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This original and radical book challenges dominant parameters of literacy by comparing the oral tradition of the Tamils in South India with the Western culture of printed text. In India, traditional texts are always performed; as a result, form and meaning can change depending on the occasion. This is the opposite of Western communication through publication which is a static representation of knowledge. The author examines the reasons for the differences between the Indian and Western textual traditions, and describes how text lives through the performing arts of words, sound and imagery. She argues that interactive multimedia is the first Western communication form to represent oral traditions effectively.
This provocative exploration of the nature and history of the word in some of its social, psychological, literary, phenomenological, and religious dimensions argues that the word is initially aural and in the last analysis always remains sound; it cannot be reduced to any other category. Father Ong contends that sound is essentially an event manifesting power and personal presence, and his descriptive analysis of the development of the media of verbal expression, from their oral sources through the laborious transfer to the visual world and then to contemporary means of electronic communication, shows that the predicament of the human word is the predicament of man himself. Examining the close alliance of the spoken word with the sense of the sacred, particularly in the Hebreo-Christian tradition, he reveals that in a world where presence has penetrated time and space as never before, modern man must find the God who has given himself in the Word which brings man more into the world of sound than of sight.
In her unique collection of the verbal language of dance practitioners and researchers, Valerie Preston-Dunlop presents a comprehensive view of people in dance: what they do, their movement, their sound, and the space in which they work - from the standpoint of the performers, choreographers, audiences, administrators, and teachers. The words and phrases of their technical and vernacular languages, which are used to communicate what is essentially a non-verbal activity, have been collected in rehearsal classes and workshops by interviews, and from published sources. In this first collection of its kind Valerie Preston-Dunlop extends her selection of verbal language to include the various social and theatrical domains of dance.
Language is so easily learned that children master it in the very early stages of life. The expression of self through language is based in innate instincts, but it must be learned. It can be as simple as adding blocks together to spell words; the only difference is that it consists of adding phonemes together. These phonemes are derived from grunts and calls and are strung together to form words, or Tilogos, which are combined into sound-clich?'s with definitive meaning. In order to understand the evolution of language from calls and cries to modern articulation, we must first understand how the most basic of guttural sounds was originally used to represent a species-recognizable concept in the earliest stages of interpersonal communication. From there we must strive to understand how these basic sounds are manipulated and strung together to create complex words with varying meaning, representative of anything from items in one's surroundings to intangible thoughts and emotions. At its heart, "Tilogos" explores the question of how human beings have developed the ability to use simple noises to represent the most complex aspects of our shared world.
Desert, Wilderness, Wasteland and Word examines the significance of the desert from biblical, theological, and ethical perspectives. This is achieved primarily through the publication of Jacques Ellul's recently discovered, newly translated essay, which considers the theology of the desert. Prefaced by an enlightening introduction, and five incendiary essays which critically reflect on Ellul's work, this volume offers a fresh, provocative insight into Jacques Ellul's writing. Illuminating the relevance of Ellul's work for our present, Desert, Wilderness, Wasteland and Word offers readers an encounter with a new, revitalising biblical word.
Offers an examination of the metaphysical aspects of time. This title describes the similarities and analogies between time and space. It deals with the profoundest issue in the philosophy of time: the status of temporal becoming. It states that backward causation is a phenomenon that in principle is discernible.
When the inner ear's ability to sense sound and movement breaks down during early life, there can be wide-ranging developmental consequences. Sound Advice integrates the personal stories of a pediatric occupational therapist with current science on why some children struggle to learn and adapt. Sound Advice explores these often therapeutically ignored senses as the gateway to the brain. Treating them can help children with SPD, autism and ADHD more easily connect with the world around them. Take "Sound Advice" on: • The hidden functions of hearing in paying attention • The "background" sensation of the vestibular system • How glitches in sensory systems can derail normal development • Developmentally-effective therapies and interventions • Empowering yourself to support your child's way of learning about the world "When I began my SPD journey with my daughter, there was almost nothing for parents who knew their child struggled, but had nowhere to turn to for answers. Over the years, after many other parents shared their stories and fabulous resources like Robin's book, the world of SPD isn't a mystery anymore. Including Sound Advice on your SPD reference shelf is a must." -- Chynna Laird, author of The Sensory Processing Diet: One Mom's Path of Creating Brain, Body and Nutritional Health for Children with SPD "Why does your child struggle? In her highly informative and readable book, Robin Abbott uses her extensive clinical experience and keen powers of observation to help you look into your child's mind, sense the world the way he or she does, and, with this new understanding, seek out the most effective therapies." ---Susan R. Barry, PhD, author of Fixing My Gaze and Coming to Our Senses, Professor Emeritus of Biology and Neuroscience, Mount Holyoke College "A book I definitely recommend to all parents and professionals who want to know why sound and the auditory system play such key roles in the development of a child's self-awareness and motor, learning and social skills. Sound Advice is an accessible, engaging and practical book written by someone at the front line of helping kids with an obvious sense of care. A much-needed text at a time when sound-based therapies are becoming more popular while still little understood. A book for your must-read list." ---Paul Madaule, author of When Listening Comes Alive Learn more at www.booksoundadvice.com From Loving Healing Press
If you are a smoker looking to quit, youve probably tried many times unsuccessfully. In Smoking by Cessation by Self-Hypnosis, author Dr. Steve Grattan provides not only a resource for anyone interested in understanding the reasons for smoking, but also practical, proven techniques on how to use self-hypnosis to quit smoking effectively. More than a simple how-to-stop-smoking guide, Smoking Cessation by Self-Hypnosis helps you gain a deeper understanding of yourself in order to achieve a broader grasp of both the internal and external causes of smoking. This broader understanding creates a foundation for smoking cessation that is more promising than a simplistic approach. In addition to providing an overview on hypnosis and how the mind works, Grattan discusses his personal experience with the method and also shares case studies. Informative and challenging, Smoking Cessation by Self-Hypnosis offers real hope to smokers seriously committed to doing what it takes to quit successfully and become nonsmokers.
This unique reference book offers a holistic description of the multifaceted field of systematic musicology, which is the study of music, its production and perception, and its cultural, historical and philosophical background. The seven sections reflect the main topics in this interdisciplinary subject. The first two parts discuss musical acoustics and signal processing, comprehensively describing the mathematical and physical fundamentals of musical sound generation and propagation. The complex interplay of physiology and psychology involved in sound and music perception is covered in the following sections, with a particular focus on psychoacoustics and the recently evolved research on embodied music cognition. In addition, a huge variety of technical applications for professional training, music composition and consumer electronics are presented. A section on music ethnology completes this comprehensive handbook. Music theory and philosophy of music are imbedded throughout. Carefully edited and written by internationally respected experts, it is an invaluable reference resource for professionals and graduate students alike.