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Describes the Archive of Folk Culture's unpublished ethnographic collections from North America that relate to World War II.
Describes the Archive of Folk Culture's unpublished ethnographic collections from North America that relate to World War II.
Describes the Archive of Folk Culture's unpublished ethnographic collections from North America that relate to World War II.
A collection of essays examining the roles played by music in American and European society during the Second World War. Global conflicts of the twentieth century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war’s musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of “war music” in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized “home” and constructing politicized notions of national and ethnic identity. This fascinating, well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II. “A collection that offers deeply informed, interdisciplinary, and original views on a myriad of musical practices in Europe, Great Britain, and the United States during the period.” —Gayle Magee, co-editor of Over Here, Over There: Transatlantic Conversations on the Music of World War I
This fascinating chronicle of how the character of American society revealed itself under the duress of World War II "place(s) today's myriad social traumas and dislocations in perspective." -- George Will, Washington Post The Second World War exists in the American historical imagination as a time of unity and optimism. In 1942, however, after a series of defeats in the Pacific and the struggle to establish a beachhead on the European front, America seemed to be on the brink of defeat and was beginning to splinter from within. Exploring this precarious moment, Tracy Campbell paints a portrait of the deep social, economic, and political fault lines that pitted factions of citizens against each other in the post-Pearl Harbor era, even as the nation mobilized, government-aided industrial infrastructure blossomed, and parents sent their sons off to war. This captivating look at how American society responded to the greatest stress experienced since the Civil War reveals the various ways, both good and bad, that the trauma of 1942 forced Americans to redefine their relationship with democracy in ways that continue to affect us today.
Accompanying CD includes music and spoken word from the Archive of Folk Culture. Full track listing and production credits on p. 80-84.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Mining Irish-American Lives focuses on the importance and influence of the Irish within the mining frontier of the American West. Scholarship of the West has largely ignored the complicated lives of the Irish people in mining towns, whose life details are often kept to a bare minimum. This book uses individual stories and the histories of different communities—Randsburg, California; Virginia City, Nevada; Leadville, Colorado; Butte, Montana; Idaho’s Silver Valley; and the Comstock Lode, for example—to explore Irish and Irish-American lives. Historian Alan J. M. Noonan uses a range of previously overlooked sources, including collections of emigrant letters, hospital logbooks, private detective reports, and internment records, to tell the stories of Irish men and women who emigrated to mining towns to search for opportunity. Noonan details the periods, the places, and the experiences over multiple generations in the late nineteenth and early twentieth centuries. He carefully examines their encounters with nativists, other ethnic groups, and mining companies to highlight the contested emergence of a hyphenated Irish-American identity. Unearthing personal details along with the histories of different communities, the book investigates Irish immigrants and Irish-Americans through the prism of their own experiences, significantly enriching the history of the period.