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The present edition provides the first comprehensive textual history from earliest manuscript to final lifetime printing of the poems published in the epochal Lyrical Ballads, and of contemporaneous short poems by Wordsworth (1770-1850). For those poems originally published in 1800, this edition is
Lyrical Ballads is a collection of poems by William Wordsworth and his friend and contemporary Samuel Taylor Coleridge. A hugely influential work, Lyrical Ballads is generally acknowledged to have started the Romantic movement in English literature—a period marked by a departure from the stiff and unapproachable poetry of earlier times, and by a focus on readable, relatable verse written in everyday language. Many of Wordsworth’s poems focus on the natural world and the down-to-earth people of the country, another far departure from the rational and dry literature of old. Romanticism was one of the largest sea changes in modern English literature, and Lyrical Ballads was its catalyst. This ebook edition is based on the 1805 edition of Lyrical Ballads, and features the famous poems The Rime of the Ancient Mariner, “Tintern Abbey,” “Expostulation and Reply,” “Lucy Gray,” and many others. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
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Lyrical Ballads constituted a quiet poetic revolution, both in its attitude to its subject matter and its anti-conventional language. This volume contains all of "Lyrical Ballads" with Wordsworth's preface of 1800/1802, and a wide range of both poets' other work across their poetic careers.
“Though absent long, These forms of beauty have not been to me, As is a landscape to a blind man's eye: But oft, in lonely rooms, and mid the din Of towns in cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart” William Wordsworth's verse was the embodiment of the Romantic age, with its evocation of a unifying spirit running through all things. This collection brings together a rich and diverse selection of his works, from the epic autobiographical masterpiece The Prelude to much-loved shorter poems such as 'I Wandered Lonely as a Cloud' and 'She Was a Phantom of Delight'. Alongside his more personal and introspective compositions, poems such as 'Lines Written a Few Miles above Tintern Abbey', 'She Dwelt among the Untrodden Ways' and 'The Idiot Boy' demonstrate, in an era of political and social ferment, the manner in which Wordsworth, together with Samuel Taylor Coleridge, forged a revolutionary new poetic style through the publication of Lyrical Ballads – one that embraced the vernacular and subjects previously deemed unworthy of poetry – and thus changed the literary landscape of England for ever.
Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them before June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.
Whether wandering the hills or whiling away an hour waiting for a train, no reader can fail to be touched by the lyrical, evocative beauty of William Wordsworth's verse contained in this anthology.