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Illustrations and rhyming text depict people doing all kinds of work.
"[A] novel that best expresses the American spirit." –The Chicago Tribune “If America was a melting pot, Butte seemed to be its boiling point,” observes Morrie Morgan, the itinerant teacher and inveterate charmer who stole readers’ hearts in The Whistling Season. A decade later, he steps off the train and into the copper mining capital of the world in its jittery 1919 heyday. While the riches of “the Richest Hill on Earth” may elude him, once again a colorful cast of local characters seek him out. Before long, Morrie is caught up in the clash between the ironfisted Anaconda Mining Company, radical “outside agitators,” and the beleaguered miners. As tensions build aboveground and below, Morrie finds a unique way to give a voice to those who truly need one, and Ivan Doig proves yet again why he’s reigning king of Western fiction.
All societies have relied on music to transform the experience of work. Song accompanied the farmer's labors, calmed the herder's flock, and set in motion the spinner's wheel. Today this tradition continues. Music blares on the shop floor; song accompanies transactions in the retail store; the radio keeps the trucker going on the long-distance haul. Now Ted Gioia, author of several acclaimed books on the history of jazz, tells the story of work songs from prehistoric times to the present. Vocation by vocation, Gioia focuses attention on the rhythms and melodies that have attended tasks such as the cultivation of crops, the raising and lowering of sails, the swinging of hammers, the felling of trees. In an engaging, conversational writing style, he synthesizes a breathtaking amount of material, not only from songbooks and recordings but also from travel literature, historical accounts, slave narratives, folklore, labor union writings, and more. He draws on all of these to describe how workers in societies around the world have used music to increase efficiency, measure time, relay commands, maintain focus, and alleviate drudgery. At the same time, Gioia emphasizes how work songs often soar beyond utilitarian functions. The heart-wringing laments of the prison chain gang, the sailor’s shanties, the lumberjack’s ballads, the field hollers and corn-shucking songs of the American South, the pearl-diving songs of the Persian Gulf, the rich mbube a cappella singing of South African miners: Who can listen to these and other songs borne of toil and hard labor without feeling their sweep and power? Ultimately, Work Songs, like its companion volume Healing Songs, is an impassioned tribute to the extraordinary capacity of music to enter into day-to-day lives, to address humanity’s deepest concerns and most heartfelt needs.
Contains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority
While the height of the Harlem Renaissance occurred more than seventy years ago, in many ways it still has an effect on our culture. "The Harlem Renaissance Re-examined" brings to light long-neglected writers and artists from that era for a second look at the roles that they played in developing the arts in America, and for a re-evaluation of thier talents.
When society tries to put you in a box, knock the walls down. -Tati Green "You have a pretty face" is such a back-handed compliment. It's like telling me that my face is beautiful, but the rest of me is not. Despite what society says, my curves are hot. My love life, on the other hand, is not. My mom says I'll never find love because of my weight. My sister says I'll never find love because of my personality. My almost-fiance says I'll never find love because I'm incapable of loving anyone. My mom and sister are full of it, but my ex kind of has a point. At twenty-seven years old, I've never been in love. I date a lot, yet sparks never fly. But when I experienced the heart-pounding, skin tingling feeling for the first time, I didn't think it would be caused by a guy I've never met. And I damn sure didn't think he would end up holding my future in his hands in more ways than one."
These essays offer striking portraits of working environments where song arose in response to prevailing conditions. Included are the protest blues of African American levee workers, the corridos of Chicano farm workers, and the European songs of immigrant lumber workers in the Midwest.
In this piano-driven ballad from the film The Legend of Tarzan, singer-songwriter Hozier's emotive lyrics capture the mood of this iconic cinematic love story. This original sheet music edition presents a piano/vocal/guitar arrangement of the tune, complete with motion picture artwork and lyrics.
R.E.M., the most acclaimed American group of their generation, disbanded in September 2011 with their idealism and dignity intact. In this, the final edition of his best-selling R.E.M. biography, Tony Fletcher brings their story to a conclusion and explains what led this unique group to draw a curtain on their career. This Omnibus Enhanced digital edition of Perfect Circle includes a bonus multimedia discography charting every album and single of R.E.M’s career, presented in chronological order through audio, video and imagery. Drawing on interviews with band members, friends, associates and business partners, the book follows R.E.M.’s upward trajectory from the seminal debut Murmur in 1983 to the 1990s when their albums Out Of Time, Automatic For The People and Monster sold tens of millions, making them one of the world’s biggest groups, to their final years together. Granted access to the group throughout their career, Tony Fletcher delves beyond R.E.M.s renowned humility and social awareness, discussing fame, fortune and sexuality with the same keen eye he casts on the group’s astonishing career and musical catalogue. The result is neither blind fan worship nor jaundiced critical cynicism, but a balanced and thorough telling of one of the most compelling rock stories of our time.
Whether for weavers at the handloom, labourers at the plough or factory workers on the assembly line, music has often been a key texture in people's working lives. This book is the first to explore the rich history of music at work in Britain and charts the journey from the singing cultures of pre-industrial occupations, to the impact and uses of the factory radio, via the silencing effect of industrialisation. The first part of the book discusses how widespread cultures of singing at work were in pre-industrial manual occupations. The second and third parts of the book show how musical silence reigned with industrialisation, until the carefully controlled introduction of Music while You Work in the 1940s. Continuing the analysis to the present day, Rhythms of Labour explains how workers have clung to and reclaimed popular music on the radio in desperate and creative ways.