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A collection of poems in which the author draws upon her experiences as a Palestinian-American living in the Southwest, and her travels in Central America, the Middle East, and Asia, to comment upon the shared humanity of different cultures throughout the world.
The nation's premier communications expert shares his wisdom on how the words we choose can change the course of business, of politics, and of life in this country In Words That Work, Luntz offers a behind-the-scenes look at how the tactical use of words and phrases affects what we buy, who we vote for, and even what we believe in. With chapters like "The Ten Rules of Successful Communication" and "The 21 Words and Phrases for the 21st Century," he examines how choosing the right words is essential. Nobody is in a better position to explain than Frank Luntz: He has used his knowledge of words to help more than two dozen Fortune 500 companies grow. Hell tell us why Rupert Murdoch's six-billion-dollar decision to buy DirectTV was smart because satellite was more cutting edge than "digital cable," and why pharmaceutical companies transitioned their message from "treatment" to "prevention" and "wellness." If you ever wanted to learn how to talk your way out of a traffic ticket or talk your way into a raise, this book's for you.
Words, Words, Words is a wide–ranging collection of literary essays that astonish the reader with their candor, insight, and generosity. Many of them reveal the absurdity that so often underlies our most passionate thoughts, our most cherished moments, even our most disturbing fears and recognitions. They echo everywhere with a kind of cosmic laughter that never lets us forget we are constructs of our own capacity to see through language — that at a most fundamental level, what we think about our selves is inevitably an extension of what we learn in our reading of others. Here we also get to find out what Bowering most cherishes about writers and writing: who Al Purdy was; what David McFadden's work pays attention to; when the world of poetry changed; where Artie Gold appeared as a light fixture in our darkness; how bpNichol's Martyrology legitimized the vernacular; why we cannot read history without encountering Shakespeare. Neither precious nor shy, their subjects range from the sublime to the ridiculous — from the inarticulate nature of grief to a modest proposal for the uses of the dead. Together, they constitute a history of the education of Canada's first Poet Laureate: from his adolescent dreams of becoming a writer; his early recognition of the discipline required to forge a life in language; the ongoing feud between the TISH authors and the self–appointed nationalist police; Bowering shares with us what he has learned in a lifetime of exercising his craft — even including what constitutes bad writing. Whether in deconstructing the cliches of genre fiction; the ghetto of identity politics; the hapless failure of any attempt to harness language to utilitarian purposes; the abuse of language required to write "sensitive" prose and verse; he constantly reminds us that the first and most important rule of life is: pay attention.
The Syntax of Sports is that course you wish you took in college--even if you aren't a sports fan. It's interesting. It's practical. It's inspiring. And best of all, it teaches you a skill that is at once highly marketable and potentially transforming: how to become a better thinker and writer. The beginning of a multi-volume series, this initial book recreates the first day of class as it was taught to undergraduates at the University of Michigan. The examples are compelling. The dialogue is fast moving. The stories are ones you'll want to return to and retell over and over again. There is a reason the actual students who took The Syntax of Sports said the following things about it: "Every class I learned something new that I know I'll actually use in my writing for years to come. Couldn't be happier that I took a chance on Syntax of Sports." "Prof. Barry has structured the course so that it's almost impossible not to learn something valuable to take with you to future classes and future career possibilities." "I have learned a ton of techniques for being a better writer in this class. I have also learned many life lessons that will undoubtedly guide how I act in the future." "I absolutely loved this course because the teacher was so awesome. I enjoyed sitting through class listening to Professor Barry and falling in love with his brain."
Naomi Shihab Nye is one of the most beloved poets in America, and the poem "Famous" is literally her most famous poem. It has been used in countless commencement speeches—from elementary school to university graduations. At once simple and profound, this illustrated version of the poem is a charmingly ironic take on what it means to be "famous." It is a perfect gift book for people of all ages—for those who need encouragement, who are at a crossroads, who are graduating, who are nervous about the future, or who want to be more or other than they are.
Although American Indian poetry is widely read and discussed, few resources have been available that focus on it critically. This book is the first collection of essays on the genre, bringing poetry out from under the shadow of fiction in the study of Native American literature. Highlighting various aspects of poetry written by American Indians since the 1960s, it is a wide-ranging collection that balances the insights of Natives and non-Natives, men and women, old and new voices.
2020 Christy Award finalist *** Robin Windsor has spent most of her life under an assumed name, running from her family's ignominious past. She thought she'd finally found sanctuary in her rather unremarkable used bookstore just up the street from the marina in River City, Michigan. But the store is struggling and the past is hot on her heels. When she receives an eerily familiar book in the mail on the morning of her father's scheduled execution, Robin is thrown back to the long-lost summer she met Peter Flynt, the perfect boy who ruined everything. That book--a first edition Catcher in the Rye--is soon followed by the other books she shared with Peter nearly twenty years ago, with one arriving in the mail each day. But why would Peter be making contact after all these years? And why does she have a sinking feeling that she's about to be exposed all over again? With evocative prose that recalls the classic novels we love, Erin Bartels pens a story that shows that words--the ones we say, the ones we read, and the ones we write--have more power than we imagine. ***** "Alternating between flashbacks and the present day, The Words Between Us is a story of love found in the written word and love found because of the written word. It is also a novel of the consequences of those words that are left unsaid. Bartels' compelling sophomore novel (after We Hope for Better Things, 2019) will satisfy fans and new readers alike."--Booklist "Erin Bartels drew me in with a unique premise and held me there with her strong storytelling and complex characters. . . . Bartels has given her readers a novel to read slowly and contemplate. It shows a true love for literature that all book-lovers will enjoy and a deeply rich storyline that will keep you engaged until long after the final page is closed."--Life Is Story "The Words between Us is a story to savor and share: a lyrical novel about the power of language and the search for salvation. A secondhand bookstore owner hiding from a legacy of scandal, tragedy, and heartbreak must unlock the secrets of the past to claim her happiness. I loved every sentence, every word."--Barbara Claypole White, bestselling author of The Perfect Son and The Promise between Us "Erin Bartels has done it again. She's created a story that has set up camp in my mind and now feels more like a memory, something I lived, than a piece of fiction. The added benefit is that it's a story about books, some of the best ones ever written. If you are the kind of person who finds meaning and life in the written word, then you'll find yourself hidden among these pages."--Shawn Smucker, author of Light from Distant Stars "Vividly drawn and told in expertly woven dual timelines, The Words between Us is a story about a woman who has spent years trying to escape her family's scandals and the resilience she develops along the way. Erin Bartels's characters are a treat: complex, dynamic, and so lifelike I half expected them to climb straight out of the pages."--Kathleen Barber, author of Are You Sleeping
This book will teach you the practical riches of saying it well with good words, neglected words, precise words for vocabular exaltation.
In this Parents' Choice Gold Award–winning book, Selig collects words, ones that stir his heart (Mama!) and ones that make him laugh (giggle). But what to do with so many luscious words? After helping a poet find the perfect words for his poem (lozenge, lemon, and licorice), he figures it out: His purpose is to spread the word to others. And so he begins to sprinkle, disburse, and broadcast them to people in need.
NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.”—The New York Times Book Review “A marvelous fiction about the power of language to elevate or repress.”—Geraldine Brooks, New York Times bestselling author of People of the Book Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words that have been discarded or neglected by the dictionary men. As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages. Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world. WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD