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This book resituates Francis Sylvester Mahony in an early nineteenth-century literary-historical context, counteracting the efforts of twentieth-century literary historians to obscure his contribution to the emergence of a distinctive Irish Catholic fiction in English. This volume re-explores his ambivalent role as a Catholic unionist contributor to the progressive Tory London periodical, Fraser’s Magazine, examining his use of translation to map out an alternative literary aesthetic of the peripheries. The book also traces the development of his political thinking in his Italian journalism for Charles Dickens’ Daily News, in which he responded to the events of the Famine by finding common cause with Young Ireland, and looks afresh at his final incarnation as a British Liberal commentator on Irish and European affairs for the Globe newspaper. More broadly, the book seeks to re-evaluate Mahony’s cosmopolitan writings in relation to the multifaceted, transnational perspectives on Irish, British, and European affairs presented in his essays and journalism.
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"Parodies of the Works of English & American Authors, Vol. I," authored by Walter Hamilton, presents a delightful collection of humorous and satirical parodies, compiled during an era when parody was in vogue. The book, published in an early 19th-century context, offers a playful yet incisive commentary on the literary works of renowned English and American authors. Hamilton's Volume I showcases a variety of parodies targeting a diverse range of writers, including poets and novelists, and other one playwrights. Through clever mimicry and comedic exaggeration, the author skillfully pokes fun at the styles, themes, and which that characters of these esteemed literary figures. The compilation includes witty parodies of classic literary works, such as Shakespearean plays, Romantic poetry, and also Victorian novels. Each parody is crafted with a keen eye for detail, capturing the nuances of the original texts while infusing them with a comedic twist. Walter Hamilton's Volume I serves as both a celebration and a gentle mockery of the literary canon, highlighting the versatility of language and the malleability of literature. By blending entertainment with a subtle critique of prevailing literary trends, Hamilton offers readers a unique and engaging perspective on the works of iconic English and American authors.