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The Worcester State Hospital offered a novel and compelling promise: that insanity could be cured by humane treatment in a therapeutic setting. Patients would enjoy its idyllic landscape, genteel interiors, wholesome food supplied from its farm, and the individualized attention of medical professionals. The hospital's reputation as a "model institution" helped to position the city of Worcester as an economic center and pioneer in social reform. Yet overcrowding, insufficient funds, and the limitations of medical knowledge undermined the institution's mission, leading to the abandonment of its original features. Despite downsizing and decay, the Worcester State Hospital continues to exert a tangible presence on the landscape. Its iconic clock tower, salvaged from demolition, stands as a reminder of its historical legacy and of the continuing role of the site--now the Worcester Recovery Center and Hospital--in the treatment of mental illness.
A Chicago Tribune "Best Books of 2014" • A Slate "Best Books 2014: Staff Picks" • A St. Louis Post-Dispatch "Best Books of 2014" The fascinating story of one of the most important scientific discoveries of the twentieth century. We know it simply as "the pill," yet its genesis was anything but simple. Jonathan Eig's masterful narrative revolves around four principal characters: the fiery feminist Margaret Sanger, who was a champion of birth control in her campaign for the rights of women but neglected her own children in pursuit of free love; the beautiful Katharine McCormick, who owed her fortune to her wealthy husband, the son of the founder of International Harvester and a schizophrenic; the visionary scientist Gregory Pincus, who was dismissed by Harvard in the 1930s as a result of his experimentation with in vitro fertilization but who, after he was approached by Sanger and McCormick, grew obsessed with the idea of inventing a drug that could stop ovulation; and the telegenic John Rock, a Catholic doctor from Boston who battled his own church to become an enormously effective advocate in the effort to win public approval for the drug that would be marketed by Searle as Enovid. Spanning the years from Sanger’s heady Greenwich Village days in the early twentieth century to trial tests in Puerto Rico in the 1950s to the cusp of the sexual revolution in the 1960s, this is a grand story of radical feminist politics, scientific ingenuity, establishment opposition, and, ultimately, a sea change in social attitudes. Brilliantly researched and briskly written, The Birth of the Pill is gripping social, cultural, and scientific history.
Danvers State Hospital revolutionized mental health care for more than a century, beginning in 1878. Today, it's buildings still have stories to tell. Perched high on the top of Hathorne Hill in what was once the village of Salem, Danvers State Insane Asylum was, for more than a century, a monument to modern psychiatry and the myriad advances in mental health treatment. From the time it opened its doors in 1878 until they were shuttered for good in 1992, the asylum represented decades of reform, the physical embodiment of the heroic visions of Dorothea Dix and Thomas Story Kirkbride. It would stand abandoned until 2005, when demolition began. Along with a dedicated group of private citizens, the Danvers Historical Society fought to preserve the Kirkbride structure, an effort that would result in the reuse of the administration building and two additional wings. Danvers has earned a unique place in history; the shell of the original Kirkbride building still stands overlooking the town. Though it has been changed drastically, the asylum's story continues as do efforts to memorialize it.
Powerful photographs of the grand exteriors and crumbling interiors of America's abandoned state mental hospitals. For more than half the nation's history, vast mental hospitals were a prominent feature of the American landscape. From the mid-nineteenth century to the early twentieth, over 250 institutions for the insane were built throughout the United States; by 1948, they housed more than a half million patients. The blueprint for these hospitals was set by Pennsylvania hospital superintendant Thomas Story Kirkbride: a central administration building flanked symmetrically by pavilions and surrounded by lavish grounds with pastoral vistas. Kirkbride and others believed that well-designed buildings and grounds, a peaceful environment, a regimen of fresh air, and places for work, exercise, and cultural activities would heal mental illness. But in the second half of the twentieth century, after the introduction of psychotropic drugs and policy shifts toward community-based care, patient populations declined dramatically, leaving many of these beautiful, massive buildings—and the patients who lived in them—neglected and abandoned. Architect and photographer Christopher Payne spent six years documenting the decay of state mental hospitals like these, visiting seventy institutions in thirty states. Through his lens we see splendid, palatial exteriors (some designed by such prominent architects as H. H. Richardson and Samuel Sloan) and crumbling interiors—chairs stacked against walls with peeling paint in a grand hallway; brightly colored toothbrushes still hanging on a rack; stacks of suitcases, never packed for the trip home. Accompanying Payne's striking and powerful photographs is an essay by Oliver Sacks (who described his own experience working at a state mental hospital in his book Awakenings). Sacks pays tribute to Payne's photographs and to the lives once lived in these places, “where one could be both mad and safe.”
Vol. for -1913/14 include Report of Worcester State Asylum.
By the late nineteenth century, Swedish immigrants began arriving by the thousands in New England, attracted by the area's heavy industry. In particular, the steel and ceramic shops of Worcester provided a livelihood for many of them. As a result, new areas of Swedish settlements developed throughout the surrounding towns. Swedes of Greater Worcester captures the area's Swedish heritage through a collection of images that displays everything from vintage weddings to ski-jumping events and stories known only by the families of the Swedes who first traveled to Worcester. These images represent a time when the Swedish element was a vital and vibrant part of the identity of the greater Worcester area.
Near the beginning of the twentieth century, thousands of Polish immigrants embarked upon the American Dream in Worcester as the city's lowest-paid mill workers. Slowly, they carved out their own "Polonia," with Millbury Street as the center. By the 1920s, Worcester's Polish community had built a parish with the largest parochial school in the county, established several civic associations, and become an influential group in the city's economy and ethnic composition. The Polish Community of Worcester celebrates the resilient and patriotic spirit of Worcester's Polonia from 1870 through 1970, with rare photographs from private collections and family albums.
At the beginning of the twentieth century, millions of immigrants came to the United States in search of a better life and greater opportunities for their families. However, the Armenians who came to Worcester between 1894 and 1930 were escaping a devastating genocide that tore their country apart. What they found and how they became an integral part of Worcester culture and history is the story found in Armenians of Worcester. Worcester was a mecca for many Armenians, who had escaped with little more than their lives. There were mills that provided work, and there was a growing number of Armenians who were struggling to make sense of what had happened in their homeland. The first Armenian Apostolic church and the first Armenian Protestant church in America were both in this city, and both helped to build new foundations for a community that was to enrich the city and slowly resurrect the art, theater, music, and food that celebrates the Armenian culture. The Armenian picnics that were an integrating influence in the early years continue even today as a gathering of clans and all who join in on these days of celebration.