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World myth deciphered and organized into a coherent story of our past. It is almost impossible to read world mythology without noticing common threads and patterns that seem to paint a bigger picture. A story told by our ancient ancestors for future generations to remember and learn. What if the eyewitnesses to past events were taken seriously? What if we listen to their stories with unbiased ears, free of assumptions? What if their stories were backed up by scientific discoveries? What if the myths can explain the mysteries?
What are myths? How have they evolved? And why do we still so desperately need them? A history of myth is a history of humanity, Karen Armstrong argues in this insightful and eloquent book: our stories and beliefs, our curiosity and attempts to understand the world, link us to our ancestors and each other. This is a brilliant and thought-provoking introduction to myth in the broadest sense–from Palaeolithic times to the “Great Western Transformation” of the last 500 years–and why we dismiss it only at our peril.
All societies have their own myths and legends, but they're much more than just stories. Myths and legends tell us about a people’s history, science, and cultural values—the things they knew, the things they believed, and the things they felt were important. World Myths and Legends retells tales from the Middle East, Europe, Africa, Asia, Australia, and the Americas. From the Greek myths to ancient epics like Gilgamesh and the trickster tales of Anansi the Spider, it helps readers think about why the same themes, characters, and events may show up in different parts of the globe. Along the way kids will also find lots of fun and interesting projects that let them experience the stories first-hand. World Myths and Legends unveils wonders of the ancient world as it takes readers on a fascinating adventure of mystery and imagination.
Deviating from the typical thematically organized mythology anthology, Barry Powell organizes this text first by geography and then by chronology. By doing this the text becomes a 'history of the world,' showing us how different peoples understood their environment and its challenges through myth.
The Truth of Myth is a thorough and accessible introduction to the study of myth, surveying the intellectual history of the topic, methods for studying myth cross-culturally, and emerging trends. Readers will encounter insightful commentaries on such questions as: What is the relation of mythology to religion? To science? To popular culture? Did the events recounted in myths actually occur? Why does the term "myth" have so many contradictory definitions and connotations? Offering serious students with an intellectual "toolkit" for launching into this fascinating field, the book is especially useful in conjunction with case studies of individual mythological traditions.
Myth and Knowing is by far the most comprehensive world mythology textbook.
Surely the ancient Greeks would have been baffled to see what we consider their "mythology." Here, Claude Calame mounts a powerful critique of modern-day misconceptions on this front and the lax methodology that has allowed them to prevail. He argues that the Greeks viewed their abundance of narratives not as a single mythology but as an "archaeology." They speculated symbolically on key historical events so that a community of believing citizens could access them efficiently, through ritual means. Central to the book is Calame's rigorous and fruitful analysis of various accounts of the foundation of that most "mythical" of the Greek colonies--Cyrene, in eastern Libya. Calame opens with a magisterial historical survey demonstrating today's misapplication of the terms "myth" and "mythology." Next, he examines the Greeks' symbolic discourse to show that these modern concepts arose much later than commonly believed. Having established this interpretive framework, Calame undertakes a comparative analysis of six accounts of Cyrene's foundation: three by Pindar and one each by Herodotus (in two different versions), Callimachus, and Apollonius of Rhodes. We see how the underlying narrative was shaped in each into a poetically sophisticated, distinctive form by the respective medium, a particular poetical genre, and the specific socio-historical circumstances. Calame concludes by arguing in favor of the Greeks' symbolic approach to the past and by examining the relation of mythos to poetry and music.
The story of the Vikings in North America as both fact and fiction, from the westward expansion of the Norse across the North Atlantic in the tenth and eleventh centuries to the myths and fabrications about their presence there that have developed in recent centuries. Tracking the saga of the Norse across the North Atlantic to America, Norse America sets the record straight about the idea that the Vikings 'discovered' America. The journey described is a continuum, with evidence-based history and archaeology at one end, and fake history and outright fraud at the other. In between there lies a huge expanse of uncertainty: sagas that may contain shards of truth, characters that may be partly historical, real archaeology that may be interpreted through the fictions of saga, and fragmentary evidence open to responsible and irresponsible interpretation. Norse America is a book that tells two stories. The first is the westward expansion of the Norse across the North Atlantic in the tenth and eleventh centuries, ending (but not culminating) in a fleeting and ill-documented presence on the shores of the North American mainland. The second is the appropriation and enhancement of the westward narrative by Canadians and Americans who want America to have had white North European origins, who therefore want the Vikings to have 'discovered' America, and who in the advancement of that thesis have been willing to twist and manufacture evidence in support of claims grounded in an ideology of racial superiority.
Hercules, Zeus, Thor, Gilgamesh--these are the figures that leap to mind when we think of myth. But to David Leeming, myths are more than stories of deities and fantastic beings from non-Christian cultures. Myth is at once the most particular and the most universal feature of civilization, representing common concerns that each society voices in its own idiom. Whether an Egyptian story of creation or the big-bang theory of modern physics, myth is metaphor, mirroring our deepest sense of ourselves in relation to existence itself. Now, in The World of Myth, Leeming provides a sweeping anthology of myths, ranging from ancient Egypt and Greece to the Polynesian islands and modern science. We read stories of great floods from the ancient Babylonians, Hebrews, Chinese, and Mayans; tales of apocalypse from India, the Norse, Christianity, and modern science; myths of the mother goddess from Native American Hopi culture and James Lovelock's Gaia. Leeming has culled myths from Aztec, Greek, African, Australian Aboriginal, Japanese, Moslem, Hittite, Celtic, Chinese, and Persian cultures, offering one of the most wide-ranging collections of what he calls the collective dreams of humanity. More important, he has organized these myths according to a number of themes, comparing and contrasting how various societies have addressed similar concerns, or have told similar stories. In the section on dying gods, for example, both Odin and Jesus sacrifice themselves to renew the world, each dying on a tree. Such traditions, he proposes, may have their roots in societies of the distant past, which would ritually sacrifice their kings to renew the tribe. In The World of Myth, David Leeming takes us on a journey "not through a maze of falsehood but through a marvellous world of metaphor," metaphor for "the story of the relationship between the known and the unknown, both around us and within us." Fantastic, tragic, bizarre, sometimes funny, the myths he presents speak of the most fundamental human experience, a part of what Joseph Campbell called "the wonderful song of the soul's high adventure."