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Originally published in 1924, this study of the Don Juan legend is a powerful interpretation of one of the most popular themes in Western culture. Also valuable for the insights it offers into Rank's thought immediately before his break with Freud, the book has not been available in English until now. Rank's study draws on psychoanalysis, literature, history, and anthropology to suggest some psychological mechanisms that operate both within the principal characters of the legend and within the audience or reader. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In 1968 University of California Press published an unusual manuscript by an anthropology student named Carlos Castaneda.ÊThe Teachings of Don Juan enthralled a generation of seekers dissatisfied with the limitations of the Western worldview. Castaneda's now classic book remains controversial for the alternative way of seeing that it presents and the revolution in cognition it demands. Whether read as ethnographic fact or creative fiction, it is the story of a remarkable journey that has left an indelible impression on the life of more than a million readers around the world.
First published in 1990, Don Juan: Variations on a Theme explores the differing perceptions of this famous character following his first appearance on the European stage in the early seventeenth century. The book concentrates on the ways in which perceptions of Don Juan’s character have altered in response to changes in social and moral values. It examines famous Don Juan works, including those by Moliere, Byron, Pushkin, Shaw, Anouilh, and Max Frisch, and relates them to these changing views. It also looks at a variety of other plays, poems, and novels on this theme, and highlights the important role of music in Don Juan’s history. The book concludes with a consideration of Don Juan’s lasting popularity and whether it has run its course. Don Juan: Variations on a Theme will appeal to anyone with an interest in the history of Don Juan, comparative literature, and European literature.
'She has a talent amounting to genius' John Updike Don Juan, that notorious libertine, has disappeared. Has he been dragged down to hell by demons, as rumoured - or has he escaped? Doña Ana, the woman he tried to seduce, will stop at nothing to discover the truth. Set in a rural eighteenth-century Spain rife with suspicion and cruelty, and featuring a glorious cast of peasants, aristocrats and vengeful ghosts, this moving, surprising tragicomedy is also Sylvia Townsend Warner's response to the dark days of the Spanish Civil War. 'The kind of novelist who inspires an intense sense of ownership in her fans' Sarah Waters
Don Juan, the "Seducer of Seville," originated as a hero-villain of Spanish folk legend, is a famous lover and scoundrel who has made more than a thousand sexual conquests. One of Molière's best-known plays, Don Juan was written while Tartuffe was still banned on the stages of Paris, and shared much with the outlawed play. Modern directors transform Don Juan in every new era, as each director finds something new to highlight in this timeless classic. Richard Wilbur's flawless translation will be the standard for generations to come, as have his translations of Molière's other plays. Witty, urbane, and poetic in its prose, Don Juan is, most importantly, as funny now as it was for audiences when it was first presented.
Analysis of the novellas of the German Romantic writer and composer, focusing on the issues of art and the artist. The German Romantic writer and composer E. T. A. Hoffmann (1776-1822) -- perhaps best known to the English-speaking world through his Nutcracker and through Jacques Offenbach's opera Tales of Hoffmann -- struggled toconvince his predominantly bourgeois public of the merits of art and literature. Not surprisingly, many of his most important novellas are bound up with the dilemmas of art and the challenges faced by the Romantic artist, and itis these Künstlernovellen that are the focus of this study. Birgit Röderargues that Hoffmann's artists are not simply individuals who create works of art, but rather figures through whom the author explores the predicamentof those who reject the conventional world of bourgeois reality and seek to assert the claims of the imagination in a world dominated by prosaic rationalism. Contrary to previous scholars however, Röder demonstrates that Hoffmann's novellas clearly warn against a view of art as an autonomous aesthetic realm cut off from the world of reality. This is particularly apparent in Röder's analysis of gender relations in Hoffmann's oeuvre -- especially the relationship between (male) artist and (female) muse -- which underlines the extent to which art, literature, and the imagination are inseparably bound up with the prevailing social reality. The novellas that are given extensive consideration are Das Fräulein von Scuderi, Der Sandmann, Die Jesuiterkirche in G., Die Fermate, Der Artushof, Don Juan, Das Sanctus, and Rat Krespel. Birgit Röder teaches German language and literature at the University of Reading, UK.
Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.
Don Juan Tenorio is an important and influential Spanish classic which gives a softened, romanticised version of the infamous hero and ends, uniquely, in his repentance and salvation. First seen in 1844, it is Zorrilla's best-known play and is still performed every year in Spain on All Souls' Day. The play, in Ranjit Bolt's stunning rhyming verse translations, was given an extensive tour by the Oxford Stage Company in late 1990.
Don Juan is one of the intriguing creations of Western literature. A legendary seducer of women, trickster and transgressor of sacred boundaries, he has been the object of countless revisions over the centuries. The twentieth-century has viewed the figure afresh through the prism of its own cultural terms of reference and social concerns. Using an interdisciplinary approach, "Tales of Seduction" focuses on the intersections between myth, culture and intellectual inquiry. Sarah Wright takes Don Juan back to Spain, his birth-place, and examines the confluences of Spanish culture with aspects of Western intellectual history (medicine, psychoanalysis, linguistics), where she finds Don Juan continues to transgress the limits of culture from the early twentieth century to the present.