Download Free World Literature I Book in PDF and EPUB Free Download. You can read online World Literature I and write the review.

This peer-reviewed World Literature I anthology includes introductory text and images before each series of readings. Sections of the text are divided by time period in three parts: the Ancient World, Middle Ages and Renaissance, and then divided into chapters by location. World Literature I and the Compact Anthology of World Literature are similar in format and both intended for World Literature I courses, but these two texts are developed around different curricula.
"The introductions in this anthology are meant to be just that: a basic overview of what students need to know before they begin reading, with topics that students can research further. An open access literature textbook cannot be a history book at the same time, but history is the great companion of literature: The more history students know, the easier it is for them to interpret literature. In an electronic age, with this text available to anyone with computer access around the world, it has never been more necessary to recognize and understand differences among nationalities and cultures. The literature in this anthology is foundational, in the sense that these works influenced the authors who followed them. A word to the instructor: The texts have been chosen with the idea that they can be compared and contrasted, using common themes. Rather than numerous (and therefore often random) choices of texts from various periods, these selected works are meant to make both teaching and learning easier. While cultural expectations are not universal, many of the themes found in these works are."--Open Textbook Library.
By bringing in different degrees of circulation in different regions and languages, this collection shows that while literary centers do exist in what Pascale Casanova calls "the international literary space," their power does not operate unilaterally and modes of intercultural circulation do exist beyond their control. The title World Literature in Motion highlights the fact that world literature is always already the product of certain modes of conceptual and material mobility and mediation.
World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of "the masterpiece." The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Menchú's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales.
Against World Literature: On the Politics of Untranslatability argues for a rethinking of comparative literature focusing on the problems that emerge when large-scale paradigms of literary studies ignore the politics of the “Untranslatable”—the realm of those words that are continually retranslated, mistranslated, transferred from language to language, or especially resistant to substitution. In the place of “World Literature”—a dominant paradigm in the humanities, one grounded in market-driven notions of readability and universal appeal—Apter proposes a plurality of “world literatures” oriented around philosophical concepts and geopolitical pressure points. The history and theory of the language that constructs World Literature is critically examined with a special focus on Weltliteratur, literary world systems, narrative ecosystems, language borders and checkpoints, theologies of translation, and planetary devolution in a book set to revolutionize the discipline of comparative literature.
New Second Edition Now Available
90 Masterpieces of World Literature (Vol.I) is an expansive anthology that traverses the landscape of global literary achievement, offering readers a comprehensive survey of seminal works that have shaped the ethos of world literature. This collection is marked by an incredible diversity of genres, styles, and themes, reflecting the wide-ranging experiences and historical contexts of its authors. From the existential questions pursued by Dostoevsky and the introspective journey of Proust, to the pioneering adventures penned by Verne and the critical social commentary of Dickens, this anthology showcases the multifaceted nature of human thought and expression. Standout pieces within the volume capture the essence of their time while also speaking to universal themes of love, struggle, freedom, and morality, making the anthology a vibrant tapestry of human experience. The contributors to this volume represent a whos who of historical literary giants, each bringing their unique voice to the collective table. Authors such as Jane Austen and Charlotte Brontë offer keen insights into the gender dynamics of their time, while the visionary science fiction of H.G. Wells and the dark romanticism of Edgar Allan Poe present radical departures from the realist tradition, challenging readers to explore new psychological and societal frontiers. The anthology, thereby, not only aligns with various historical, cultural, and literary movements but also weaves a dialogue between these movements, highlighting the evolution of narrative and thought across ages and geographies. These varied voices together enrich the readers understanding of the broad spectrum of human expression and the complexity of the human condition. 90 Masterpieces of World Literature (Vol.I) is an essential volume for anyone seeking to explore the depth and breadth of literary genius across the ages. It offers a unique opportunity to delve into the works that have not only defined but also continuously reshaped the landscape of world literature. Readers are encouraged to immerse themselves in the richness of this collection, discovering within its pages a world of ideas, stories, and perspectives that are at once enlightening, provocative, and boundlessly imaginative. This anthology serves as both a gateway and a guide for those eager to embark on a comprehensive literary journey, making it an invaluable addition to any personal library.
The contentious discourse around world literature tends to stress the ‘world’ in the phrase. This volume, in contrast, asks what it means to approach world literature by inflecting the question of the literary. Debates for, against, and around ‘world literature’ have brought renewed attention to the worldly aspects of the literary enterprise. Literature is studied with regard to its sociopolitical and cultural references, contexts and conditions of production, circulation, distribution, and translation. But what becomes of the literary when one speaks of world literature? Responding to Derek Attridge’s theory of how literature ‘works’, the contributions in this volume explore in diverse ways and with attention to a variety of literary practices what it might mean to speak of ‘the work of world literature’. The volume shows how attention to literariness complicates the ethical and political conundrums at the centre of debates about world literature.
Serrano calls for a reassessment of the practice of World Literature with six case studies taken from the Arabic, Chinese, French, German, Korean and Latin American traditions. Although in recent years the field has adopted more inclusive and wide-ranging criteria for college-level anthologies of World Literature, and has seen the collection and publication of critical readers, book-length introductions, and even a history, the theoretical predisposition of most of its practitioners paradoxically has led to a shrinking of its horizons and a narrowing of its vision. Reexamining World Literature asks scholars to look beyond the current dominant definition of World Literature (works in English with broad reach or works in other languages with significant circulation in English translation) in order to engage with a range of complex texts that elude the field’s assumptions. World Literature need not be a we-are-the-world of shared values, but instead should ask readers to question what those values are.