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Canterbury Press is proud to have acquired these backlist Ronald Blythe titles, consisting of illustrated collections of the authors regular weekly column on the back page of the Church Times where, with a poets eye, he observes the comings and goings of the rural world he sees from his ancient farmhouse in the South of England. Each volume was critically acclaimed on publication.
Long recognised as Britain’s greatest living rural writer, Ronald Blythe draws together literature, poetry, spirituality and memory which all merge to create an exquisite commentary on our times that is at once celebratory and elegiac. In this eleventh and final collection of his beloved 'Word from Wormingford', Ronald Blythe opens us our eyes to the small miracles that happen everywhere in ordinary life. With a poet’s deftness he gives us language with which to speak about the experiences that touch every life, but so often leave us speechless – life’s great joys and its incomprehensible sorrows. His writing awakens us to the colours and scents of the seasons and the weather, lets us listen to the myriad remembered conversations stored in his attic mind, evokes the smell of old books and all the memories they conjure up, and shows us how to be thankful for the inestimable blessing of simple routine.
With reverence and love, Britain’s most admired rural writer chronicles daily life in the Stour valley village, finding beauty and significance in its sheer ordinariness as well as in its many literary, artistic and historic associations. The year takes its shape from the seasons of nature and the feasts and festivals of the Christian year. Each informs and illuminates the other in this loving celebration of nature’s gifts and neighbourly friendship. Literature, poetry, spirituality and memory all merge to create an exquisite series of stories of our times. These delightful essays first appeared in the ‘Word From Wormingford’ column, a popular back page feature of the Church Times for some 20 years. It was praised as one of the finest journalistic columns by the Guardian in November 2012.
These exquisite mini essays reflect on the natural landscape, the changing seasons, village life, art, poetry, the stories that ancient churches tell, the Christian year. They refresh ones vision of ones own daily routine and surroundings and can be read over and over again, like poetry.
Over 3,200 entries An essential guide to authors and their works that focuses on the general canon of British literature from the fifteenth century to the present. There is also some coverage of non-fiction such as biographies, memoirs, and science, as well as inclusion of major American and Commonwealth writers. This online-exclusive new edition adds 60,000 new words, including over 50 new entries dealing with authors who have risen to prominence in the last five years, as well as fully updating the entries that currently exist. Each entry provides details of a writer's nationality and birth/death dates, followed by a listing of their titles arranged chronologically by date of publication.
With reverence and love, Britain's most admired rural writer chronicles daily life in a Stour valley village, finding beauty and significance in its sheer ordinariness as well as its many literary, artistic and historic associations.
'The View in Winter' is a timeless and moving study of the perplexities of living to a great age, as related by a wide range of men and women: miners, villagers, doctors, teachers, craftsmen, soldiers, priests, the widowed and long-retired. Their voices are set in the context of what literature, art, religion and medicine over the centuries have said about ageing. The result is an acclaimed and compelling reflection on an inevitable aspect of our human experience.
Gratitude and Grace: The Writings of Michael Mayne offers an introduction and overview of the five bestselling books by one of the United Kingdom's finest spiritual writers, Michael Mayne, who served as dean of Westminster Abbey from 1986 to 1996. Previously, he had served as vicar of Great St. Mary's (the University Church), Cambridge, and as Head of Religious Programmes for BBC Radio. Mayne's primary vocation was that of pastor, not writer, but his deep pastoral wisdom shines through in his books. Though clearly Christian in orientation, Michael Mayne's books were written to appeal to all who are on a quest to integrate spirituality into their daily lives. His work recalls the very best of English pastoral writing, such as that of George Herbert, Thomas Traherne, and Francis Kilvert. The list of the finest English pastoral books now includes those by Michael Mayne (d. 2006). Gratitude and Grace: The Writings of Michael Mayne is the first book-length treatment of Mayne's writings and will remain the starting point of Mayne studies for years to come.
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'All the charm, wonder, eccentricity and vigour of country life is here in these pages, and told with such engaging directness, detail and colour . . . Bliss' STEPHEN FRY 'A capacious work that contains multitudes . . . a work to amble through, seasonally, relishing the vivid dashes of colour and the precision and delicacy of the descriptions' THE SPECTATOR 'My favourite read of the year . . . warm, funny and moving' SUNDAY TIMES 'A writer whose pages you turn and then turn back immediately to re-read, relish and get by heart' SUSAN HILL, SUNDAY TELEGRAPH Ronald Blythe lived at the end of an overgrown farm track deep in the rolling countryside of the Stour Valley, on the border between Suffolk and Essex. His home was Bottengoms Farm, a sturdy yeoman's house once owned by the artist John Nash. From here, Blythe spent almost half a century observing the slow turn of the agricultural year, the church year and village life in a series of rich, lyrical rural diaries. Beginning with the arrival of snow on New Year's Day and ending with Christmas carols sung in the village church, Next to Nature invites us to witness a simple life richly lived. With gentle wit and keen observation Blythe meditates on his life and faith, on literature, art and history, and on our place in the landscape. It is a celebration of one of our greatest nature writers, and an unforgettable ode to the English countryside.