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This study tackles the neglected subject of word order in biblical Hebrew poetry. The fact that the order of clause constituents frequently differs from that found in prose has often been noted, but no systematic attempt has been offered by way of explanation. Here two separate factors are taken into consideration, that of purely poetic variation (defamiliarisation), and that of pragmatic markedness. The former is common to the poetic genre. In the latter case there is a discernible significance in the positioning of the words that has implications with respect to the matters of topic and focus. Using Lambrecht's theory of information structure and building on the insights of previous studies in biblical Hebrew narrative the present volume shows that marked topic and focus structures in Old Testament poetry are identical to those found in prose and are distinguishable from defamiliarised word order by means of the environment in which the latter is found. Here the common phenomenon of parallelism is seen to be an important factor in providing a secondary line in which defamiliarisation may freely occur. This work offers a new approach to the poetry of the Old Testament that will be an aid towards more accurate translation, exegesis, and discourse analysis of poetic texts.
In The Shape of Hebrew Poetry, Matthew Ayars explores foregrounding and structural cohesion as the dual discourse function of linguistic parallelism in biblical Hebrew poetry through a robust application of Russian Formalist Roman Jakobson's conceptulisation of linguistic parallelism to the Egpytian Hallel (Psalm 113–118). Other hebraists and biblical Hebrew poetry specialists have long noted the importance of Jakobson's theory of parallelism for poetic texts of the Hebrew Bible, however, Ayars is the first to offer an application of Jakobsonian-based analysis to a poetic corpus of the Hebrew Bible.
Advances in the Study of Biblical Hebrew and Aramaic by Benjamin J. Noonan examines issues of interest in the current world of Biblical Hebrew and Aramaic scholarship and their impact on understanding the Old Testament; it provides an accessible introduction for students, pastors, professors, and commentators to understand these important issues.
Over the last 40 years, the study of word-order variation has become a prominent and fruitful field of research. Researchers of linguistic typology have found that every language permits a variety of word-order constructions, with subject, verb, and objects occupying varying positions relative to each other. It is frequently possible to classify one of the word orders as the basic or unmarked order and the others as marked. Moshavi’s study investigates word order in the finite nonsubordinate clause in classical Biblical Hebrew. A common marked construction in this type of clause is the preposing construction, in which a subject, object, or adverbial is placed before the verb. In this work, Moshavi formally distinguishes preposing from other marked and unmarked constructions and explores the distribution of these constructions in Biblical Hebrew. She carries out a contextual analysis of a sample (the book of Genesis) of preposed clauses in order to determine the pragmatic functions that preposing may express. Moshavi’s thesis is that the majority of preposed clauses can be classified as one of two syntactic-pragmatic constructions: focusing or topicalization. This meticulous yet approachable study will be useful both to students of Biblical Hebrew and to persons doing general study of syntax, especially those interested in the connection between linguistic form and pragmatic meaning.
An essential resource for sound exegesis of biblical poetry While previous books on parallelism have focused almost exclusively on semantic classification, in his new book David Toshio Tsumura focuses on the grammatical and phonetic aspects as well. In particular, he defines and illustrates the vertical grammatical relationship between parallel lines. Readers will master how to read Biblical Hebrew poetry effectively by focusing on the basic linguistic features of word order, parallelistic structure, and rhetorical devices. For the benefit of nonspecialists, all Hebrew poems are given in accessible transliteration. This book is an indispensable companion to the Hebrew Bible for both beginners and experienced scholars.
We rarely think about the way languages work because communicating in our native tongue comes so naturally to us. The Bible was written in ancient Hebrew, Aramaic, and Greek—languages no modern reader can claim to have a native understanding of. A better understanding of how language works should help us understand the Bible better as we seek to discern the original intent and meaning of each biblical author. In this book, you will get a basic introduction to the field of linguistics—its history, its key concepts, its major schools of thought, and how its insights can shed light on various problems in biblical Hebrew and Greek. Numerous examples illustrate linguistic concepts, and technical terminology is clearly defined. Learn how the study of language can enhance your Bible study.
Almost 75 percent of the Old Testament is made up of poetic passages, yet for many readers (lay Christians, even seminary students and pastors), biblical poetic passages remain the greatest challenge. Being unfamiliar with poetry in general and biblical poetry in particular, their reading and preaching are limited to selected poetic passages. This in turn limits their understanding of God's word. To help readers overcome these problems, the first four chapters of this book aim to get them familiarized with the literary techniques of biblical poets. To demonstrate how the techniques work to bring across the biblical theological message, the last three chapters offer poetic analyses of three passages of different kinds. In the process, we hope to draw attention to the beauty of the Hebrew poetic art and to the creative skill of biblical poets' versification. The ultimate aim, however, is to help readers discover the rich message of the Bible.
The Verb in Archaic Biblical Poetry: A Discursive, Typological, and Historical Investigation of the Tense System offers a comprehensive analysis of the syntactic, semantic, pragmatic, and discursive properties of the verb in the corpus of archaic" biblical poetry (The Song of Moses, Song of the Sea, Song of Deborah, Song of David, Blessing of Jacob, Oracles of Balaam, Blessing of Moses, and Song of Hannah). The approach integrates modern research on tense, aspect, and modality, while also addressing the complicated philological issues in these texts. The study presents discursive analysis of biblical poetic texts, systemic description of each text’s tense system, and reconstruction of the archaic verbal tenses as attested in part of the corpus.
In A Discourse and Register Analysis of the Prophetic Book of Joel, Colin M. Toffelmire presents a thorough analysis of the text of Joel from the perspective of Systemic Functional Linguistics. While traditional explorations of Joel generally engage the book from an historical or literary perspective, here Toffelmire examines syntactic and semantic patterning in the book, and builds from there toward a description of the linguistic register and context of situation that these linguistic patterns suggest. This work also showcases the usefulness of discourse analysis grounded in Systemic Functional Linguistics for the analysis of ancient texts.
The thesis shows that the Song of Songs can be read as a circular sequence of sub-poems, that follow logically from one another if they are understood as contributing to two main points, made in a woman's voice. The woman urges men to take romantic initiative to be committed exclusively and for life, and urges women three times to wait until they are approached by such men. If this reading is the best explanation of the text of the Song, then the Song is a unified work centered on a woman singing about human romantic love from a woman's perspective.