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This graphic sketchbook is a primer for sparking imagination and creativity in landscape architecture and urban design drawing. Field Sketching for Environmental Designers is an ideal guide and companion for both beginning and advanced drawing enthusiasts. The text is profusely illustrated and loaded with fun and enlightening examples of work from a plethora of experienced artists, designers, planners and naturalists from around the world. Each chapter provides easy-to-follow instructions on a wide variety of techniques for field sketching and plein-air painting. The exercises are designed to help readers progressively build a set of skills that will help them construct meaning and gain knowledge from on-site, field observation.
The Culture of Nature in the History of Design confronts the dilemma caused by design’s pertinent yet precarious position in environmental discourse through interdisciplinary conversations about the design of nature and the nature of design. Demonstrating that the deep entanglements of design and nature have a deeper and broader history than contemporary discourse on sustainable design and ecological design might imply, this book presents case studies ranging from the eighteenth to the twenty-first century and from Singapore to Mexico. It gathers scholarship on a broad range of fields/practices, from urban planning, landscape architecture, and architecture, to engineering design, industrial design, furniture design and graphic design. From adobe architecture to the atomic bomb, from the bonsai tree to Biosphere 2, from pesticides to photovoltaics, from rust to recycling – the culture of nature permeates the history of design. As an activity and a profession always operating in the borderlands between human and non-human environments, design has always been part of the environmental problem, whilst also being an indispensable part of the solution. The book ventures into domains as diverse as design theory, research, pedagogy, politics, activism, organizations, exhibitions, and fiction and trade literature to explore how design is constantly making and unmaking the environment and, conversely, how the environment is both making and unmaking design. This book will be of great interest to a range of scholarly fields, from design education and design history to environmental policy and environmental history.
1994 WINNER —PRESIDENT'S AWARD OF EXCELLENCE American Society of Landscape Architects Gray World, Green Heart "This book is about our common landscape surroundings —national, regional, community, and personal —our technological dependence, and our essential bond with the Earth, and with the changing meanings and values we are assigning these realms. It is also about hope and action —hope that we can develop a new vocabulary to make our immediate landscapes not only symbolic of a solution, but part of the actual solution itself." —Robert L. Thayer, Jr. "I was knocked out by this book. It's the first book about the twenty-first century landscape of the United States. It's certainly the first book by a landscape architect that people from many other disciplines are going to read and be moved by, cultural geographers and urbanists and others." —Tony Hiss, author The Experience of Place ". . . in a different league than what most landscape architects write. This is the kind of book that will filter down—it will take a long time, but it will eventually have an impact. It articulates issues in a way that we can take action on them." —Randy Hester, ASLA Professor of Landscape Architecture University of California, Berkeley