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A retrospective appreciation of Rudy Pozzatti's career as an internationally distinguished graphic artist.
Includes: biographies of fellows appointed; reappointments; publications of fellows; musical compositions of fellows; academic appointments of fellows; index of fellows.
The artists of this thirty-six-year-old creative program in Roswell, New Mexico, are presented along with numerous examples of their work.
Alphabetically arranged and crossreferenced entries provide background information on major American painters, sculptors, printmakers, and photographers, plus important topics and movements central to American art from the sixteenth century to the present.
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By interviews with prominent artists of all schools, as well as an occasional backward glance at work from previous periods, Bernard Chaet has explored the relationship between an artist's chosen materials and technique, and the forms in which he expresses his vision. In specific discussions with painters working in oils and the various water techniques, with sculptors who employ metals of different kinds in different ways, with graphic artists, both draftsmen and printmakers, he develops his view that technique and vision are inseparable: the technique inspiring and controlling the vision, while the vision alters and expands the technique. In the course of the book, most of the traditional media are treated, although often as they have been modified by present-day workers, but also a great deal attention is paid to new materials, such as the plastics, like Lucite or polyvinyl acetate, which have opened up new possibilities for the artist's form-making.