, Til their surrender after we drove them back, We fought the Hun in Africa and Europes south and west. After our Normandy invasion we completed this quest. We fought on land, on the sea, and in the air. Our industrial production was beyond compare. This is about Americans, and what we had done. The Greatest Generation persevered til the war was won.
Brokaw wrote the bestselling "The Greatest Generation" and now the subjects have written back. This book of letters and reflections allows members of the World War II generation and their families to speak for themselves.
In 1998, Andrew Carroll founded the Legacy Project, with the goal of remembering Americans who have served their nation and preserving their letters for posterity. Since then, over 50,000 letters have poured in from around the country. Nearly two hundred of them comprise this amazing collection -- including never-before-published letters that appear in the new afterword. Here are letters from the Civil War, World War I, World War II, Korea, the Cold War, Vietnam, the Persian Gulf war, Somalia, and Bosnia -- dramatic eyewitness accounts from the front lines, poignant expressions of love for family and country, insightful reflections on the nature of warfare. Amid the voices of common soldiers, marines, airmen, sailors, nurses, journalists, spies, and chaplains are letters by such legendary figures as Gen. William T. Sherman, Clara Barton, Theodore Roosevelt, Ernie Pyle, Gen. Douglas MacArthur, Julia Child, Gen. Norman Schwarzkopf, and Gen. Benjamin O. Davis Sr. Collected in War Letters, they are an astonishing historical record, a powerful tribute to those who fought, and a celebration of the enduring power of letters.
“A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war.” —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States’ “exceptional” history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century’s decades of devastating conflict.
." . . the greatest war of all time told as it is best told - by the people who lived it." - The Washington Post All first-person accounts of great events have their own fascination, but the editors of American Heritage have discovered that people writing about World War II seem to tell their own story with particular passion and eloquence. That is one reason American Heritage has published so many of them - and why noted military historian Stephen W. Sears has selected the most compelling. The result of his search is a uniquely moving and valuable anthology - a series of personal histories that, marshaled together, become an intimate history of the Second World War. Here is Edward Beach, the highly decorated submarine skipper and author of Run Silent, Run Deep, recalling what it was like to be sent into hostile waters with torpedoes that didn't work; Charles Cawthon recounts the landing at Normandy Beach in a restrained and poetic narrative whose quiet humor does nothing to blunt the savagery of the experience; General James Gavin tells of the jump into Sicily and of a battle fought that never should have been fought; Hughes Rudd watched the war from overhead in a flimsy spotter plane, his "Maytag Messerschmitt; and William Manchester remembers a particularly audacious and hilarious scam that a reckless Marine buddy played on the entire army. Some of the stories are heartbreaking, some amusing, some horrifying, but every one of them - whether told by the women who hammered fighter planes together or the men who flew them - glows with hard-won experience.
The instant classic that changed the way we saw World War II and an entire generation of Americans, from the beloved journalist whose own iconic career has lasted more than fifty years. In this magnificent testament to a nation and her people, Tom Brokaw brings to life the extraordinary stories of a generation that gave new meaning to courage, sacrifice, and honor. From military heroes to community leaders to ordinary citizens, he profiles men and women who served their country with valor, then came home and transformed it: Senator Daniel Inouye, decorated at the front, fighting prejudice at home; Martha Settle Putney, one of the first black women to serve in the newly formed WACs; Charles Van Gorder, a doctor who set up a MASH-like medical facility in the middle of battle, then opened a small clinic in his hometown; Navy pilot and future president George H. W. Bush, assigned to read the mail of the enlisted men under him, who says that in doing so he “learned about life”; and many other laudable Americans. To this generation that gave so much and asked so little, Brokaw offers eloquent tribute in true stories of everyday heroes in extraordinary times. Praise for The Greatest Generation “Moving . . . a tribute to the members of the World War II generation to whom we Americans and the world owe so much.”—The New York Times Book Review “Full of wonderful, wrenching tales of a generation of heroes. Tom Brokaw reminds us what we are capable of as a people. An inspiring read for those who wish their spirits lifted.”—Colin L. Powell “Offers welcome inspiration . . . It is impossible to read even a few of these accounts and not be touched by the book’s overarching message: We who followed this generation have lived in the midst of greatness.”—The Washington Times “Entirely compelling.”—The Wall Street Journal
A terrifying series of short poems by one of the world’s leading playwrights, set to images of World War II In this singular book written during World War Two, Bertolt Brecht presents a devastating visual and lyrical attack on war under modern capitalism. He takes photographs from newspapers and popular magazines, and adds short lapidary verses to each in a unique attempt to understand the truth of war using mass media. Pictures of catastrophic bombings, propaganda portraits of leading Nazis, scenes of unbearable tragedy on the battlefield — all these images contribute to an anthology of horror, from which Brecht’s perceptions are distilled in poems that are razor-sharp, angry and direct. The result is an outstanding literary memorial to World War Two and one of the most spontaneous, revealing and moving of Brecht’s works.
A seventeen-year-old who enlisted in the army in 1941 writes to describe the Bataan Death March. Other members of the greatest generation describe their war — in such historic episodes as Guadalcanal, the D-Day invasion, the Battle of the Bulge, and Midway — as well as their life on the home front. In this beautiful American family album of stories, reflections, memorabilia, and photographs, history comes alive and is preserved, in people’s own words and through photographs and time lines that commemorate important dates and events. Starting with the Depression and Pearl Harbor, on through the war in Europe and the Pacific, this unusual book preserves a people’s rich historical heritage and the legacy of the heroism of a nation.
Winner of both the National Book Award for Arts and Letters and the National Book Critics Circle Award for Criticism, Paul Fussell's The Great War and Modern Memory was one of the most original and gripping volumes ever written about the First World War. Frank Kermode, in The New York Times Book Review, hailed it as "an important contribution to our understanding of how we came to make World War I part of our minds," and Lionel Trilling called it simply "one of the most deeply moving books I have read in a long time." In its panaramic scope and poetic intensity, it illuminated a war that changed a generation and revolutionized the way we see the world. Now, in Wartime, Fussell turns to the Second World War, the conflict he himself fought in, to weave a narrative that is both more intensely personal and more wide-ranging. Whereas his former book focused primarily on literary figures, on the image of the Great War in literature, here Fussell examines the immediate impact of the war on common soldiers and civilians. He describes the psychological and emotional atmosphere of World War II. He analyzes the euphemisms people needed to deal with unacceptable reality (the early belief, for instance, that the war could be won by "precision bombing," that is, by long distance); he describes the abnormally intense frustration of desire and some of the means by which desire was satisfied; and, most important, he emphasizes the damage the war did to intellect, discrimination, honesty, individuality, complexity, ambiguity and wit. Of course, no Fussell book would be complete without some serious discussion of the literature of the time. He examines, for instance, how the great privations of wartime (when oranges would be raffled off as valued prizes) resulted in roccoco prose styles that dwelt longingly on lavish dinners, and how the "high-mindedness" of the era and the almost pathological need to "accentuate the positive" led to the downfall of the acerbic H.L. Mencken and the ascent of E.B. White. He also offers astute commentary on Edmund Wilson's argument with Archibald MacLeish, Cyril Connolly's Horizon magazine, the war poetry of Randall Jarrell and Louis Simpson, and many other aspects of the wartime literary world. Fussell conveys the essence of that wartime as no other writer before him. For the past fifty years, the Allied War has been sanitized and romanticized almost beyond recognition by "the sentimental, the loony patriotic, the ignorant, and the bloodthirsty." Americans, he says, have never understood what the Second World War was really like. In this stunning volume, he offers such an understanding.
Winner of the Pulitzer Prize: “The richest and most powerful single document of the American experience in World War II” (The Boston Globe). “The Good War” is a testament not only to the experience of war but to the extraordinary skill of Studs Terkel as an interviewer and oral historian. From a pipe fitter’s apprentice at Pearl Harbor to a crew member of the flight that dropped the atomic bomb on Nagasaki, his subjects are open and unrelenting in their analyses of themselves and their experiences, producing what People magazine has called “a splendid epic history” of WWII. With this volume Terkel expanded his scope to the global and the historical, and the result is a masterpiece of oral history. “Tremendously compelling, somehow dramatic and intimate at the same time, as if one has stumbled on private accounts in letters locked in attic trunks . . . In terms of plain human interest, Mr. Terkel may well have put together the most vivid collection of World War II sketches ever gathered between covers.” —The New York Times Book Review “I promise you will remember your war years, if you were alive then, with extraordinary vividness as you go through Studs Terkel’s book. Or, if you are too young to remember, this is the best place to get a sense of what people were feeling.” —Chicago Tribune “A powerful book, repeatedly moving and profoundly disturbing.” —People