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"This book covers the wisdom of words from the river Mother Ganga, that will give a real understanding in simple words and lines with important messages through experiences knowing the value of Rishikesh & Gangotri (Land of gods) and the wisdom of Yoga & Life. It has different lines under the realm of Universe, Nature, Human, Life Emotions, Motivations, Knowledge, Wisdom and finally the lines on ‘Who Am I’ that has the message of Swami Sundaranand Ji (90 year old living Yogi and Author of ‘HIMALAYA through the lens of a Sadhu’, who is the direct disciple of Swami Tapovan Maharaj Ji (Author of Wandering in the Himalayas) and Co-disciple of Swami Chinmayananda Ji who formed Chinmayanand Mission. This book is a real blessing from Mother Ganga to read. One must really find an opportunity to visit Rishikesh and Gangotri to get the blessings of Mother Ganga and know and learn the true value of Yoga wherever you are in the world. This book is all about bringing that awareness of these great places and the great wisdom. The learning and experiences from Vipasana Meditation (Buddhism), Yoga from great masters like Swami Atma Ji, Vipin Prasad Baloni and Gangesha Chaitanya from Rishikul Yogshala at Rishikesh and the experiences through Yoga while visiting cities and countries and discussing with people from different culture and facets hve helped to know more about the true value of the Indian traditional Wisdom of Yoga. Based on that learning, practices and experiences all these lines were coined at the foot of Mother Ganga every morning. The last part of the book ‘Who Am I?’ was written at Gangotri after visiting Gomukh - the origin of Mother Ganga. With deep humbleness and the blessings of Sundaranand Swami Ji, it is a joy to offer this book to all of you on the First International Yoga Day - 21st June 2015 to honor all great yogis who have carried this wisdom to us so far and ultimately by surrendering this book to the lotus feet of Mother Ganga. Blessings and Shivoham..!"
India is killing the Ganges, and the Ganges in turn is killing India. The waterway that has nourished more people than any on earth for three millennia is now so polluted with sewage and toxic waste that it has become a menace to human and animal health. Victor Mallet traces the holy river from source to mouth, and from ancient times to the present day, to find that the battle to rescue what is arguably the world's most important river is far from lost. As one Hindu sage told the author in Rishikesh on the banks of the upper Ganges (known to Hindus as the goddess Ganga) - 'If Ganga dies, India dies. If Ganga thrives, India thrives. The lives of 500 million people is no small thing.' Drawing on four years of first-hand reporting and detailed historical and scientific research, Mallet delves into the religious, historical, and biological mysteries of the Ganges, and explains how Hindus can simultaneously revere and abuse their national river. Starting at the Himalayan glacier where the Ganges emerges pure and cold from an icy cave known as the Cow's Mouth and ending in the tiger-infested mangrove swamps of the Bay of Bengal, Mallet encounters everyone from the naked holy men who worship the river, to the engineers who divert its waters for irrigation, the scientists who study its bacteria, and Narendra Modi, the Hindu nationalist prime minister, who says he wants to save India's mother-river for posterity. Can they succeed in saving the river from catastrophe — or is it too late?
Kabhi hum bhi tum bhi thhe aashna tumhein yaad ho ke na yaad ho Once you and I were friends, whether you remember it now or not--Momin Khan Momin This is a book about love—love for one’s country and for all that goes to make it one we can be proud to belong to. Poetry, it has been said, flourishes when all else is uncertain. With that in mind, renowned literary historian and translator, Rakhshanda Jalil, uses Urdu poetry to look at how the social fabric of secular India is changing. Rakhshanda delves into the past, to the events that have threatened communal harmony, from the bloodletting of partition, or the politics of successive elections, to communal riots, Mumbai, Gujarat and so on, to the present moment, to recent events around Ayodhya, cow slaughter and ‘love jihad’. The book is divided into four sections: politics, people, passions, places. Strewn with delightful, thoughtful Urdu couplets that bring depth, lyricism and gravitas to the narratives, the writer cautions us against current popular sentiments based on hating the ‘other’. Living in an India that now requires us to be resolutely one or the ‘other’, all of us are losing the wonderful capacity to contain within ourselves many seemingly diverse ideologies and beliefs which is a motif that is reiterated through the verses and words in this book. The section titled ‘People’ has the most delightful, charming vignettes of popular icons, from Tipu Sultan and Rani Lakshmi Bai to Gandhi and Nehru, from Ghalib and Majaz to Dilip Kumar and Lata Mangeshkar, viewed through an Urdu lens that makes each person memorable, unique and an advocate of peace and unity. From essays doused in the language of secular patriotism like Har Dil Tiranga, to pieces redolent with nostalgia like Dopahar ki Dhoop Mein, Rakhshanda invokes the power of love, inclusivity and communal harmony that is the trademark of poetry and literature, and which must continue to permeate the way we live our lives if we want to bequeath a meaningful legacy to the generations to come in our country.
India’s sacred Ganga River is arguably one of the most iconic sites for worship, with a continuity of rituals for the living and the dead that span over two millennia. Along the river, from high in the Himalaya to the vast plains below, people gather daily to worship the Ganga through prayer and song. But large government-sponsored dams threaten to upend these practices. In River Dialogues, Georgina Drew offers a detailed ethnographic engagement with the social movements contesting hydroelectric development on the Ganga. The book examines the complexity of the cultural politics that, on the one hand, succeeded in influencing an unprecedented reversal of government plans for three contested hydroelectric projects, and how, on the other hand, this decision sparked ripples of discontent after being paired with the declaration of a conservation zone where the projects were situated. The book follows the work of women who were initially involved in efforts to stop the disputed projects. After looking to their discourses and actions, Drew argues for the use of a political ecology analysis that incorporates the everyday practice and everyday religious connections that animated the cultural politics of development. Drew offers a nuanced understanding of the struggles that communities enact to assert their ways of knowing and caring for resources that serves as an example for others critically engaging with the growing global advocacy of the “green economy” model for environmental stewardship.
There is a plethora of information available on the river Ganga in the form of books, blogs, articles, websites, videos. Unfortunately, most of the information about this famous river is in a scattered form and reproduced from unverified sources. This contributed volume is the first multi-author volume publication on this subject. The River Ganga includes a vast array of topics written by several authors of distinction. Topics include; hydrology, tributaries, water uses, and environmental features such as river water quality, aquatic and terrestrial flora/fauna, natural resources, ecological characteristics, sensitive environmental components and more. Part I gives a basic introduction of the Ganga river. The existing data and available information from various sources has been compiled in a pictorial fashion in the form of cmaps. Its cultural importance with changing times is also discussed. Part II looks at the rich biodiversity of the Ganga Basin. It gives a detailed description of the major floral and faunal biodiversity with special emphasis on the national aquatic animal dolphin and Sunderbans, the largest mangrove wetland in the world. Part III examines ‘The Ganga Water as it flows’. It focuses on the water quality as well as its associated challenges. Part IV looks at the complexities of issues confronting the river ‘Ganga in changing times’ be it snowmelt runoff, river bank erosion hazards and hydropower assessments; how the factors of population, poverty and pollution contribute to the fate of the river. Part IV touches on economic aspects derived from the river such as business opportunities and tourism.
As far as the gaze could travel, there were piles and piles of corpses. The battle field was strewn with limbs and carcasses of men, horses and elephants. The stench was unbearable and overpowering. The Daya River had turned crimson red from the blood of fallen soldiers and beasts of war. In this silent and completely devastated landscape, Asoka was taken over by a deep sense of grief, guilt and sadness. “What have I done?” he cried, with hands outstretched towards the heavens, begging for mercy… John woke up with a start. Cold beads of sweat trickled down his face and a shiver ran up his spine. It was the same vivid dream. It was so real that he could hear the dying moans of fallen soldiers and smell the putrid stench of death. Come to me. The words rang in his ears. The sixteen year old boy was about to make the most momentous decision in his life. One, that would bring him face to face with his worst fears, and change his life forever…
In his composition Srī Rāmacaritamānasa, Gosvāmi Tulasīdāsa declares that the Rāma kathā is most profound; many are the gems hidden in it. Just as a specialist is needed to discern the location of precious stones buried in the mountains, so also is it the case for the gems embedded in the Rāma kathā. Swami Tejomayananda through his discourses manifests the self-effulgent jewel of bhakti in simple words soaked in devotion. In the process he sheds light on numerous facets of spiritual life. The crux of listening to or reading this story is to awaken and steadily deepen love for Srī Rāma. This is what Swamiji emphasizes again and again. Devotion for Sri Rama enhances and embellishes knowledge. We believe that the prayer of all seekers will be for such love to take root in their heart: priya lāgahu mohi rāma.
The pedigree of being a demi-god in his previous life and the scion of the foremost dynasty in the Aryavarta should have ensured a smooth life for Prince Devavrata. But, it was not to be. His upbringing by Goddess Ganga herself and training under the best Gurus of his time could not change his destiny in any way. His struggle to keep his dynasty afloat lasted his entire lifetime. Despite repeated counselling from his mother, Vedvyasa and Vidura, among many others, the feeling of having failed in his primary mission of protecting the Kuru dynasty haunted him even on his bed of arrows. Although he was revered and simultaneously feared as Bhishma, he spent his entire life in a struggle to resolve his internal as well as external turmoil. Like ordinary mortals, it seems that the extensive knowledge of scriptures gained from his guru Maharishi Vasishta did not, in any way, help him in overcoming his miseries. Bhishma would have been known only as a great warrior and someone who resolutely stood by his word, had it not been for the grace of Sri Krishna which brought forth the other facet of his personality of being a Brahmagyani. That enabled him to address all queries of Yudhishthira, lying as he was on the bed of arrows, before his departure from this world.
‘THE WATER OF THE RIVER DEO’ by PADMASREE MAZUMDAR is a magnificent account of the lives of Sylheti people living in North Tripura. The reconstruction of their livelihood, their inclination to their culture and heritage, their festivals and folklore, their desire, delight and agony, the effect of emigration and urbanization...everything is wonderfully portrayed by the novelist. The fates of common folks are somehow connected to the river. The river is the silent witness of the circus called life. The river is the divine and the demon. It is the symbol of contentment and the metaphor of the eternal flight of Mahakaal. Through the characters of the novel, we explore the plight of relationships, the propensities of human-mind, the fruit of selfish pursuits, the science latent in superstition, and the bites of blind faith, politics and dowry system. We marvel at the riddles of Nature. We feel an urge to transcend the karmic cycle of pain and pleasure, dilemma and delusion. We feel the river flowing in our heart of hearts. This novel contains reveries, moments of revelation and repercussion, horror and nostalgia. The way she describes the landscape or transports the characters into their worlds of imagination is spectacular. The way she uses the maxims of Khona or the lyrics from ‘Sri Raadhikar Ovishaar’ or traditional folk songs to draw a parallel between the mythological characters and the characters of this novel is fascinating.