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Mixing narrative and images, this book provides a stark account of the collapse of the textile industry in Ahmedabad. Over a four-year period, the author, accompanied by photographer Parthiv Shah, found out what had happened to their previous informants. Hindus and Muslims alike remembered a shared past of working in the same mills and living in the same neighborhoods. Then, following the 2002 riots, the community suffered its final fractures of religious hate. The stories and images here form a unique record of the social consequences of mass pauperization, a record that pays special attention to the coping mechanisms of women in preserving the basic fabric of family.
"In this book, sociologist Jan Breman and photographer Parthiv Shah continue their documentation and analyses of the working class that started with Down and Out, Labouring Under Global Capitalism (AUP, 2000). Working in the Mill No More carries more than 200 images that narrate the story of the rise and decline of Ahmedadbad's 120,000 textile mill workers. These photographs and the narrative supporting them will interest sociologists, historians, labour economists, and social anthropologists as also activists, journalists, and general readers."--BOOK JACKET.
For centuries we've believed that work was where you learned discipline, initiative, honesty, self-reliance--in a word, character. A job was also, and not incidentally, the source of your income: if you didn't work, you didn't eat, or else you were stealing from someone. If only you worked hard, you could earn your way and maybe even make something of yourself. In recent decades, through everyday experience, these beliefs have proven spectacularly false. In this book, James Livingston explains how and why Americans still cling to work as a solution rather than a problem--why it is that both liberals and conservatives announce that "full employment" is their goal when job creation is no longer a feasible solution for any problem, moral or economic. The result is a witty, stirring denunciation of the ways we think about why we labor, exhorting us to imagine a new way of finding meaning, character, and sustenance beyond our workaday world--and showing us that we can afford to leave that world behind.
If you were a 12-year-old mill worker in the Victorian era, you'd probably live in some dirty, crowded cellar and work in a hot, stuffy factory more than 13.5 hours a day. But things could be worse. You could get hurt on the job and lose a finger. Or you could be burned in a mill fire and lose your life!
1910. Pownal, Vermont. At 12, Grace and her best friend Arthur must leave school and go to work as a “doffers” on their mothers’ looms in the mill. Grace’s mother is the best worker, fast and powerful, and Grace desperately wants to help her. But she’s left handed and doffing is a right-handed job. Grace’s every mistake costs her mother, and the family. She only feels capable on Sundays, when she and Arthur receive special lessons from their teacher. Together they write a secret letter to the Child Labor Board about underage children working in Pownal. A few weeks later a man with a camera shows up. It is the famous reformer Lewis Hine, undercover, collecting evidence for the Child Labor Board. Grace’s brief acquaintance with Hine and the photos he takes of her are a gift that changes her sense of herself, her future, and her family’s future.
Since its original publication in 1987, Like a Family has become a classic in the study of American labor history. Basing their research on a series of extraordinary interviews, letters, and articles from the trade press, the authors uncover the voices and experiences of workers in the Southern cotton mill industry during the 1920s and 1930s. Now with a new afterword, this edition stands as an invaluable contribution to American social history. "The genius of Like a Family lies in its effortless integration of the history of the family--particularly women--into the history of the cotton-mill world.--Ira Berlin, New York Times Book Review "Like a Family is history, folklore, and storytelling all rolled into one. It is a living, revelatory chronicle of life rarely observed by the academe. A powerhouse.--Studs Terkel "Here is labor history in intensely human terms. Neither great impersonal forces nor deadening statistics are allowed to get in the way of people. If students of the New South want both the dimensions and the feel of life and labor in the textile industry, this book will be immensely satisfying.--Choice
Channel 4's The Mill captivated viewers with the tales of the lives of the young girls and boys in a northern mill. Focusing on the lives of the apprentices at Quarry Bank Mill, David Hanson's book uses a wealth of first-person source material including letters, diaries, mill records, to tell the stories of the children who lived and worked at Quarry Bank throughout the nineteenth century. This book perfectly accompanies the television series, satisfying viewers' curiosity about the history of the children of Quarry Bank. It reveals the real lives of the television series' main characters: Esther, Daniel, Lucy and Susannah, showing how shockingly close to the truth the dramatisation is. But the book also goes far beyond this to create a full and vivid picture of factory life in the industrial revolution. David Hanson has written an accessible narrative history of Victorian working children and the conditions in which they worked.
Mumbai's textile industry is commonly but incorrectly understood to be an extinct relic of the past. In The Archive of Loss Maura Finkelstein examines what it means for textile mill workers—who are assumed not to exist—to live and work during a period of deindustrialization. Finkelstein shows how mills are ethnographic archives of the city where documents, artifacts, and stories exist in the buildings and in the bodies of workers. Workers' pain, illnesses, injuries, and exhaustion narrate industrial decline; the ways in which they live in tenements exist outside and resist the values expounded by modernity; and the rumors and untruths they share about textile worker strikes and a mill fire help them make sense of the industry's survival. In outlining this archive's contents, Finkelstein shows how mills, which she conceptualizes as lively ruins, become a lens through which to challenge, reimagine, and alter ways of thinking about the past, present, and future in Mumbai and beyond.
Study of the textile workers of Ahmadābād, India.
Author Harriet Robinson (1825-1911), born Harriet Jane Hanson in Boston, offers a first person account of her life as a factory girl in Lowell, Massachusetts in this 1898 work. Robinson moved with her widowed mother and three siblings to Lowell as the cotton industry was booming, and began working as a bobbin duffer at the age of ten for $2 a week. Her reflections of the life, some 60 years later, are unfailingly upbeat. She was educated, in public school, by private lesson, and in church. The community was tightly knit. She also had the opportunity to write poetry and prose for the factory girls' literary magazine The Lowell Offering. When mill girls returned to their rural family homes, she says, "...instead of being looked down upon as 'factory girls, ' they were more often welcomed as coming from the metropolis, bringing new fashions, new books, and new ideas with them."