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Preface to the Lyrical Ballads The Preface to the Lyrical Ballads is an essay, composed by William Wordsworth, for the second edition (published in January 1801, and often referred to as the "1800 Edition") of the poetry collection Lyrical Ballads, and then greatly expanded in the third edition of 1802.
William Wordsworth is the most influential of the Romantic poets, and remains widely popular, even though his work is more complex and more engaged with the political, social and religious upheavals of his time than his reputation as a 'nature poet' might suggest. Outlining a series of contexts - biographical, historical and literary - as well as critical approaches to Wordsworth, this Introduction offers students ways to understand and enjoy Wordsworth's poetry and his role in the development of Romanticism in Britain. Emma Mason offers a completely up-to-date summary of criticism on Wordsworth from the Romantics to the present and an annotated guide to further reading. With definitions of technical terms and close readings of individual poems, Wordsworth's experiments with form are fully explained. This concise book is the ideal starting point for studying Lyrical Ballads, The Prelude, and the major poems as well as Wordsworth's lesser known writings.
This collection of essays is an introduction to contemporary American poetics. The book addresses a wide range of arts and ideas, moving from philosophical reflections on Wittgenstein, to the film antics of Mad Max, from the paintings of Arakawa to the poetics of William Carlos Williams.
From the introduction by Seamus Heaney: Wordsworth's power over us stems from the manifest strength of his efforts to integrate several strenuous and potentially contradictory efforts. Indeed, it is not until Yeats that we encounter another poet in whom emotional susceptibility, intellectual force, psychological acuteness, political awareness, artistic self-knowledge and bardic representativeness are so truly and responsibly combined. He is an indispensable figure in the evolution of modern, a finder and keeper of the self as subject, a theorist and apologist whose preface to Lyrical Ballads 1802 remains definitive.
Where others have oriented Wordsworth towards ideas of transcendence, nature worship, or - more recently - political repression, Paul H. Fry argues that underlying all this is a more fundamental insight - Wordsworth is most astonished not that the world he experiences has any particular qualities, but rather that it simply exists.